The Adoration of the Magi | |
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Artist | Salomon Koninck |
Year | 1644–1646 |
Medium | oil paint, canvas |
Subject | adoration of the Magi |
Dimensions | 81 cm (32 in) × 66 cm (26 in) |
Location | Mauritshuis |
Collection | Mauritshuis, collection Willem V Prince of Orange Nassau |
Accession No. | 36 |
Identifiers | RKDimages ID: 4271 |
The Adoration of the Magi (Dutch: Aanbidding der wijzen), is a circa 1645 oil on panel painting of the Nativity by the Dutch artist Salomon Koninck in the collection of the Mauritshuis in The Hague. [1]
The Adoration of the Magi shows a nocturnal scene with Mary bending over the Child while the gifts of gold, frankincense and myrrh are presented by the three kings Melchior, Caspar and Balthazar with their entourages in procession. The robes of Melchior and Caspar are held by boys, continuing an Antwerp pictorial tradition started by Peter Paul Rubens. Caspar is holding the famous Amsterdam guild cup, which both reveals the Amsterdam origins of the painting and also raises the question if the other metal objects presented were equally famous. According to the museum, the painting's provenance goes back only as far as the heirs of Joan de Vries of Amsterdam in 1708. [2] Behind and above them, centrally placed in the composition, is the magi Balthazar, standing under a parasol with the star of Bethlehem shining above him.
The painting was painted soon after the time when Koninck was a pupil of Rembrandt. Many aspects of the fashions and poses in the composition are taken directly from earlier Rembrandt paintings, such as his 1634 version of the same subject, now in the Hermitage:
This painting was once in the collection of William V, Prince of Orange and was purchased by him in The Hague in 1762 as by another Rembrandt pupil, Gerbrand van den Eeckhout. [1] It was claimed by the French in 1795 and displayed at the Louvre during the French occupation. It was returned to the museum in 1815. [1]
The Adoration of the Magi or Adoration of the Kings or Visitation of the Wise Men is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path".
Philip de Koninck, or Philips Koninck (5 November 1619 – 4 October 1688 was a Dutch landscape painter and younger brother of Jacob Koninck.
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The Adoration of the Magi or The Epiphany is a triptych oil painting on wood panel by the Netherlandish artist Hieronymus Bosch, executed around 1485–1500. It is now in the Museo del Prado in Madrid, Spain.
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Salomon (de) Koninck was a Dutch painter of genre scenes and portraits, and an engraver.
The Adoration of the Magi is a 1619 Baroque painting by the Spanish artist Diego Velázquez now held in the Museo del Prado. It shows three kings presenting gifts to the Christ child: Melchior, who kneels in the foreground; Balthazar, who stands behind him wearing a red cape and a lace collar; and Caspar, who appears between the other two. An unidentified young man who stands behind Balthazar is looking on. Kneeling near the Virgin's left shoulder is Saint Joseph. The size and format of the painting indicate that it was made for an altarpiece.
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The Adoration of the Kings is an oil-on-panel painting of the Adoration of the Magi by the Netherlandish Renaissance artist Pieter Bruegel the Elder, painted in 1564, and now in the National Gallery, London.
The Master of the Lille Adoration, was an Early Netherlandish painter active in Antwerp, as one of the Antwerp Mannerists. He was first suggested as a distinct but unknown figure in 1995 in an article by Ellen Konowitz, a proposal which has been widely accepted. In 2014, Christie's gave his dates as "active Antwerp by c. 1523/35".
Balthazar, also called Balthasar, Balthassar, and Bithisarea, was according to Western Christian tradition one of the three biblical Magi along with Caspar and Melchior who visited the infant Jesus after he was born. Balthazar is traditionally referred to as the King of Arabia and gave the gift of myrrh to Jesus. In the Catholic Church, he is regarded as a saint.
The Adoration of the Magi is a circa 1480–1485 oil on panel painting of the Adoration of the Magi by the Renaissance artist Geertgen tot Sint Jans. It is held in the collection of the Rijksmuseum, in Amsterdam.
Adoration of the Magi is an oil on panel painting from the early 1520s by the Dutch Renaissance artist Jan Mostaert in the collection of the Rijksmuseum, Amsterdam, where in 2020 it was on display in room 0.1. The panel measures 51 cm × 36.5 cm, and the painted surface a little less at 48.5 cm × 34 cm. It is often called the Mostaert Amsterdam Adoration in art history, to distinguish it from the multitude of other paintings of the Adoration of the Magi.
TheMemorial Guild Cupby Adam van Vianen is a 1614 silver-gilt covered ewer in the Rijksmuseum, commissioned by the Amsterdam goldsmiths' guild to commemorate the death of Adam's brother Paulus van Vianen. It is an iconic symbol of the auricular style developed by the two brothers.
The Adoration of the Magi is a 1517 triptych by the Early Netherlandish painter Jacob Cornelisz. van Oostsanen in the collection of the Rijksmuseum.
The Adoration of the Magi is a painting by Portuguese artist Domingos Sequeira, dated to 1828. It shows the common subject in the Nativity art of the visit by the Three Kings to the infant Jesus, here given a grand theatrical treatment by including their spectacular and exotic retinues.