Bayou Country is the second studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on January 15, 1969,[7] and was the first of three albums CCR released in that year.[1]Bayou Country reached number 7 on the Billboard 200 chart and produced the band's first No. 2 hit single, "Proud Mary".
After ten years of struggling as the Blue Velvets and the Golliwogs, singer/guitarist John Fogerty, his brother guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford scored a No. 11 hit single with "Susie Q" in June 1968 under the name Creedence Clearwater Revival. Their self-titled album peaked at No. 52 on the Billboard albums chart.
Despite their new-found success, however, seeds of discontent among the four members had already been planted due to John Fogerty assuming control of the band at just about every level. "There was a point at which we had done the first album. Everybody had listened to my advice. I don't think anybody thought too much about it," Fogerty recalled to Michael Goldberg of Rolling Stone in 1993. "But in making the second album, Bayou Country, we had a real confrontation. Everybody wanted to sing, write, make up their own arrangements, whatever, right? This was after ten years of struggling. Now we had the spotlight. Andy Warhol's fifteen minutes of fame. 'Susie Q' was as big as we'd ever seen. Of course, it really wasn't that big...I didn't want to go back to the carwash."
In 2007, the singer elaborated to Joshua Klein of Pitchfork, "I determined, we're on the tiniest record label in the world, there's no money behind us, we don't have a manager, there's no publicist. We basically had none of the usual star-making machinery, so I said to myself I'm just going to have to do it with the music...Basically I wanted to do what the Beatles had done. I sensed that I just had to do it myself."
Composition
Bayou Country contains what is arguably John Fogerty's most heralded composition, "Proud Mary", which peaked at No. 2 on the singles chart. In a 1969 interview, Fogerty said that he wrote it in the two days after he was discharged from the National Guard.[8] In the liner notes for the 2008 expanded reissue of Bayou Country, Joel Selvin explained that the riffs for "Proud Mary", "Born on the Bayou", and "Keep on Chooglin'" were conceived by Fogerty at a concert in the Avalon Ballroom, and "Proud Mary" was arranged from parts of different songs, one of which was about a "washerwoman named Mary".[9] The line "Left a good job in the city" was written following Fogerty's discharge from the National Guard, and the line "rollin' on the river" was from a movie by Will Rogers.[10] In the Macintosh program "Garage Band", Fogerty explained that he liked Beethoven's Fifth Symphony, and wanted to open a song with a similar intro, referring to the way "Proud Mary" opens with the repeated C chord to A chord. In 1998, Fogerty admitted to Harold Steinblatt of Guitar World that he knew the composition was "my first really good song. I was 23 years old, I believe, and I'd been kind of playing at music for 10 years. But I recognized the importance of 'Proud Mary' immediately." In the same interview, Fogerty stated that the guitar solo was "me trying to be Steve Cropper," the guitarist from Booker T. & the M.G.s. The song was acclaimed almost immediately, with Solomon Burke scoring a minor hit with it in 1969 and a radically rearranged version appearing on Ike and Tina Turner's 1971 LP Workin' Together. Bob Dylan told Rolling Stone in a 1969 interview that it was his favorite song of the year. In 2012, Fogerty recalled to Uncut's David Cavanagh that he was extremely focused at the time, honing his songwriting with a single-mindedness that led to a proficient string of hits:
I would sit in my little apartment - which was very sparse - and stare at the wall. That's how I wrote. I would stare at it all night. There was nothing hanging on the wall, because I didn't have any money for paintings. It was just a beige wall. It was a blank slate, a blank canvas. But it was also exciting. I could go anywhere and do anything because I was a writer. I was conjuring that place deep in my soul that was me.
The swampy album opener "Born on the Bayou" was conceived in the same setting, with Fogerty explaining to Lynne Margolis of American Songwriter in 2013:
And it’s the middle of the night, I’m looking at my blank wall and basically going into another dimension — whatever you do when you’re kind of meditating — and that whole sound, that ringing, the way my amp sounded was takin’ me in there, and right at that moment, I don’t know if I’d written it first on a piece of paper, but it collided in my brain with the phrase, born on the bayou... And I pulled everything I knew about it, which wasn’t much because I didn’t live there. It was all through media. I loved an old movie called Swamp Fever...every other bit of southern bayou information that had entered my imagination from the time I was born, it all sort of collided in that meditation about that song. And I knew that that sound and that story went together. I can’t tell you why.
In 1970, Fogerty told Pop Chronicles, "'Born on the Bayou' was vaguely like 'Porterville,' about a mythical childhood and a heat-filled time, the Fourth of July. I put it in the swamp where, of course, I had never lived...'Chasing down a hoodoo.' Hoodoo is a magical, mystical, spiritual, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly other-worldly. I was getting some of that imagery from Howlin' Wolf and Muddy Waters."[11] In an interview with Jeb Wright on the Classic Rock Revisited website, Clifford cited "Born on the Bayou" as his favorite Creedence song, stating, "The favorite song that we ever did, for me, was 'Born on the Bayou.' Still, when I hear that song I go, 'That’s me playing on that.' It is a weird thing. It was greasy and we were right out of the clubs. That song had so much soul in it." Although not a concept album, Fogerty did acknowledge to Rolling Stone in 1993 that "Born on the Bayou" "is almost the Gordian knot or the key to what happened later. As I was writing it, it occurred to me that there was more power than just this one song. If there was a way to tie it all together on one album, kind of cross-fertilize, cross-relate the songs, you would have a much more interesting and maybe more powerful image. So that's what happened. 'Born on the Bayou' sort of relates to 'Proud Mary.' It certainly relates to 'Keep on Chooglin' and 'Graveyard Train.'"
Some of the other Creedence members have taken exception to the notion that Fogerty was the sole creative force in the band, with Doug Clifford telling Gary James of classicbands.com, "We all jammed every day when we weren't on the road and actually when we were on the road. We'd play acoustically at night. Three to four hours every night we would work the songs out or songs would come out of that song pool. The rest of us didn't get any credit for anything that came out of it. That's okay. I'm not crying over spilled milk, but when you really look at how prolific John was in the 3½ years that we had our success and the major drought he's had as a solo artist, I think it adds a little more credence...to what we contributed to the band." The atmosphere behind the scenes was indeed worsening; in a 2012 article with Uncut's Tom Pinnock, Fogerty recalled, "We went into RCA in Hollywood, Studio A, to record Bayou Country in October. We had the music for “Proud Mary” recorded, and I knew what I wanted the backgrounds to sound like. I showed the other guys how to sing the backgrounds, having remembered what we'd sounded like on “Porterville”, which was very ragged, not melodious...And I heard our tape back, and I just went, “Nahhh, that’s not gonna work.” So we had a big fight over that...We literally coulda broke up right there."
In addition to the Fogerty originals, Bayou Country also features a version of Little Richard's "Good Golly Miss Molly" with slightly changed lyrics; instead of the result of the gift of a diamond ring being, "When she hugs me, her kissin' make me ting-a-ling-a-ling," John Fogerty sang, "Would you pardon me a kissin' and a ting-a-ling-a-ling?"[12] "Keep On Chooglin'", laced with sexual innuendo, would become a concert show-stopper for the band.
In an early review, Rolling Stone thought that the album suffered from a major fault of inconsistency. "The good cuts are very good; but the bad ones just don't make it," it said. The review was positive on the title track "Born on the Bayou" and "Proud Mary", but thought many of the other tracks lacked originality. Overall it considered the material in the album "not always strong, but Creedence Clearwater Revival plays with enough gusto to overcome this problem."[16] For its 40th-anniversary reissue in 2008, the album was given a score of 3.5 stars out of 5.[17]
On AllMusic the album received 4.5 stars (out of 5), with Stephen Thomas Erlewine stating: "Opening slowly with the dark, swampy "Born on the Bayou", Bayou Country reveals an assured Creedence Clearwater Revival, a band that has found its voice between their first and second album. It's not just that "Born on the Bayou" announces that CCR has discovered its sound—it reveals the extent of John Fogerty's myth-making."[13]
Creedence Clearwater Revival, commonly abbreviated as CCR or simply Creedence, was an American rock band formed in El Cerrito, California. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive Top 10 singles and five consecutive Top 10 albums in the United States, two of which – Green River (1969) and Cosmo's Factory (1970) — topped the Billboard 200 chart. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
Cosmo's Factory is the fifth studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on July 16, 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the Billboard Hot 100. The album spent nine consecutive weeks in the number one position on the Billboard 200 chart and was certified 4x platinum by the Recording Industry Association of America (RIAA) in 1990. Rolling Stone ranked it number 413 on its 2020 list of the "500 Greatest Albums of All Time".
Creedence Clearwater Revival is the debut studio album by the American rock band Creedence Clearwater Revival, released in July 1968, by Fantasy Records in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Green River is the third studio album by the American rock band Creedence Clearwater Revival, released on August 7, 1969 by Fantasy Records. It was the second of three albums they released in that year, preceded by Bayou Country in January and followed by Willy and the Poor Boys in October.
Willy and the Poor Boys is the fourth studio album by the American rock band Creedence Clearwater Revival, released on October 29, 1969, by Fantasy Records. It was the last of three studio albums the band released that year, arriving just three months after Green River. In 2020, Rolling Stone ranked the album number 193 on its list of the "500 Greatest Albums of All Time".
Mardi Gras is the seventh and final studio album by the American rock band Creedence Clearwater Revival, released on April 11, 1972 by Fantasy Records. Recorded after the departure of guitarist Tom Fogerty, it was the band's only studio album as a trio, and featured songs written, sung, and produced by each of the remaining members, rather than just John Fogerty. The recording sessions were marred by personal and creative tensions, and the group disbanded after a short U.S. tour to support the album.
Live in Europe is the first live album by American rock band Creedence Clearwater Revival. Although released in 1973, it was recorded in 1971 during the Pendulum tour.
"Bad Moon Rising" is a song written by John Fogerty and performed by Creedence Clearwater Revival. It was the lead single from their album Green River and was released on April 16, 1969 four months before the album. The song peaked at No. 2 on the Billboard Hot 100 chart on 28 June 1969 and reached No. 1 on the UK Singles Chart for three weeks in September of that year. It was CCR's second gold single.
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts.
"Proud Mary" is a song by American rock band Creedence Clearwater Revival, written by vocalist and lead guitarist John Fogerty. It was released as a single in January1969 by Fantasy Records and on the band's second studio album, Bayou Country. The song became a major hit in the United States, peaking at No. 2 on the Billboard Hot 100 in March 1969, the first of five singles to peak at No. 2 for the group.
The Concert is the second live album by American rock band Creedence Clearwater Revival, released by Fantasy Records in October 1980. It was recorded at the Oakland–Alameda County Coliseum Arena in Oakland, California, on January 31, 1970.
Creedence Clearwater Revival: Box Set is a career-spanning box set by Creedence Clearwater Revival, released in 2001. It contains the entirety of their seven studio albums, two live albums, and material recorded by the band under their previous names "The Golliwogs" and "The Blue Velvets", which comprises the majority of their released output. In November 2013, the box set was reissued with different artwork.
The Blue Ridge Rangers is the first solo studio album by John Fogerty, the former lead singer and lead guitarist of Creedence Clearwater Revival.
Keep On Chooglin' is a Creedence Clearwater Revival compilation album released in Australasia in 1995, that includes the eponymous track, taken from the album Bayou Country. The meaning of the neologism "choogling" can be found in the lyrics of the song: "...You got to ball and have a good time / And that's what I call chooglin'."
"Who'll Stop the Rain" is a song written by John Fogerty and originally recorded by Creedence Clearwater Revival for their 1970 album Cosmo's Factory. Backed with "Travelin' Band", it was one of three double-sided singles from that album to reach the top five on the Billboard Pop Singles chart and the first of two to reach the No. 2 spot on the American charts, alongside "Lookin' Out My Back Door"/"Long As I Can See the Light". In 2004, Rolling Stone ranked it No. 188 on its "500 Greatest Songs of All Time" list.
"Green River" is a song by American rock band Creedence Clearwater Revival. It was written by John Fogerty and released as a single in July 1969, one month before the album of the same name was released. "Green River" peaked at number two for one week, behind "Sugar, Sugar" by The Archies, and was ranked by Billboard as the No. 31 song of 1969.
Live at Woodstock is a live album released on August 2, 2019 via Fantasy Records. The set documents swamp rock band Creedence Clearwater Revival's set at the Woodstock music festival on August 17, 1969. The release has received positive reviews and moderate chart success.
"Keep On Chooglin'" is a song written by John Fogerty that was first released as the final song on Creedence Clearwater Revival's 1969 album Bayou Country. The song was often used to close Creedence Clearwater Revival concerts and was later covered by several other artists including Fogerty as a solo artist. The song popularized the neologism "chooglin'."
Travelin' Band: Creedence Clearwater Revival at the Royal Albert Hall is a 2022 documentary film directed by Bob Smeaton. The film documents the origins of the American swamp rock band Creedence Clearwater Revival and their 1970 European tour, culminating in an April 14, 1970, performance at London's Royal Albert Hall. The movie takes its name from the band's song "Travelin' Band".
Ultimate Creedence Clearwater Revival: Greatest Hits & All-Time Classics is a three-disc greatest hits album by American rock band Creedence Clearwater Revival, released in 2012 by Fantasy Records and Concord Music Group.
↑ Hank Bordowitz (2007). Bad Moon Rising: The Unauthorized History of Creedence Clearwater Revival. Chicago, Illinois: Chicago Review Press, Incorporated. p. 69. ISBN978-1-55652-661-9.
↑ Fogerty, J, 2015. Fortunate Son: My Life, My Music. 1st ed. U.K.: Hachette.
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