Rise and Fall of the City of Mahagonny is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the Neues Theater in Leipzig.
The Threepenny Opera is a German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, contribution Hauptmann might have made to the text, Brecht is usually listed as sole author.
Kurt Julian Weill was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen on August 27, 1943.
Nina Simone was an African American singer, songwriter, pianist, composer, arranger and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop.
The "Alabama Song"—also known as "Moon of Alabama", "Moon over Alabama", and "Whisky Bar"—is an English version of a song written by Bertolt Brecht and translated from German by his close collaborator Elisabeth Hauptmann in 1925 and set to music by Kurt Weill for the 1927 play Little Mahagonny. It was reused for the 1930 opera Rise and Fall of the City of Mahagonny and has been recorded by the Doors and David Bowie.
Mississauga Goddam is a 2004 album by The Hidden Cameras.
Live at Ronnie Scott's is an album by American singer-songwriter Nina Simone. It is a live recording of a concert she gave at Ronnie Scott's Jazz Club in 1984, a London venue where she performed a few times in her later life.
Sings the Blues is an album by singer/pianist/songwriter Nina Simone. This was Simone's first album for RCA Records after previously recording for Colpix Records and Philips Records. The album was also reissued in 2006 with bonus tracks, and re-packaged in 1991 by RCA/Novus as a 17-track compilation under the title The Blues.
Nina Simone and Her Friends is an album released by the Bethlehem Records label that compiled songs by jazz singers Nina Simone, Carmen McRae and Chris Connor. All three artists had left the label and signed with other companies by the time Bethlehem released this album. The numbers by Simone - with the exception of her 1959 hit single 'I Loves You, Porgy' were "left overs" from the recording sessions for her debut album Little Girl Blue (1959) and released without her knowledge. The tracks by Chris Connor and Carmen McRae were already issued together this way as Bethlehem's Girlfriends in 1956 accompanied by the debut recording session of Julie London.
Nina Simone with Strings is an album by Nina Simone. After her contract with Colpix Records had expired, the label took unissued recordings by Simone and sweetened them with a string ensemble. The album was released after the singer had left the label.
Forbidden Fruit is the third studio album by Nina Simone. It was her second studio album for Colpix. The rhythm section accompanying her is the same trio as on both live albums before and after this release.
'Nuff Said! is an album by jazz singer/pianist/songwriter Nina Simone. It was recorded—excluding tracks 1, 8, and 11—at Westbury Music Fair, April 7, 1968, three days after the murder of Martin Luther King Jr. The whole program that night was dedicated to his memory. The album received an Emmy nomination and featured one of Simone's biggest hits in Europe, "Ain't Got No, I Got Life".
"I Loves You, Porgy" is a duet from the 1935 opera Porgy and Bess with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. They recorded the song on volume 2 of the album Selections from George Gershwin's Folk Opera Porgy and Bess in 1942. The duet occurs in act 2, scene 3, Catfish Row, where Porgy promises Bess that he will protect her. Bess has a lover, Crown, who is abusive and continually seduces her.
"Mississippi Goddam" is a song written and performed by American singer and pianist Nina Simone, who later announced the anthem to be her "first civil rights song". The song was released on her album Nina Simone in Concert in 1964, which was based on recordings of three concerts she gave at Carnegie Hall earlier that year. The album was her first release for the Dutch label Philips Records and is indicative of the more political turn her recorded music took during this period.
"When the Ship Comes In" is a folk music song by Bob Dylan, released on his third album, The Times They Are a-Changin', in 1964.
"Pirate Jenny" is a well-known song from The Threepenny Opera by Kurt Weill, with lyrics by Bertolt Brecht. The English lyrics are by Marc Blitzstein. It is one of the best known songs in the opera, after "Mack the Knife".
Let No One Deceive You: Songs of Bertolt Brecht is an album by American folk and blues singer Dave Van Ronk and vocalist Frankie Armstrong, released in 1992. It consists completely of songs by Bertolt Brecht.
20th Century Blues is a live 1996 album by English singer Marianne Faithfull, in collaboration with pianist Paul Trueblood.
"Go Limp" is the penultimate track on Nina Simone's 1964 album Nina Simone in Concert, and is an adaptation of a protest song originally written by Alex Comfort during his involvement with the Campaign for Nuclear Disarmament.
The Amazing Nina Simone is a 2015 American documentary film by director Jeff L. Lieberman. The film details the life, legacy and musical accomplishments of singer, musician, pianist, songwriter and Civil Rights activist, Nina Simone through interviews with over 50 of her friends, family, band members, lovers and fellow activists. The film has been called the best of the three Nina Simone films by The New Yorker Magazine, and "The Nina Simone film we should all be watching" by Blavity.
[1] 