Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths.
Jazz fusion is a music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll.
Acid jazz is a music genre that combines elements of funk, soul, and hip hop, as well as jazz and disco. Acid jazz originated in clubs in London during the 1980s with the rare groove movement and spread to the United States, Japan, Eastern Europe, and Brazil. Acts included The Brand New Heavies, D'Influence, Incognito, Us3, and Jamiroquai from the UK and Buckshot LeFonque and Digable Planets from the U.S. The rise of electronic club music in the middle to late 1990s led to a decline in interest, and in the twenty-first century, the movement became indistinct as a genre. Many acts that might have been defined as acid jazz are seen as jazz-funk, neo soul, or jazz rap.
Osibisa are a Ghanaian-British Afro-rock band founded in London in the late 1960s by four expatriate West African and three London based Caribbean musicians.
Now-Again Records is a Los Angeles–based music imprint that specializes in reissues and compilations of funk, soul, and psychedelic rock from the 1960s to the 1980s. Founded in 2002 by Eothen "Egon" Alapatt as a subsidiary of Stones Throw Records, the organization has since grown into an independent label with a vast global catalog and its own roster of contemporary artists.
Record collecting is the hobby of collecting sound recordings, usually of music, but sometimes poetry, reading, historical speeches, and ambient noises. Although the typical focus is on vinyl records, all formats of recorded music can be collected.
The World Is a Ghetto is the fifth album by American band War, released in late 1972 on United Artists Records. The album attained the number one spot on Billboard, and was Billboard magazine's Album of the Year as the best-selling album of 1973. In addition to being Billboard's #1 album of 1973, the album was ranked number 444 on Rolling Stone magazine's original list of the 500 greatest albums of all time. The title track became a gold record.
Twice Upon a Rhyme is an LP record by Paul Levinson with Ed Fox and Peter Rosenthal. It was released in 1972 by HappySad Records on vinyl.
Cymande are a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for "dove", which symbolises peace and love; "Dove" is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called "nyah-rock". The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s.
The Head Shop is an American psychedelic rock band from New York that released one eponymous album on Epic in 1969. The album cover features a swirling group of multi-colored boxes that surround a black-and-white image of a shrunken head. The back cover is mostly black with minimal copy but also includes a shot of the band lit from beneath.
Emergency! is the debut double album by American jazz fusion group The Tony Williams Lifetime featuring Williams with guitarist John McLaughlin and organist Larry Young. It was recorded and released in 1969 and was one of the first significant fusion recordings. The album is commonly regarded as an influential album in the jazz, rock, and fusion genres.
The Gass was a rock band formed in May 1965 by Robert Tench, Godfrey McLean, and Errol McLean. They were managed by Rik Gunnell and Active Management. The band fused melodies with soul, Latin influences, blues and progressive rock often employing complex rhythms with an eclectic mix of other influences.
Colin Curtis is a British DJ whose career spans several decades and musical developments.
Demon Fuzz was an English rock band which was formed in 1968 and broke up in 1972. Its members had all immigrated to Britain from Commonwealth countries. The band's name means "devil's children or bad policemen". The band's music has generally been described as progressive rock, psychedelic soul, jazz rock and funk. Their album, Afreaka!, has become a popular source for sampling. Since 2008, they have received sporadic airplay by the BBC radio presenters Huey Morgan and Gideon Coe.
Exploito is a term generally given to describe cover version or sound-alike recordings that capitalize on the official recordings of artists. Typically they are of the budget release type of album. Often the buying public would think they are buying an album by the actual artist.
Psychedelic funk is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk.
Progressive soul is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion.
Deutsche Elektronische Musik 2 is a 2013 compilation album released by Soul Jazz Records in 2013. It was a follow-up to their 2010 record Deutsche Elektronische Musik with further tracks covering West German krautrock groups and their music released between 1971 and 1983. It received positive reviews from music publications such as AllMusic, Uncut and Record Collector as well as newspapers such as The Independent and The Province.
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