Smells Like Children | ||||
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EP by | ||||
Released | October 24, 1995 | |||
Recorded | 1994–1995 | |||
Studio | Nothing Studios, New Orleans | |||
Genre | Industrial metal | |||
Length | 54:43 | |||
Label | ||||
Producer | Trent Reznor | |||
Marilyn Manson chronology | ||||
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Singles from Smells Like Children | ||||
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Smells Like Children is the first EP by American rock band Marilyn Manson. It was released on October 24, 1995, by Nothing and Interscope Records. Produced by Trent Reznor of Nine Inch Nails, it represents an era of the band full of drugs, abuses, tours, sound experiments, and references to the Child Catcher, a villain from the 1968 musical film Chitty Chitty Bang Bang .
The EP was initially proposed to strictly be a remix single for "Dope Hat", but various contributions by engineer and Skinny Puppy producer Dave Ogilvie, Nine Inch Nails live keyboardist Charlie Clouser, and new material by the band resulted in an eclectic and unusual combination of material. All the ideas and tracks for the EP were created and composed throughout the touring cycle in support of the band's 1994 debut Portrait of an American Family , and was the first Marilyn Manson work to feature longtime members Twiggy Ramirez on bass and Ginger Fish on drums.
Smells Like Children was certified platinum by the Recording Industry Association of America, [1] and was spearheaded by its sole single, a cover of "Sweet Dreams (Are Made of This)", originally written and performed by Eurythmics. The song's music video became a staple on MTV and helped to establish the band in the mainstream.
After the conclusion of the Portrait of an American Family Tour, the band undertook the opening slot position for Danzig's 4p Tour from March 24, 1995, until May 14, 1995. During their tenure, Danzig/Pantera tour bus driver Tony F. Wiggins befriended Marilyn Manson, bassist Twiggy Ramirez and keyboardist Madonna Wayne Gacy and went on backstage drug binges, perverse acts and other unusual escapades with them. [2]
The band's frontman has discussed his thoughts in retrospect on Smells Like Children within his autobiography The Long Hard Road Out of Hell (1998):
It was a perfect preface to an album about abuse: sexual abuse, domestic abuse, drug abuse, psychological abuse. Midway through the record, we [initially] included one of the taped confessions we had gathered, from a girl who molested her seven-year-old male cousin. It underscored the subplot of the album, about the most common target of abuse: innocence. I've always liked the Peter Pan idea of being a kid in mind if not in body, and Smells Like Children was supposed to be a record for someone who's no longer a child, someone who, like myself, wants their innocence back now that they're corrupted enough to appreciate it. [...] What began as a very disturbing record had become a record that disturbed only me. [3]
Manson has considered the release to be "An album that looks like an album for children that is not for children"; in fact, on the outer rim of the CD label the printed words "Keep this and all drugs away from small children" are visible.
I thought "Rock N Roll Nigger" was a song that I could really relate to and our fans could relate to about being an outsider. I also thought that nobody else really, in our era of music, had the courage to do a cover of a song like that because, you know, they would get in trouble for the title but this song isn't about racism. It's about standing up for yourself.
—Marilyn Manson on his decision to cover Patti Smith's "Rock N Roll Nigger". [4]
A number of cover songs are included in the track listing, most famous of which is the band's cover of Eurythmics' "Sweet Dreams (Are Made of This)", which thrust the band into the mainstream. The other covers on the album are the Patti Smith song "Rock N Roll Nigger" and Screamin' Jay Hawkins' "I Put a Spell on You", with the latter later featured on the soundtrack for David Lynch's 1997 psychological thriller film Lost Highway .
A recorded telephone conversation between Manson's mother and grandmother, titled "May Cause Discoloration of the Urine or Feces", is sometimes included on early bootlegs under the title "Procardia", in a heavily modified version which is actually a fan-made track, and not an actual track from either pressing—this version contains the original track in the left channel, and an extract from Raggedy Ann in the right. The Smells Like Children version was previously featured as part of the sound scape "Revelation #9", released on the single for "Get Your Gunn". Some of these bootlegs may also contain bonus tracks, including a demo for the song "My Monkey" from Portrait of an American Family, and another track called "Choklit Factory" taken from the bands' Spooky Kids-era.
The album alludes to famous occult author Aleister Crowley, particularly in the "Dope Hat" re-recording "Diary of a Dope Fiend" after the Crowley novel Diary of a Drug Fiend . The "Frankie" referred to in "Fuck Frankie" is Frankie Proia, Manson's tour manager at the time who embezzled $20,000 from the band during their tour for their previous release, Portrait of an American Family . [3] Wiggins recorded an acoustic rendition of the song "Cake and Sodomy" under the title "White Trash". Manson stated the irony of having Wiggins "strum and twang a redneck version" of the song was "perfect for its message, since [it] critiques southern Christian white trash". [3]
The "One-Legged..." referred to in "Dancing with the One-Legged..." was "a battered doll of Huggy Bear, the pimp from the 1970s cop thriller television series Starsky and Hutch , which was missing a leg". Manson explains, "Inside that empty plastic socket was where we hid our drugs throughout the Tony Wiggins tour. Whenever we ingested the contents of that extra orifice, we referred to it in code as 'dancing with the one-legged pimp'". [3] The untitled sixteenth track contains a slower, more ominous remix of "Shitty Chicken Gang Bang" and, approximately 6 minutes in, an unusual audio experiment sometimes referred to as "Poop Games".
"The only solace was that through some unfortunate error someone at the record pressing plant made several thousand copies of our original version of the album, thinking it was the new one. Without even listening to them, the record company sent them out as promotional copies to radio stations and journalists before realizing their mistake. Now, they are available to anyone who wants to hear them on the Internet. Though someone at the label actually accused me of plotting it, I wish I was that resourceful. God, however irrelevant he may be to me, works in mysterious ways."
—Marilyn Manson discussing the state of the removed tracks [3]
Early promotional copies of Smells Like Children featured unauthorized samples from the films Willy Wonka & the Chocolate Factory and Chitty Chitty Bang Bang, as well as other sound bites considered "too extreme", therefore resulting in the track listing to be re-edited accordingly for public release, much to Manson's chagrin. [3] Interscope was not interested in buying licenses to use the film samples and demanded written affidavits from the participants in the sound bites, certifying their consent to be recorded. [3] The removed clips were the original opening track, "Abuse, Part 1 (There is Pain Involved)", featuring the voices of Manson and Wiggins as they attempted to calm down a masochistic girl when things got out-of-control, [5] and "Abuse, Part 2 (Confessions)", featuring an interview with a teenage girl who confesses to molesting her 7-year-old male cousin. [3] These were replaced by "The Hands of Small Children" and "May Cause Discoloration of the Urine or Feces", respectively.
The tracks "Sympathy for the Parents" and "Dancing with the One-Legged..." are distorted sound clips taken from an appearance by Manson, Ramirez and Gacy on The Phil Donahue Show . [6] The episode discussed the dangers of moshing at concerts. The excerpt used in "Sympathy for the Parents" features Ramirez responding to a question about the attire worn by the band members by playing a cassette tape recording of "Scabs, Guns and Peanut Butter", before Manson's answer to the same question.
Smells Like Children produced only one single, a cover version of Eurythmics' 1983 hit "Sweet Dreams (Are Made of This)".
Manson often drew musical inspiration from his dreams, but the idea to cover this song came from his first experimentation with LSD at a house party, according to his autobiography. He says that he hallucinated a "slower, meaner" version of the dance hit playing, sung in his voice. [7] He also stated that Nothing did not want to release this as a single. Daisy Berkowitz stated "When the song was released it divided people – they loved it or hated it. This was good. Just like us, as a band, if loved – you're loved. If hated, people that hate you talk about you even more so". [8] The label wanted to release their cover of Screamin' Jay Hawkins' "I Put a Spell on You", which, according to Manson, "was far too dark, sprawling and esoteric, even for some of our fans." [3]
The music video for Manson's cover was a gateway to popularity for the band, eventually being nominated at the MTV Video Music Awards for Best Rock Video, and contains several clips of Manson and band members in what appears to be an old, decrepit asylum whilst wearing a variety of strange costumes. The overall video was shot with unusual filters: this was one of the first videos shot with director Dean Karr's initial vision intact, not based solely on whatever ideas the band had come up with prior. In between these clips are a number of surreal shots of Manson wearing a wedding gown, Manson wandering around an abandoned street in a tutu, birds fluttering around him and leaving dropping on his body, and footage of him riding a pig wearing a cowboy hat whilst covered with mud which Manson rides during the song's climax.
Review scores | |
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Source | Rating |
AllMusic | [9] |
Entertainment Weekly | (D) [10] |
The Village Voice | D+ [11] |
Upon its release, the album met with mixed to negative reviews from music critics. AllMusic gave it a mixed review and said: "Where the full-length debut showed sparks of character and invention beneath industrial metal sludge, Smells Like Children is a smartly crafted horror show, filled with vulgarity, ugliness, goth freaks, and sideshow scares. Manson wisely chose to heighten his cartoonish personality with the EP. Most of the record is devoted to spoken words and samples, all designed to push the outrage buttons of middle America. Musically, it may not amount to much—it's goth-metal-industrial, as good as the 'Dope Hat,' 'Lunchbox,' and 'Cake and Sodomy' trilogy that distinguished the debut—but as a sonic sculpture, as an objet d'art, it's effective and wickedly fascinating. It's exactly what Brian Warner needed to do to establish Marilyn Manson as America's bogeyman for the late '90s." [9]
In his review for The Village Voice , music critic Robert Christgau defined Smells Like Children as an "Unmitigated consumer fraud—a mess of instrumentals, covers, and remixes designed to exploit its well-publicized tour, genderfuck cover art, titillating titles, and parental warning label. The lyrics to 'Shitty Chicken Gang Bang' are nonexistent, those to 'Everlasting Cocksucker' incomprehensible. Only 'Fuck Frankie,' a spoken-word number in which a female feigning sexual ecstasy reveals that it isn't 'Fool Frankie' or 'Fire Frankie' or 'Fast Frankie' or for that matter 'Fist Frankie,' delivers what it promises. It's easily the best thing on the record." [11] Tony Scherman of Entertainment Weekly also gave the release a negative review and called it "an artlessly assembled excuse for an album, these minor-league White Zombie wannabes throw together pointless remixes, irritating skits, and lame covers of songs by Eurythmics, Screamin' Jay Hawkins, and Patti Smith. Co-producer Trent Reznor should hang his head in shame." [10] Exclaim! 's Liisa Ladouceur ranked Smells Like Children fourth on her list of the essential Marilyn Manson albums. Ladouceur wrote that "[this] collection...was poorly received on release but proves a much more interesting document of the [band's] early years than 1994's debut album, Portrait of an American Family ." [12]
[Smells Like Children is the] dirtiest, nastiest porno record directed at children that has ever hit the market.
—C. Delores Tucker [13]
On May 30, 1996, the co-directors of the conservative advocacy group Empower America (now known as FreedomWorks), Republican Secretary of Education William Bennett and Democrat Senator Joseph Lieberman, organized a bipartisan press conference, along with Secretary of Pennsylvania State C. Delores Tucker, wherein they admonished the record industry for selling "prepackaged, shrink-wrapped nihilism." [13] Bennett claimed that "nothing less is at stake than civilization" against lyrics which Lieberman decried, "celebrate some of the most antisocial and immoral behaviors imaginable." [13] Tucker concurred noting that, "these companies have the blood of children on their hands ... We protect owls. We protect whales. We must protect children." [13]
The moral crusaders largely targeted rap music and five music conglomerates: Time Warner, Bertelsmann Music Group, PolyGram, Thorn EMI, and Sony Music —leaving out MCA (which had recently acquired Interscope at the time)—an absence MTV noted as "strange", leading them to postulate "that perhaps Tucker or Bennett own some stock in the company". [13] Nevertheless, the group did not forget to bring up Marilyn Manson and Smells Like Children. [13] Empower America also took the opportunity to announce, at the press conference, they were launching a $25,000 radio ad campaign to collect petitions from listeners who want the record companies to "stop spreading this vicious, vulgar music." [13]
No. | Title | Length |
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1. | "The Hands of Small Children" | 1:35 |
2. | "Diary of a Dope Fiend" ("Dope Hat" re-record) | 5:56 |
3. | "Shitty Chicken Gang Bang" | 1:19 |
4. | "Kiddie Grinder (Remix)" ("Organ Grinder" remix) | 4:23 |
5. | "Sympathy for the Parents" | 1:01 |
6. | "Sweet Dreams (Are Made of This)" (Eurythmics cover) | 4:53 |
7. | "Everlasting Cocksucker (Remix)" ("Cake and Sodomy" remix) | 5:14 |
8. | "Fuck Frankie" | 1:48 |
9. | "I Put a Spell on You" (Screamin' Jay Hawkins cover) | 3:37 |
10. | "May Cause Discoloration of the Urine or Feces" | 3:59 |
11. | "Scabs, Guns and Peanut Butter" | 1:01 |
12. | "Dance of the Dope Hats (Remix)" ("Dope Hat" remix, contains samples from "Cake and Sodomy") | 4:40 |
13. | "White Trash (Remixed by Tony F. Wiggins)" (uses lyrics from "Cake and Sodomy") | 2:48 |
14. | "Dancing with the One-Legged..." | 0:46 |
15. | "Rock 'n' Roll Nigger" (Patti Smith cover) | 3:32 |
16. | "Untitled" (first part is an alternative version of "Shitty Chicken Gang Bang") | 8:20 |
Total length: | 54:43 |
No. | Title | Length |
---|---|---|
1. | "Abuse, Part 1 (There Is Pain Involved)" (later replaced by "The Hands of Small Children") | 1:33 |
2. | "Diary of a Dope Fiend" | 5:57 |
3. | "Shitty Chicken Gang Bang" | 1:16 |
4. | "Kiddie Grinder (Remix)" (contains samples from Chitty Chitty Bang Bang ) | 4:46 |
5. | "Sympathy for the Parents" | 1:01 |
6. | "Sweet Dreams (Are Made of This)" | 4:54 |
7. | "Everlasting Cocksucker (Remix)" (contains samples from Willy Wonka & the Chocolate Factory ) | 5:08 |
8. | "Fuck Frankie" | 1:47 |
9. | "I Put a Spell on You" | 3:38 |
10. | "Abuse, Part 2 (Confessions)" (later replaced by "May Cause Discoloration of the Urine or Feces") | 2:43 |
11. | "Scabs, Guns and Peanut Butter" (channels reversed) | 1:01 |
12. | "Dance of the Dope Hats (Remix)" | 4:40 |
13. | "White Trash (Remixed by Tony F. Wiggins)" | 2:48 |
14. | "Dancing with the One-Legged..." | 0:46 |
15. | "Rock 'n' Roll Nigger" | 3:33 |
16. | "Untitled" | 8:17 |
Total length: | 53:48 |
Marilyn Manson [14]
Production [14]
Weekly charts
| Year-end charts
Certifications
|
Single | Chart (1996) | Peak position |
---|---|---|
"Sweet Dreams (Are Made of This)" | Hungary (Mahasz) [22] | 7 |
Billboard Modern Rock Tracks [23] | 26 | |
U.S. Billboard Mainstream Rock Tracks [23] | 31 |
Marilyn Manson is an American rock band formed by namesake lead singer Marilyn Manson and guitarist Daisy Berkowitz in Fort Lauderdale, Florida, in 1989. Originally named Marilyn Manson & the Spooky Kids, they gained a local cult following in South Florida in the early 1990s with their theatrical live performances. In 1993, they were the first act signed to Trent Reznor's Nothing Records label. Until 1996, the name of each member was created by combining the first name of a female sex symbol and the last name of a male serial killer—for example, Marilyn Monroe and Charles Manson. Their lineup has changed between many of their album releases; the eponymous lead singer is the only remaining original member.
Portrait of an American Family is the debut studio album by American rock band Marilyn Manson. It was released on July 19, 1994, by Nothing and Interscope Records. The group was formed in 1989 by vocalist Marilyn Manson and guitarist Daisy Berkowitz, whose names were created by combining the given name of a pop culture icon with the surname of a serial killer: a naming convention which all other band members would conform to for the next seven years. The most prominent lineup of musicians during their formative years included keyboardist Madonna Wayne Gacy, bassist Gidget Gein and drummer Sara Lee Lucas.
Antichrist Superstar is the second studio album by American rock band Marilyn Manson. It was released on October 8, 1996, by Nothing and Interscope Records. It was recorded at Nothing Studios in New Orleans and produced by the band's eponymous vocalist along with Sean Beavan, former Skinny Puppy producer Dave Ogilvie and Trent Reznor of Nine Inch Nails. The recording of the album was marred by excessive drug use, which provoked a high level of antagonism between band members. Consequently, it was their last release to feature contributions from founding guitarist Daisy Berkowitz, who was acrimoniously fired partway through recording.
Mechanical Animals is the third studio album by American rock band Marilyn Manson. It was released on September 15, 1998, by Interscope Records. The album marked a major shift from the industrial metal and alternative metal styles of the band's earlier efforts, into an experimentation with 1970s glam rock with glam metal, industrial rock, alternative metal and electronic rock styles. As their first release following the success of their breakthrough album, 1996's Antichrist Superstar, Mechanical Animals' themes primarily deals with the trappings of fame and drug abuse.
Jeordie Osbourne White, better known Twiggy Ramirez or simply Twiggy, is an American musician, mostly known as the former bassist and guitarist of the rock band Marilyn Manson. Previously, he was the bassist for A Perfect Circle and a touring member of Nine Inch Nails, and is currently the vocalist for Goon Moon. He left Marilyn Manson in 2002, later rejoined the band in 2008, and was dismissed in 2017. He has been a principal songwriter for the band and has also contributed to some of the Desert Sessions recordings. He also hosted the Hour of Goon podcast with fellow musician Fred Sablan, on the Starburns Audio network.
The Last Tour on Earth is a live album comprising recordings from Marilyn Manson's Mechanical Animals Tour, Beautiful Monsters Tour and Rock is Dead Tour, released on November 12, 1999. On the studio version of "The Dope Show", Manson says that drugs "are made in California", but in the live version, he says that "drugs, they say, are made right here in Cleveland", to a roar of crowd approval, suggesting that the song was recorded in Cleveland, Ohio. "Lunchbox" was recorded in Grand Rapids, Michigan, and "I Don't Like the Drugs " was recorded in Cedar Rapids, Iowa. "The Last Day on Earth" was recorded in Las Vegas on the Mechanical Animals Tour, and "Get Your Gunn" was recorded some time during the Rock is Dead Tour.
Brian Hugh Warner, known professionally as Marilyn Manson, is an American rock musician. He came to prominence as the lead singer of the band that shares his name, of which he remains the only constant member since its formation in 1989. Known for his controversial stage personality, his stage name was formed by combining the names of two opposing American cultural icons: actress Marilyn Monroe and cult leader Charles Manson.
American rock band Marilyn Manson has released eleven studio albums, one live album, one compilation album, two extended plays, 36 singles, nine promotional singles, six video albums, and 47 music videos.
"The Beautiful People" is a song by American rock band Marilyn Manson. It was released as the lead single from the band's second studio album, Antichrist Superstar, in September 1996. Classified as industrial metal, the song was written by frontman Marilyn Manson and Twiggy Ramirez, and was produced by Trent Reznor, Dave Ogilvie and Manson.
"The Dope Show" is a song by American rock band Marilyn Manson. It was released in September 1998 as the lead single from their third studio album Mechanical Animals. The lyrics were written by Marilyn Manson and the music composed by Twiggy Ramirez.
"Coma White" is a song by American rock band Marilyn Manson and the last track from the album Mechanical Animals. It is a hard rock ballad written by Manson, Twiggy Ramirez, Madonna Wayne Gacy, Zim Zum and produced by Manson and Michael Beinhorn. It was inspired by Manson's relationship with Rose McGowan and the numbness that his drug use caused him to feel. The track features a snare drum, cymbals, guitar, piano and keyboard bass in its instrumentation. Critics offered varied interpretations of its meaning, ranging from a song about a drug-addicted woman to a critique of celebrity culture. The song garnered a mostly positive response from music critics, with some critics deeming it one of the greatest songs of the band's career.
"Lunchbox" is a song by American rock band Marilyn Manson. It was released as the second single from their debut album, Portrait of an American Family (1994). A heavy metal song that features elements of death metal, industrial music and punk rock, "Lunchbox" was written by the band's eponymous vocalist, Daisy Berkowitz, and Gidget Gein, and produced by Manson with Trent Reznor. According to Berkowitz, the track was written as the frontman's plea to be left alone; it was also inspired by a time where Manson defended himself from bullies with a Kiss lunchbox. The track features elements of "Fire" (1968) performed by Arthur Brown, a musician who influenced the band.
"Sweet Dreams (Are Made of This)" is a song by British synth-pop duo Eurythmics. It was released as the fourth and final single from their second album of the same name in January 1983. It was their breakthrough hit, establishing the duo worldwide. It reached number two on the UK Singles Chart in March 1983, and number one on the US Billboard Hot 100 six months later; it was their first single released in the US.
Dead to the World is the first live video album by American rock band Marilyn Manson, released on February 10, 1998, on VHS, documenting the infamous tour of the same name. It contains primarily live performances but delves into backstage and archival footage of the band.
God Is in the T.V. is the second live video album by American rock band Marilyn Manson, released on November 2, 1999, on VHS, documenting the Mechanical Animals Tour, Beautiful Monsters Tour and Rock Is Dead Tour. It features all 13 music videos the band spawned between July 1994 and November 1999 in reverse chronology, including uncensored bonus footage from the production of "The Dope Show" music video, as well as footage culled from various concerts around the world alongside backstage and behind-the-scenes clips.
"I Don't Like the Drugs (But the Drugs Like Me)" is a song by American rock band Marilyn Manson. It was released as the second single from their third studio album, Mechanical Animals (1998). It was written by the band's eponymous frontman, along with bassist Twiggy Ramirez and then-guitarist Zim Zum, and was produced by Manson and Michael Beinhorn. A glam rock song inspired by drugs, television, and religion, the track features a gospel choir and a guitar solo by Dave Navarro of Jane's Addiction.
"Dope Hat" is a song by American rock band Marilyn Manson. It was released as the promotional single from their debut album, Portrait of an American Family. It was first recorded for a demo tape released in 1992, entitled The Family Jams.
The Dead to the World Tour was a worldwide concert tour by the American rock band Marilyn Manson. Staged in support of their 1996 album Antichrist Superstar, the tour visited theaters, nightclubs, arenas and stadiums from 1996 to 1997. The Dead to the World Tour was the band's fifth tour, counting their early independent touring and their supporting roles for Nine Inch Nails' Self Destruct Tour and Danzig's Danzig 4p Tour. It is also their first tour to span over several legs, eight in total, that alternated between multiple venues both in North America and internationally.
The High End of Low Tour was a worldwide arena tour by American rock band Marilyn Manson. It was the twelfth tour the band embarked upon and the eighth to span multiple legs. The tour ran from June 3, 2009, until December 21, 2009. The only known tour date of the tour's seventh leg in 2010 was cancelled. During the last show in France, Manson announced that there would be no further tour dates in 2010.
The Smells Like Children Tour was the fourth tour Marilyn Manson embarked on, under the management of major record label Interscope Records. The tour was, however, the band's second headlining tour, following the Portrait of an American Family Tour the previous year. The band was on tour from June 1, 1995, until February 4, 1996.
The Long Hard Road Out of Hell.