"Feel the Need in Me" | ||||
---|---|---|---|---|
Single by the Detroit Emeralds | ||||
from the album You Want It, You Got It | ||||
B-side | "There's a Love for Me Somewhere" | |||
Released | October 1972 | |||
Genre | Soul | |||
Length | 3:21 (single edit) 3:41 (album version) 7:06 (1977 version) | |||
Label | Westbound 209 Westbound 55401 | |||
Songwriter(s) | Abrim Tilmon | |||
Producer(s) | Katouzzion | |||
The Detroit Emeralds singles chronology | ||||
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Official Audio | ||||
"Feel the Need in Me" on YouTube |
"Feel the Need in Me" is a song written by Abrim Tilmon, a member of the American R&B/soul vocal group the Detroit Emeralds. It was released as a single by the group in October 1972 on the Westbound label. It reached number 4 on the UK Singles Chart, number 22 on the R&B chart, and number 110 on the Billboard pop chart. [1] The song was featured on their 1972 album You Want It, You Got It . [2]
The group re-recorded the song and re-released a disco version in 1977 as "Feel the Need". This version reached number 12 on the UK Singles Chart, number 14 on the U.S. dance chart, number 73 on the R&B chart, and number 90 on the Billboard pop chart. [3] It was featured on their 1973 album Feel the Need [4] and has appeared on many other compilation albums since. [5]
The song was produced by Katouzzion and arranged by Abrim Tilmon and Johnny Allen.
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a fade-in, marking one of the first times the technique had been used on a studio recording.
"You Keep Me Hangin' On" is a song written and composed by Holland–Dozier–Holland. It was first recorded in 1966 by American Motown girl group the Supremes, reaching number one on the Billboard Hot 100. American rock band Vanilla Fudge released a cover version in June the following year, which reached number six on the Billboard Hot 100. English singer Kim Wilde covered "You Keep Me Hangin' On" in 1986, reaching number one on the Billboard Hot 100 in June 1987. In the first 32 years of the Billboard Hot 100 rock era, "You Keep Me Hangin' On" became one of the six songs to reach number one by two different musical acts. In 1996, American country singer Reba McEntire's version reached number two on the US Billboard Hot Dance Club Play chart. The BBC ranked the Supremes' original song at number 78 on The Top 100 Digital Motown Chart, which ranks Motown releases by their all-time UK downloads and streams.
"Ain't Nothing Like the Real Thing" is a 1968 single released by American R&B/soul duo Marvin Gaye and Tammi Terrell, on the Tamla label in 1968. The B-side of the single is "Little Ole Boy, Little Ole Girl" from the duo's United LP. The first release off the duo's second album: You're All I Need, the song - written and produced by regular Gaye/Terrell collaborators Ashford & Simpson - became a hit within weeks of release eventually peaking at number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart, the first of the duo's two number 1 R&B hits. In the UK "Ain't Nothing Like the Real Thing" reached number 34.
"This Ole House" is an American popular song written by Stuart Hamblen, and published in 1954. Rosemary Clooney's version reached the top of the popular music charts in both the US and the UK in 1954. The song again topped the UK chart in 1981 in a recording by Shakin' Stevens.
"Saving All My Love for You" is a song written by Michael Masser and Gerry Goffin, originally recorded by Marilyn McCoo and Billy Davis Jr. for their album Marilyn & Billy (1978). American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records as the second single from the album in the United States and third worldwide.
"Man! I Feel Like a Woman!" is a song by Canadian singer-songwriter Shania Twain from her third studio album, Come On Over (1997). Written by Twain and her longtime collaborator and then-husband Robert John "Mutt" Lange, who also produced the track, the song was released first to North American country radio stations in March 1999 as the eighth single from the album, and it was released worldwide later the same year. "Man! I Feel Like a Woman!" is a country pop song with lyrics about female empowerment.
"Ain't Nobody" is a song by American funk band Rufus and American singer Chaka Khan. It was released on November 4, 1983, as one of four studio tracks included on their live album, Stompin' at the Savoy (1983). "Ain't Nobody" quickly gathered popularity, and reached number one on the US Billboard R&B chart and number 22 on the US Billboard Hot 100. It has become one of Khan's signature songs.
The Detroit Emeralds are an American R&B/soul vocal group, best known in the early 1970s. They enjoyed a run of successful records in the decade including their 1973 transatlantic hit single, "Feel the Need in Me".
"Cold" is a song by Scottish singer-songwriter Annie Lennox. It was released as the fourth single from her first solo album, Diva (1992), and reached no. 26 in the UK. The single was released as a series of three separate CD singles, titled Cold, Colder and Coldest. Each CD featured the track "Cold" as well as a collection of live tracks. It was the first single to chart in the UK Top 40 without being released on vinyl. A cassette version was also available featuring the lead track and one live track from each CD.
The Epic Masters is a box set compilation comprising ten remastered albums by Shakin' Stevens. Released on 16 November 2009, the set contains nine albums originally released by Epic Records between 1980 and 1990, plus an exclusive CD of 12" extended mixes. The set was also made available as a download through iTunes.
You Want It, You Got It is the second studio album by American vocal group, The Detroit Emeralds, released in 1972 through Westbound Records.
"It's Late" is a song written by Dorsey Burnette, who recorded it on August 28, 1958. However, it was not released and its first appearance was on a compilation album by Imperial Records in 1980. It is better known for its release as a single by Ricky Nelson in February 1959, subsequently reaching number 3 in the UK, number 9 on the Billboard Hot 100, and number 30 on the R&B chart in that year. The song is featured on the 1959 album Ricky Sings Again.
"Do Me Right" is a song written by Abrim Tilmon and James Mitchell and performed by the Detroit Emeralds. The song was produced by Katouzzion and arranged by Abrim Tilmon and Sonny Sanders.
"Wear This Ring (with Love)" is a song written by Abrim Tilmon and James Mitchell and performed by The Detroit Emeralds. It reached #18 on the R&B chart and #91 on the Billboard Hot 100 in 1971. The song was featured on their 1971 album, Do Me Right.
"You Want It, You Got It" is a song written by Abrim Tilmon and performed by The Detroit Emeralds. The song was produced by Katouzzion and arranged by Abrim Tilmon and Johnny Allen.
"Baby Let Me Take You (In My Arms)" is a song written by Abrim Tilmon and performed by The Detroit Emeralds. It reached #4 on the R&B chart and #24 on the Billboard Hot 100 in 1972. The song was featured on their 1972 album, You Want It, You Got It.
"You're Gettin' a Little Too Smart" is a song written by Abrim Tilmon and performed by the Detroit Emeralds. It reached number 10 on the R&B chart and just missed the Billboard Hot 100 in 1973, reaching number 101. The song was featured on their 1973 album, I'm in Love with You.
Do Me Right is the debut studio album by American vocal group, The Detroit Emeralds, released in 1971 through Westbound Records.
"I Was Made for Dancin'" is a song written by Michael Lloyd and performed by Leif Garrett. It reached #4 on the UK Singles Chart, #10 on the Billboard Hot 100, and #38 on the US adult contemporary chart. It also reached #2 in Australia, #10 in Germany, and #12 in Japan. The song, produced by Lloyd and arranged by John D'Andrea, was featured on his 1978 album, Feel the Need.
"Lonely Blue Boy" is a song written by Ben Weisman and Fred Wise and performed by Conway Twitty. It reached #6 on the U.S. pop chart and #27 on the U.S. R&B chart in 1960. It was featured on his 1960 album Lonely Blue Boy.