Let It All Out

Last updated
Let It All Out
Ninasimoneletitallout.jpg
Studio album by
ReleasedFebruary 1966
RecordedMarch 1964 – October 1965
Length37:03
Label Philips
Producer Hal Mooney
Nina Simone chronology
Pastel Blues
(1965)
Let It All Out
(1966)
Wild Is the Wind
(1966)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [1]
Pitchfork Media 8.5/10 [2]
Record Mirror Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [3]
Tom Hull B+ [4]

Let It All Out is an album by Nina Simone, released by Philips Records in February 1966. [1] [5] [6]

Contents

The song "Chauffeur" is an adaptation of Memphis Minnie's "Me and My Chauffeur Blues" (1941), which Simone first heard Big Mama Thornton sing. [7] Thornton released her version as "Me and My Chauffeur" on the B-side of her "Before Day" single on James Moore's Sharp label in 1964. [8] Simone's version is credited to Andy Stroud, her husband and manager at the time, who adapted it and "Nearer Blessed Lord" for her. [7]

"Images", sung a cappella by Simone, is based on a poem by Waring Cuney. [1] [7]

Track listing

  1. "Mood Indigo" (Irving Mills, Barney Bigard, Duke Ellington)
  2. "The Other Woman" (Jessie Mae Robinson)
  3. "Love Me or Leave Me" (Walter Donaldson, Gus Kahn)
  4. "Don't Explain" (Billie Holiday, Arthur Herzog, Jr.)
  5. "Little Girl Blue" (Richard Rodgers, Lorenz Hart)
  6. "Chauffeur" (Andy Stroud)
  7. "For Myself" (Van McCoy)
  8. "The Ballad of Hollis Brown" (Bob Dylan)
  9. "This Year's Kisses" (Irving Berlin)
  10. "Images" (Nina Simone, Waring Cuney)
  11. "Nearer Blessed Lord" (Stroud)

Source: AllMusic [1]

Personnel

Charts

Chart (1966)Peak position
Hot R&B LPs 19 [9]

Related Research Articles

<span class="mw-page-title-main">The Animals</span> English rock band

The Animals are an English rock band, formed in Newcastle upon Tyne in the early 1960s. The Animals are known for their deep-voiced frontman Eric Burdon and for their gritty, bluesy sound, exemplified by their signature song and transatlantic number-one hit single "The House of the Rising Sun" as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider" and "Don't Let Me Be Misunderstood". They balanced tough, rock-edged pop singles against rhythm-and-blues-oriented album material and were part of the British Invasion of the US.

<span class="mw-page-title-main">Nina Simone</span> American singer-songwriter (1933–2003)

Nina Simone was an African American singer, songwriter, pianist, composer, arranger and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop.

<i>Streetnoise</i> 1969 studio album by Julie Driscoll, Brian Auger and The Trinity

Streetnoise is a 1969 album by Julie Driscoll, Brian Auger and the Trinity, originally released as a double LP.

<i>Barbed Wire Sandwich</i> 1970 studio album by Black Cat Bones

Barbed Wire Sandwich is a heavy blues rock studio album by British band Black Cat Bones, released on 13 February 1970 by Decca on its Nova label. It is the only record by the band.

"My Baby Just Cares for Me" is a jazz standard written by Walter Donaldson with lyrics by Gus Kahn. Written for the film version of the musical comedy Whoopee! (1930), the song became a signature tune for Eddie Cantor who sang it in the movie. A stylized version of the song by American singer and songwriter Nina Simone, recorded in 1957, was a top 10 hit in the United Kingdom after it was used in a 1987 perfume commercial and resulted in a renaissance for Simone.

<span class="mw-page-title-main">Don't Let Me Be Misunderstood</span> 1964 song by Nina Simone

"Don't Let Me Be Misunderstood" is a song written by Bennie Benjamin, Horace Ott and Sol Marcus for American singer-songwriter and pianist Nina Simone, who recorded the first version in 1964. "Don't Let Me Be Misunderstood" has been covered by many artists. Two of the covers were transatlantic hits, the first in 1965 by the Animals, which was a blues rock version; and in 1977 by the disco group Santa Esmeralda, which was a four-on-the-floor rearrangement. A 1986 cover by new wave musician Elvis Costello found success in Britain and Ireland.

<i>High Priestess of Soul</i> 1967 studio album by Nina Simone

High Priestess of Soul is a studio album by jazz singer, pianist and songwriter Nina Simone. The songs are accompanied by a large band directed and arranged by Hal Mooney. The album contains pop songs and African American gospel and folk related songs written by Simone herself. After this album title –an attempt to broaden her appeal by management execs– Nina Simone was sometimes titled “the high priestess of soul”, although she completely rejected the title herself because it placed a label on her as an artist. However, according to her daughter, Lisa, she never hated that moniker.

<i>Pastel Blues</i> 1965 studio album by Nina Simone

Pastel Blues is a studio album by American singer Nina Simone, released in October 1st, 1965, by Philips Records.

<i>Live at Ronnie Scotts</i> (Nina Simone album) 1987 live album by Nina Simone

Live at Ronnie Scott's is an album by American singer-songwriter Nina Simone. It is a live recording of a concert she gave at Ronnie Scott's Jazz Club in 1984, a London venue where she performed a few times in her later life.

<i>Broadway-Blues-Ballads</i> 1964 studio album by Nina Simone

Broadway-Blues-Ballads is an album by the singer/pianist/songwriter Nina Simone, released in 1964.

<i>Nina Simone Sings the Blues</i> 1967 studio album by Nina Simone

Sings the Blues is an album by singer/pianist/songwriter Nina Simone. This was Simone's first album for RCA Records after previously recording for Colpix Records and Philips Records. The album was also reissued in 2006 with bonus tracks, and re-packaged in 1991 by RCA/Novus as a 17-track compilation under the title The Blues.

<i>The Amazing Nina Simone</i> 1959 studio album by Nina Simone

The Amazing Nina Simone is the second studio album by Nina Simone, released in July 1959. It was her second album, and her first recording for Colpix Records. The album contains a variety of material, including jazz, gospel, and folk songs. Compared to her debut, which showcased Simone's piano playing ability in addition to her singing, the piano was downplayed on Amazing in favor of string arrangements.

<i>Nina Simone in Concert</i> 1964 live album by Nina Simone

Nina Simone in Concert is an album by the jazz singer Nina Simone. It is her first album for the record label Philips, composed of three live recordings made at Carnegie Hall, New York City, in March and April 1964. Simone recorded Nina Simone at Carnegie Hall in 1963 for Colpix. This album marked the beginning of Simone's explicitly Civil Rights oriented music and she incorporated civil rights messaging into her performances. Included on the album are unambiguous political songs such as "Mississippi Goddamn", released as a single at the time. However, songs such as "Old Jim Crow", "Go Limp", and "Pirate Jenny" contributed to the political and civil rights messaging in a more covert or metaphorical way. The album was rated as the 94th best album of the 1960s by Pitchfork.

<i>I Put a Spell on You</i> (album) 1965 studio album by Nina Simone

I Put a Spell on You is a studio album by American jazz singer, songwriter, and pianist Nina Simone. Recorded in 1964 and 1965 in New York City, it was released by Philips Records in 1965. It peaked at number 99 on the Billboard 200 chart and number 9 on the UK Albums Chart. The title track "I Put a Spell on You" peaked at number 23 on the Hot Rhythm & Blues Singles chart and number 28 on the UK Singles Chart.

<i>Little Girl Blue</i> (album) 1959 studio album by Nina Simone

Little Girl Blue: Jazz as Played in an Exclusive Side Street Club is the debut studio album by Nina Simone. Recorded in late 1957, it was eventually released by Bethlehem Records in February 1959. Due to the length of time the album had taken to be released and the lack of any promotional single either immediately before or alongside the album, Simone would become disillusioned with Bethlehem and sign with Colpix Records in April 1959. She recorded the tracks for her second album - what would become The Amazing Nina Simone - the same month. However, in May Bethlehem finally released a single, "I Loves You, Porgy" and gave Simone her first hit later that year, peaking at number 18 on the pop charts, and number 2 on the R&B charts. Helped by the profile of the single, the album too went on to become a chart success.

<i>Emergency Ward</i> (album) 1972 live album by Nina Simone

Emergency Ward! is a 1972 album released by Nina Simone. The title of the record is rendered as "Emergency Ward" on the record label itself, but as "Emergency Ward!" on the cover sleeve. The sleeve also bears the text "Nina Simone in Concert". The album is considered to be Simone's statement on the Vietnam War and has been described as "consistently thrilling" by AllMusic's Mark Richardson.

<i>Big Band Explosion</i> 2003 studio album by Nina Hagen

Big Band Explosion is the tenth solo album by Nina Hagen, released in 2003, featuring the Leipzig Big Band.

<span class="mw-page-title-main">Me and My Chauffeur Blues</span> 1941 single by Memphis Minnie

"Me and My Chauffeur Blues" is a song written and recorded by blues singer and guitarist Memphis Minnie in 1941. It was added to the U.S. National Recording Registry in 2019. A number of other musicians have recorded the song, or adaptations of it, often under shortened titles.

<span class="mw-page-title-main">Waring Cuney</span> American poet

William Waring Cuney was a poet of the Harlem Renaissance. He is best known for his poem "No Images," which has been widely anthologized.

<i>Gifted & Black</i> 1970 studio album by Nina Simone

Gifted & Black is an unofficial studio album from jazz singer, pianist, and songwriter Nina Simone. It was originally released in 1970 by Canyon Records. However, it is thought to be a demo tape made by Simone in the spring of 1957 some months before the recording of Little Girl Blue, her first official album, in December of the same year. For the release in 1970, the original recording had strings added.

References

  1. 1 2 3 4 Let It All Out at AllMusic
  2. Wallace, Carvell (30 July 2016). "Nina Simone : Let It All Out". Pitchfork Media . Retrieved 30 July 2016.
  3. Jones, Peter; Jopling, Norman (25 June 1966). "Bunch of hits from 4 Seasons, & a subtle LP by Nina Simone..." (PDF). Record Mirror . No. 276. London: Cardfont. p. 8. Archived (PDF) from the original on 1 April 2022. Retrieved 30 December 2022.
  4. Hull, Tom (n.d.). "Jazz/Pop Vocals (1950s-70s)". tomhull.com. Retrieved 18 June 2020.
  5. Cohodas, Nadine (2010). Princess Noire: The Tumultuous Reign of Nina Simone. Pantheon Books. p. 184. ISBN   978-0-375-42401-4. A haunting song called "Images" stood out on Nina's latest album, Let It All Out, which was released in February.
  6. Light, Alan (2016). "Discography". What Happened, Miss Simone?: A Biography. Crown Archetype. ISBN   978-1-101-90487-9 via Google Books.
  7. 1 2 3 Champlin, Charles. "Let It All Out [liner notes]" . Retrieved 30 December 2022 via ninasimone.com.
  8. "The future looks bright / the Jasman Records story" (PDF). Real Blues. No. 19. 1999. pp. 46–47. Retrieved 30 December 2022.
  9. "Nina Simone". AllMusic. Retrieved 27 February 2012.