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William Congreve was an English playwright, poet and Whig politician. His works, which form an important component of Restoration literature, were known for their use of satire and the comedy of manners genre. Notable plays he wrote include The Old Bachelor (1693), The Double Dealer (1694), Love for Love (1695), The Mourning Bride (1697) and The Way of the World (1700). Dying in London, Congreve was buried at the Poets' Corner in Westminster Abbey.
A playwright or dramatist is a person who writes plays.
John James Osborne was an English playwright, screenwriter, actor, and entrepreneur. Born in London, he briefly worked as a journalist before starting out in theatre as a stage manager and actor. He lived in poverty for several years before his third produced play, Look Back in Anger (1956), brought him national fame.
Drama was introduced to Britain from Europe by the Romans, and auditoriums were constructed across the country for this purpose.
Sarah Kane was an English playwright, screenwriter and theatre director. She is known for her plays that deal with themes of redemptive love, sexual desire, pain, torture—both physical and psychological—and death. They are characterised by a poetic intensity, pared-down language, exploration of theatrical form and, in her earlier work, the use of extreme and violent stage action.
Thomas Neilson Paulin is a Northern Irish poet and critic of film, music and literature. He lives in England, where he was the G. M. Young Lecturer in English Literature at Hertford College, Oxford.
City comedy, also known as citizen comedy, is a genre of comedy in the English early modern theatre.
Look Back in Anger (1956) is a realist play written by John Osborne. It focuses on the life and marital struggles of an intelligent and educated but disaffected young man of working-class origin, Jimmy Porter, and his equally competent yet impassive upper-middle-class wife Alison. The supporting characters include Cliff Lewis, an amiable Welsh lodger who attempts to keep the peace; and Helena Charles, Alison's snobbish friend.
Tom Murphy was an Irish dramatist who worked closely with the Abbey Theatre in Dublin and with Druid Theatre, Galway. He was born in County Galway, Ireland and later lived in Dublin.
Kitchen sink realism is a British cultural movement that developed in the late 1950s and early 1960s in theatre, art, novels, film and television plays, whose protagonists usually could be described as "angry young men" who were disillusioned with modern society. It used a style of social realism which depicted the domestic situations of working-class Britons, living in cramped rented accommodation and spending their off-hours drinking in grimy pubs, to explore controversial social and political issues ranging from abortion to homelessness. The harsh, realistic style contrasted sharply with the escapism of the previous generation's so-called "well-made plays".
Lear is a 1971 three-act play by the British dramatist Edward Bond. It is a rewrite of William Shakespeare's King Lear. The play was first produced at the Royal Court Theatre in 1971, featuring Harry Andrews in the title role. It was revived by the Royal Shakespeare Company in 1982 with Bob Peck, and revived again at the Crucible Theatre, Sheffield, in 2005 with Ian McDiarmid.
The well-made play is a dramatic genre from nineteenth-century theatre, developed by the French dramatist Eugène Scribe. It is characterised by concise plotting, compelling narrative and a largely standardised structure, with little emphasis on characterisation and intellectual ideas.
James David Rudkin is an English playwright.
Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney and Thomas Kyd.
David Mercer was an English dramatist.
James Saunders was a prolific English playwright born in Islington, London. His early plays led to him being considered one of the leading British exponents of the Theatre of the Absurd.
Augustan drama can refer to the dramas of Ancient Rome during the reign of Caesar Augustus, but it most commonly refers to the plays of Great Britain in the early 18th century, a subset of 18th-century Augustan literature. King George I referred to himself as "Augustus," and the poets of the era took this reference as apropos, as the literature of Rome during Augustus moved from historical and didactic poetry to the poetry of highly finished and sophisticated epics and satire.
Theatre of United Kingdom plays an important part in British culture, and the countries that constitute the UK have had a vibrant tradition of theatre since the Renaissance with roots going back to the Roman occupation.
Hatred or hate is an intense negative emotional response towards certain people, things or ideas, usually related to opposition or revulsion toward something. Hatred is often associated with intense feelings of anger, contempt, and disgust. Hatred is sometimes seen as the opposite of love.
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics —the earliest work of dramatic theory.
References
- Lambert, J. W. 1963. Introduction. In New English Dramatists 7. Harmondsworth: Penguin. 7–13.
- Rudkin, David. 1963. Afore Night Comes. In New English Dramatists 7. Harmondsworth: Penguin. 73–139.
- Taylor, John Russell. 1963. Anger and After. Harmondsworth: Penguin.
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