Willy and the Poor Boys | ||||
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Studio album by | ||||
Released | October 29, 1969 [1] | |||
Studio | Wally Heider (San Francisco) [2] | |||
Genre | ||||
Length | 34:31 | |||
Label | Fantasy | |||
Producer | John Fogerty | |||
Creedence Clearwater Revival chronology | ||||
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Singles from Willy and the Poor Boys | ||||
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Willy and the Poor Boys is the fourth studio album by the American rock band Creedence Clearwater Revival, released on October 29, 1969, by Fantasy Records. It was the last of three studio albums the band released that year, arriving just three months after Green River . [6] In 2020, Rolling Stone ranked the album number 193 on its list of the "500 Greatest Albums of All Time".
The album features the songs "Down on the Corner", from which the album got its name, and "Fortunate Son", which is a well-known protest song. [7] Creedence also released its own version of "Cotton Fields" on this album, which reached the No. 1 position in Mexico.
The album was planned to be formed around a concept introduced in "Down on the Corner", with Creedence taking on the identity of an old-time jug band called "Willy and The Poor Boys". However, this was dropped rather quickly, except for the song "Poorboy Shuffle" and the album cover itself, where the band remains in character.
By the fall of 1969, Creedence Clearwater Revival was one of the most popular rock bands in the world, having scored three consecutive No. 2 singles and the No. 1 album Green River . In addition, the group had performed at the landmark Woodstock Festival in August and made several high-profile television appearances, including The Ed Sullivan Show . Bandleader and songwriter John Fogerty had assumed control of the band after several years of futility, but, despite their growing success, the other members –bassist Stu Cook, drummer Doug Clifford and guitarist Tom Fogerty, John's older brother –began to chafe under Fogerty's leadership.[ citation needed ] In 1969, the band released three full-length albums while also fulfilling touring commitments. "That was a bit of overkill and I never did understand that," Clifford stated to Jeb Wright of Goldmine in 2013, "Fogerty told us that if we were ever off the charts, then we would be forgotten... To make it worse, it might sound funny, but we had double-sided hits, and that was kind of a curse, as we were burning through material twice as fast. If we'd spread it out, we would not have had to put out three albums in one year." On that point, Fogerty told Guitar World's Harold Steinblatt in 1998, "Everyone advised me against putting out great B-sides. They'd tell me I was wasting potential hits. And I looked at them and said, 'Baloney. Look at the Beatles. Look at Elvis. It's the quickest way to show them all that good music."
In August, CCR released its third LP, Green River . Shortly after, it began recording songs for its next LP, Willy and the Poor Boys. Two months later the band released its eighth single, "Down on the Corner" b/w "Fortunate Son". [6] The single's A-side reached #3 on the Billboard Hot 100 and its B-side made it to No. 14. [8] "Down on the Corner" chronicles the tale of the fictional band Willy and the Poor Boys, and how they play on street corners to cheer people up and ask for nickels. The song makes reference to a washboard, a kazoo, a Kalamazoo Guitar, and a gut bass. [9] In a 1969 appearance on The Music Scene , [10] the band performed the song as Willy and the Poor Boys. Stu Cook played a gut bass, Doug Clifford the washboard, and Tom Fogerty the Kalamazoo, which mimicked the appearance of the band as they appear on the album cover.
"Down on the Corner" b/w "Fortunate Son" peaked at No. 3 on December 20, 1969, on the Hot 100. "Fortunate Son" is a counterculture era anti-war anthem, criticizing militant patriotic behavior and those who support the use of military force without having to pay the costs themselves (either financially or by serving in a wartime military). [11] The song, released during the Vietnam War, is not explicit in its criticism of that war in particular, but its attacks on the elite classes (the families that give birth to eponymous "fortunate sons") of the United States and their withdrawal from the costs of nationalistic imperialism are easy to contextualize to that conflict. The song was inspired by the wedding of David Eisenhower, the grandson of United States President Dwight D. Eisenhower, to Julie Nixon, the daughter of President Richard Nixon, in 1968. [12] Fogerty told Rolling Stone :
Julie Nixon was hanging around with David Eisenhower, and you just had the feeling that none of these people were going to be involved with the war. In 1968, the majority of the country thought morale was great among the troops, and eighty percent of them were in favor of the war. But to some of us who were watching closely, we just knew we were headed for trouble. [13] [14]
In 1993, Fogerty confessed to Rolling Stone's Michael Goldberg, "It was written, of course, during the Nixon era, and well, let's say I was very non-supportive of Mr. Nixon." The song has been widely used to protest military actions and elitism in Western society, particularly in the United States; as an added consequence of its popularity, it has even been used in completely unrelated situations, such as to advertise blue jeans.[ citation needed ] It attracted criticism when Bruce Springsteen, Dave Grohl, and Zac Brown performed the song together at the November 2014 Concert for Valor in Washington, D.C. Fogerty, a military veteran, defended their song choice. [15]
Fogerty's revulsion with President Nixon can also be found on the album's closing track, "Effigy". In 2013 the singer-songwriter told David Cavanagh of Uncut that the tune was his response to Nixon emerging from the White House one afternoon and sneering at the anti-war demonstrators outside, with Fogerty remembering, "He said, 'Nothing you do here today will have any effect on me. I'm going back inside to watch the football game.'"
"Don't Look Now" displays Fogerty's concern for the working poor ("Who will take the coal from the mine? Who will take the salt from the earth?"). As recounted in the VH1 Legends episode on the band, Fogerty once stated to Time magazine, "I see things through lower class eyes."
The Chuck Berry-guitar romp "It Came Out of the Sky" tells the tale of a farmer who finds a UFO in his field and unwittingly becomes the most famous man in America. The album also includes two instrumental tracks in "Poorboy Shuffle" and "Side o' the Road", the former of which segues directly into the song "Feelin' Blue."
The album contains two songs associated with blues and folk legend Lead Belly: "Cotton Fields" and "The Midnight Special". In 2012, Fogerty explained to Uncut , "Lead Belly was a big influence. I learned about him through Pete Seeger. When you listen to those guys, you're getting down to the root of the tree." In 1982, the band's rendition of "Cotton Fields" made No. 50 on Billboard magazine's Country Singles chart. [8]
When the band members were finalizing the album, they and photographer Basul Parik went over to the intersection of Peralta St. and Hollis St. in Oakland, California and shot the cover photograph at Duck Kee Market, owned by Ruby Lee. [16]
Review scores | |
---|---|
Source | Rating |
AllMusic | [17] |
Blender | [18] |
Encyclopedia of Popular Music | [19] |
Rolling Stone (original) | (favorable) [20] |
Rolling Stone (40th Ann.) | [21] |
The Village Voice | A+ [22] |
Willy and the Poor Boys was released in November 1969 as Fantasy 8397, [6] and in 1970 made the Top 50 in six countries, [23] [24] [25] [26] [27] [28] including France, where it reached No. 1. [24] On December 16, 1970, the Recording Industry Association of America certified the album gold (500,000 units sold). Almost 20 years later, on December 13, 1990, the album was certified platinum (million units sold) and 2× platinum (2 million units sold). [29]
The album was well received, exemplified by the original review in Rolling Stone , which stated it was the band's "best one yet". [30] In a contemporary review for The Village Voice , Robert Christgau also believed it was the group's best record and wrote, "Fogerty's subtlety as a political songwriter (have you ever really dug the words of 'Fortunate Son'?) comes as no surprise." [22] He later included it in his "Basic Record Library" of 1950s and 1960s recordings, published in Christgau's Record Guide: Rock Albums of the Seventies (1981). [31]
In a retrospective review, AllMusic editor Stephen Thomas Erlewine called the album "one of the greatest pure rock & roll albums ever cut". He contrasted Willy and the Poor Boys with CCR's previous album, Green River , saying the songs on this album are softer and more upbeat, except for "Effigy". Erlewine went on to state that "Fortunate Son" is not as dated as most of the other protest songs of the era, though he also felt the song was a little out of place on the album, and compared "Poorboy Shuffle" to songs performed by jug bands. [17] In the Blender magazine review of the album, it was called the opposite of Sgt. Pepper's Lonely Hearts Club Band and psychedelic rock, which the reviewer felt was because of the band's performance at the Woodstock Festival. [18] [ clarification needed ] For his Rolling Stone review of the album's 40th anniversary reissue, Barry Walters called it "relaxed" and gave credit to Fogerty for writing a protest song, "Fortunate Son", that has a good beat to it. [21]
In 2003, the album was ranked number 392 on Rolling Stone's list of the 500 greatest albums of all time; [32] the 2012 edition of the list had it ranked number 309, [33] and the 2020 edition of the list included the album at number 193. [34]
The album was remastered and reissued on 180-gram vinyl by Analogue Productions in 2006. On June 10, 2008, it was remastered and released by Concord Music Group as a compact disc, with three bonus tracks. [7]
All tracks are written by John Fogerty, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Down on the Corner" | 2:46 | |
2. | "It Came Out of the Sky" | 2:53 | |
3. | "Cotton Fields" | Huddie Ledbetter | 2:56 |
4. | "Poorboy Shuffle" | 2:25 | |
5. | "Feelin' Blue" | 5:06 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Fortunate Son" | 2:19 | |
2. | "Don't Look Now (It Ain't You or Me)" | 2:11 | |
3. | "The Midnight Special" | Traditional, arr. John Fogerty | 4:13 |
4. | "Side o' the Road" | 3:24 | |
5. | "Effigy" | 6:26 |
No. | Title | Length |
---|---|---|
11. | "Fortunate Son" (live in Manchester, September 1, 1971) | 2:13 |
12. | "It Came Out of the Sky" (live in Berlin, September 16, 1971, recorded for Live in Europe ) | 3:26 |
13. | "Down on the Corner" (Jam with Booker T. & the M.G.'s) | 2:49 |
Per liner notes. [7] [35] [36]
Creedence Clearwater Revival
Additional musicians
Production
Chart (1970) | Peak position |
---|---|
Australian Albums (Kent Music Report) [37] | 2 |
Canada Top Albums/CDs ( RPM ) [38] | 2 |
Dutch Albums (Album Top 100) [39] | 3 |
German Albums (Offizielle Top 100) [40] | 25 |
Finnish Albums (The Official Finnish Charts) [41] | 3 |
Italian Albums ( Musica e Dischi ) [42] | 17 |
Japanese Albums (Oricon) [43] | 11 |
Norwegian Albums (VG-lista) [44] | 2 |
UK Albums (OCC) [45] | 10 |
US Billboard 200 [46] | 3 |
US Top R&B/Hip-Hop Albums (Billboard) [47] | 28 |
Region | Certification | Certified units/sales |
---|---|---|
Denmark (IFPI Danmark) [48] | Gold | 10,000‡ |
United States (RIAA) [49] | 2× Platinum | 2,000,000^ |
^ Shipments figures based on certification alone. |
Creedence Clearwater Revival, commonly abbreviated as CCR or simply Creedence, was an American rock band formed in El Cerrito, California. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive Top 10 singles and five consecutive Top 10 albums in the United States, two of which – Green River (1969) and Cosmo's Factory (1970) — topped the Billboard 200 chart. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
John Cameron Fogerty is an American singer, songwriter and guitarist. Together with Doug Clifford, Stu Cook, and his brother Tom Fogerty, he founded the swamp rock band Creedence Clearwater Revival (CCR), for which he was the lead singer, lead guitarist, and principal songwriter. CCR had nine top-10 singles and eight gold albums between 1968 and 1972, and was inducted into the Rock and Roll Hall of Fame in 1993.
Cosmo's Factory is the fifth studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on July 16, 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the Billboard Hot 100. The album spent nine consecutive weeks in the number one position on the Billboard 200 chart and was certified 4x platinum by the Recording Industry Association of America (RIAA) in 1990. Rolling Stone ranked it number 413 on its 2020 list of the "500 Greatest Albums of All Time".
Creedence Clearwater Revival is the debut studio album by the American rock band Creedence Clearwater Revival, released in July 1968, by Fantasy Records in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Bayou Country is the second studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on January 15, 1969, and was the first of three albums CCR released in that year. Bayou Country reached number 7 on the Billboard 200 chart and produced the band's first No. 2 hit single, "Proud Mary".
Green River is the third studio album by the American rock band Creedence Clearwater Revival, released on August 7, 1969 by Fantasy Records. It was the second of three albums they released in that year, preceded by Bayou Country in January and followed by Willy and the Poor Boys in October.
Mardi Gras is the seventh and final studio album by the American rock band Creedence Clearwater Revival, released on April 11, 1972 by Fantasy Records. Recorded after the departure of guitarist Tom Fogerty, it was the band's only studio album as a trio, and featured songs written, sung, and produced by each of the remaining members, rather than just John Fogerty. The recording sessions were marred by personal and creative tensions, and the group disbanded after a short U.S. tour to support the album.
Live in Europe is the first live album by American rock band Creedence Clearwater Revival. Although released in 1973, it was recorded in 1971 during the Pendulum tour.
"Bad Moon Rising" is a song written by John Fogerty and performed by Creedence Clearwater Revival. It was the lead single from their album Green River and was released on April 16, 1969 four months before the album. The song peaked at No. 2 on the Billboard Hot 100 chart on 28 June 1969 and reached No. 1 on the UK Singles Chart for three weeks in September of that year. It was CCR's second gold single.
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts.
"Proud Mary" is a song by American rock band Creedence Clearwater Revival, written by vocalist and lead guitarist John Fogerty. It was released as a single in January 1969 by Fantasy Records and on the band's second studio album, Bayou Country. The song became a major hit in the United States, peaking at No. 2 on the Billboard Hot 100 in March 1969, the first of five singles to peak at No. 2 for the group.
"Fortunate Son" is a song by the American rock band Creedence Clearwater Revival, released on the band's fourth studio album, Willy and the Poor Boys in October 1969. It was previously released as a single, together with "Down on the Corner", in September 1969. It soon became a Vietnam anti-war movement anthem and an expressive symbol of the counterculture's opposition to U.S. military involvement in the Vietnam War and solidarity with the soldiers fighting it. The song has been featured extensively in pop culture depictions of the Vietnam War and the anti-war movement.
"Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.
The discography of American rock band Creedence Clearwater Revival, who released their first album and singles in July 1968, includes 7 studio albums, 5 live albums, 41 compilation albums, and 29 singles. The group, although only active for 4 years, has sold more than 45 million albums and singles in the United States alone, and has charted in multiple countries throughout the world.
"Who'll Stop the Rain" is a song written by John Fogerty and originally recorded by Creedence Clearwater Revival for their 1970 album Cosmo's Factory. Backed with "Travelin' Band", it was one of three double-sided singles from that album to reach the top five on the Billboard Pop Singles chart and the first of two to reach the No. 2 spot on the American charts, alongside "Lookin' Out My Back Door"/"Long As I Can See the Light". In 2004, Rolling Stone ranked it No. 188 on its "500 Greatest Songs of All Time" list.
"Green River" is a song by American rock band Creedence Clearwater Revival. It was written by John Fogerty and released as a single in July 1969, one month before the album of the same name was released. "Green River" peaked at number two for one week, behind "Sugar, Sugar" by The Archies, and was ranked by Billboard as the No. 31 song of 1969.
"Commotion" is a song by Creedence Clearwater Revival from the album Green River, and was also the B-side of the single release of the album's title track. In 1980, "Tombstone Shadow" b/w "Commotion'" was released as a single in the United States. While released as a B-side, "Commotion" reached #30 in the United States on the Billboard Hot 100 and #16 in Germany. It was written by John Fogerty and recorded at Wally Heider's Studios in San Francisco in June 1969. The 45rpm was the debut session of the band at Wally Heider's and the first collaboration with engineer Russ Gary.
"It Came Out of the Sky" is a song written by John Fogerty that was included on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It was also released as a single in some countries and has appeared on several of the group's compilation albums. It was included occasionally in the group's live set even after John Fogerty left the group and the remaining members reformed as Creedence Clearwater Revisited.
"Don't Look Now " is a song written by John Fogerty that was first released on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It has also appeared on several of the group's live and compilation albums. It was covered by Minutemen on their 1984 album Double Nickels on the Dime.
Ultimate Creedence Clearwater Revival: Greatest Hits & All-Time Classics is a three-disc greatest hits album by American rock band Creedence Clearwater Revival, released in 2012 by Fantasy Records and Concord Music Group.
John Fogerty's ability to wed swamp rock with catchy, complex arrangements gave Willy a durability few rock albums can match.
All three of 1969's Bayou Country, Green River and Willy And The Poor Boys are vital additions to the blues rock canon.
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