Background and recording
In May 1965, shortly after the release of their single "Bring It On Home to Me", [20] keyboardist Alan Price left pop group the Animals. The reason for his departure from the group has been debated; though some sources claim it was a fear of flying stemming from their American tours, [21] [22] others claim it was a feud between lead singer Eric Burdon and Price regarding royalties over their 1964 single "The House of the Rising Sun", which solely credited Price as an arranger thus leaving the other members without any payments for the song. [22] [23] Price himself states that he left the day the band embarked on a tour to Sweden. [24] Price then decided on beginning a solo career while the Animals recruited a new keyboardist, initially Mick Gallagher for a short tour before settling on Dave Rowberry. [25]
Price then started putting together a band of his own, which consisted of baritone saxophonist Clive Burrows, tenor saxophonist Steve Gregory, guitarist Peter Kirtley, bassist Rod Slade, drummer Roy Mills along with trumpeter John Walters, whom he had met during his time in the Animals. [26] [27] The band quickly garnered a recording contract with Decca Records and subsequently debuted on record with a cover of Burt Bacharach's "Any Day Now (My Wild Beautiful Bird)" in August 1965. Although this release failed to chart, it "showed great promise". [28]
Price allegedly came to know about "I Put a Spell on You" through vocalist Chris Farlowe, who had a record collection comprising mostly rhythm and blues along with soul music. [27] It is unclear what version of the song he heard for his version; however, as the Animals were big fans of Nina Simone it is likely Price heard it through her version. [29] It was however part of the group's repertoire for a while before being recorded, which occurred during a rather tense moment of Price's life, as his mother died on New Year's Eve 1965, the day prior to recording it, which according to Price meant that "emotions sort of transmuted themselves onto the record". [24] The recording, which took place at Kingsway Recording Studios in London, was produced by Price together with manager Mike Jeffery. [30] It was, according to Price, "also the cheapest hit record to produce", allegedly costing only £16. [30] It was recorded rather straightforward in one take with the exception of a re-take involving the horn section. [30]
Release and reception
I was fed up with people looking around for "commercial" sounds for me month after month, and I decided to do "I Put A Spell On You". We'd been doing it on stage for some time and it had been going down well.
"I Put a Spell on You" was released through Decca Records on March 18, 1966, in the United Kingdom. [32] It was backed by "Iechyd-Da", an original instrumental composition written by John Walters. It quickly became a large hit, entering the Record Retailer chart on April 6, 1966, at a position of number 38. [33] It peaked at number 9 on April 27, a position it would hold for two weeks before dropping off the chart on June 8 at a position of number 50. [33] It fared similarly well on the other British charts, reaching number 12 in Melody Maker , New Musical Express and Disc. [34] [35] [36] It also reached number 1 on Fab 40. [37] It became a small hit in the United States, reaching number 80 on the Billboard Hot 100 in August of that year. [38]
Upon release, the single garnered generally positive reviews amongst critics. In Record Mirror, Peter Jones and Norman Jopling describe the single as having "sepulchral tones" set to the backing of Price's organ. [39] They also state that the build-up with Price's "moody vocals" "builds well" while ending on the notion that it is his best recording "since leaving the Animals". [39] In a blind date for Melody Maker with Barry Fantoni, the record is described as having vocals similar to Eric Burdon. [40] Beyond Burdon, Fantoni also believes there are traces of Steve Winwood in Price's voice. [40] He states that the "minor progressions are great" and ends on the notion that it "deserves to do well" due to its "big sound" reminiscent of James Brown. [40] Hawkins' was apparently not keen on Price's version due to the commercial success it had, as it kept him out of the spotlight. He is alleged to have stated "how could this white boy get credit for this black boy's song?" after watching Price perform it. [41] Additionally, Price was critical of Hawkins' original version of the song, calling it "terrible" compared to Nina Simone's version. [42]
Derek Johnson believes that "I Put a Spell on You" is one of the "finest rhythm and blues discs ever waxed in this country." [42] Retrospectively, the single has also received praise by critics. Richie Unterberger of AllMusic considered it "brilliant", [43] while also comparing it to previous material by the Animals, ending on the notion that it is "bluesy". [44] Unterberger also claims that "I Put a Spell on You" is "his best early performance", [45] "marvellous", [46] while also stating that it was amongst the best British hits not to become big in America. [47] Though never included on an album upon original release, it has later appeared on many albums by Price, the first being This Price Is Right in 1968. [45]
