"It Came Out of the Sky" | |
---|---|
Single by Creedence Clearwater Revival | |
from the album Willy and the Poor Boys | |
B-side |
|
Released | 1970 |
Recorded | 1969, Fantasy Studios, Berkeley, California |
Genre | |
Length | 2:53 |
Label | Fantasy Records |
Songwriter(s) | John Fogerty |
Producer(s) | John Fogerty |
"It Came Out of the Sky" is a song written by John Fogerty that was included on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys . It was also released as a single in some countries and has appeared on several of the group's compilation albums. It was included occasionally in the group's live set even after John Fogerty left the group and the remaining members reformed as Creedence Clearwater Revisited.
"It Came Out of the Sky" is a satirical song and one of Creedence Clearwater Revival's first forays into political themes. [3] The lyrics describe what happens when an object, presumably a meteorite or flying saucer, falls on the property of a farmer named Jody in Moline, Illinois. [3] [4] [5] [6] Various politicians and other figures attempt to use the incident for their own purposes. Then United States Vice President Spiro Agnew wants to use the incident to impose a tax on Mars. [7] Then Governor of California Ronald Reagan, called "Ronnie the Populist" in the song, claims it is part of a communist plot. [3] The pope claims it is evidence that "the Lord has come." [4] The movie industry quickly makes an epic film out of the incident. [3] Newscasters Walter Cronkite and Eric Sevareid interview Jody. [4] The Vatican and the White House argue over who should keep it. [4] Finally, Jody gets the last word by claiming possession of it and offering it for sale at the exorbitant price of 17 million dollars. [4]
Fogerty biographer Thomas Kitts explains that the song "draws on Chuck Berry rhythms, guitar licks and crisp storytelling. [3] The Guardian contributor Geoffrey Cannon similarly commented that the "hard, exhilarating, self-confident" guitar work was inspired by Berry. [8] San Francisco Examiner critic Philip Elwood described the song as "a lively rock 'n' roll vehicle combining a wild vocal and absolutely perfectly styled instrumental ensemble." [6] The Dispatch critic Dink Lorance describes the song as "an old-style rock and roller." [5]
Kitts interprets the song as exposing the "self-centeredness and limited vision of politicians, religious leaders, and the media, all of whom exploit events for aggrandizement and self-promotion" but they are all outsmarted by a simple Midwestern farmer. [3] He regards the song as being "a more humorous, less bitter attack on officials and institutions than we see elsewhere in Fogerty" and that it "champions the working classes who through efficiency and practicality get things done and are not so simple as the empowered think." [3] Cannon compares the song to the Dillards' "The Biggest Whatever" in that in both songs an enormous object falls from the sky onto the American countryside. [8] Cannon interprets the large object as "a metaphor for an idea, too big to be assimilated into the old ideas just as the world would turn upside down for anyone who saw an ant a foot long." [8]
Rolling Stone critic Alec Dubro praises the song as being "as funny as Dylan at his best" and for being able to "get three worlds of paranoia into one short, entertaining, musical song." [4] Dubro also asserts that the song successfully reconciles Fogerty's insistence that listeners put too much weight on political references in songs with Fogerty's belief that a song can have a message by being "message and comment without moralizing." [4]
The New Rolling Stone Album Guide critic Rob Sheffield highlighted the "sharp working class anger" of "It Came Out of the Sky" in regarding the song as part of "Fogerty's songwriting peak." [9] Allmusic critic Stephen Thomas Erlewine claims that "It Came Out of the Sky" is one of Creedence Clearwater Revival's best performances. [10] Elwood called it "great stuff, supported by pure 8-to-the-bar". [6] Village Voice critic Robert Christgau called it a "hidden treasure." [11] Nick DeRiso of Ultimate Classic Rock called it "a choice deep cut." [12] In early 1970 Tampa Tribune reporter Rory O'Connor felt that it had the potential to be the band's "next million seller single" and noted that it was receiving significant airplay on local radio. [13] Music journalist Hank Bordowitz praises Fogerty's "willingness to take a stand on the issues of the day" and for his "prescience" in being one of the first to criticize Reagan in a song. [7]
Creedence Clearwater Revival drummer Doug Clifford claimed that "It's a fun song. It's kind of a spoof on everybody." [3] Clifford also stated that he was surprised it did not become more popular. [14] Bassist Stu Cook called it "a tough act to follow." [7]
"It Came Out of the Sky" was included on several Creedence Clearwater Revival compilation albums, including Chronicle, Vol. 2 in 1986, Keep On Chooglin' in 1999 and Creedence Clearwater Revival: Box Set in 2001. [15] It was released as a single in the UK backed with "Side O the Road" and in Spain backed with "Cotton Fields." [16]
Creedence Clearwater Revival sometimes played the song live and it appears on the 1973 live album Live in Europe . [15] Commenting on a 1971 concert, Elwood commented that Cook's bass playing on the song was "imaginative and forceful." [17] After Fogerty left the group and Clifford and Cook formed Creedence Clearwater Revisited, they continued to occasionally play the song live. [18] According to Cook, the band continues to play the song for themselves at soundchecks, even though much of the audience typically fails to recognize it when they include it in the shows. [18]
Creedence Clearwater Revival, commonly abbreviated as CCR or simply Creedence, was an American rock band formed in El Cerrito, California. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive Top 10 singles and five consecutive Top 10 albums in the United States, two of which – Green River (1969) and Cosmo's Factory (1970) – topped the Billboard 200 chart. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
Cosmo's Factory is the fifth studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on July 16, 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the Billboard Hot 100. The album spent nine consecutive weeks in the number one position on the Billboard 200 chart and was certified 4x platinum by the Recording Industry Association of America (RIAA) in 1990. Rolling Stone ranked it number 413 on its 2020 list of the "500 Greatest Albums of All Time".
Thomas Richard Fogerty was an American musician, best known as the rhythm guitarist for Creedence Clearwater Revival. He was posthumously inducted into the Rock and Roll Hall of Fame in 1993.
Creedence Clearwater Revival is the debut studio album by the American rock band Creedence Clearwater Revival, released in July 1968, by Fantasy Records in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Bayou Country is the second studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on January 15, 1969, and was the first of three albums CCR released in that year. Bayou Country reached number 7 on the Billboard 200 chart and produced the band's first No. 2 hit single, "Proud Mary".
Green River is the third studio album by the American rock band Creedence Clearwater Revival, released on August 7, 1969 by Fantasy Records. It was the second of three albums they released in that year, preceded by Bayou Country in January and followed by Willy and the Poor Boys in October.
Willy and the Poor Boys is the fourth studio album by the American rock band Creedence Clearwater Revival, released on October 29, 1969, by Fantasy Records. It was the last of three studio albums the band released that year, arriving just three months after Green River. In 2020, Rolling Stone ranked the album number 193 on its list of the "500 Greatest Albums of All Time".
Pendulum is the sixth studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on December 9, 1970. It was the second studio album the band released that year, arriving five months after Cosmo's Factory.
Mardi Gras is the seventh and final studio album by the American rock band Creedence Clearwater Revival, released on April 11, 1972 by Fantasy Records. Recorded after the departure of guitarist Tom Fogerty, it was the band's only studio album as a trio, and featured songs written, sung, and produced by each of the remaining members, rather than just John Fogerty. The recording sessions were marred by personal and creative tensions, and the group disbanded after a short U.S. tour to support the album.
Live in Europe is the first live album by American rock band Creedence Clearwater Revival. Although released in 1973, it was recorded in 1971 during the Pendulum tour.
Stuart Alden Cook is an American bass guitarist, best known for being a member of the rock band Creedence Clearwater Revival (CCR), for which he is a member of the Rock and Roll Hall of Fame.
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts.
Creedence Clearwater Revisited is an American rock band formed in 1995 by bassist Stu Cook and drummer Doug "Cosmo" Clifford, former members of Creedence Clearwater Revival, to play live versions of that band's music.
"Lookin' out My Back Door" is a song recorded by the American band Creedence Clearwater Revival. Written by the band's lead singer, guitarist and songwriter John Fogerty, it is included on their fifth album Cosmo's Factory (1970), and became their fifth and final number-two Billboard hit, held off the top by Diana Ross's version of "Ain't No Mountain High Enough". It was their only Cash Box Top 100 number-one hit.
"Sweet Hitch-Hiker" is a song by the American roots/swamp rock band Creedence Clearwater Revival from their 1972 album Mardi Gras. It was first released as a single in 1971 and reached #6 on the Billboard Hot 100, becoming their 9th and last top 10 hit. On the Record Retailer UK Singles Chart, it peaked at #36.
"Ramble Tamble" is a song written by John Fogerty and recorded by Creedence Clearwater Revival. It was released as the opening track on the band's fifth studio album, Cosmo's Factory, in 1970. It is known for its lengthy instrumental section and tempo changes.
"Commotion" is a song by Creedence Clearwater Revival from the album Green River, and was also the B-side of the single release of the album's title track. In 1980, "Tombstone Shadow" b/w "Commotion'" was released as a single in the United States. While released as a B-side, "Commotion" reached #30 in the United States on the Billboard Hot 100 and #16 in Germany. It was written by John Fogerty and recorded at Wally Heider's Studios in San Francisco in June 1969. The 45rpm was the debut session of the band at Wally Heider's and the first collaboration with engineer Russ Gary.
"Don't Look Now " is a song written by John Fogerty that was first released on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It has also appeared on several of the group's live and compilation albums. It was covered by Minutemen on their 1984 album Double Nickels on the Dime.
Live at Woodstock is a live album released on August 2, 2019 via Fantasy Records. The set documents swamp rock band Creedence Clearwater Revival's set at the Woodstock music festival on August 17, 1969. The release has received positive reviews and moderate chart success.
"Keep On Chooglin'" is a song written by John Fogerty that was first released as the final song on Creedence Clearwater Revival's 1969 album Bayou Country. The song was often used to close Creedence Clearwater Revival concerts and was later covered by several other artists including Fogerty as a solo artist. The song popularized the neologism "chooglin'."