"Mobscene" | ||||
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Single by Marilyn Manson | ||||
from the album The Golden Age of Grotesque | ||||
Released | April 22, 2003 | |||
Genre | ||||
Length | 3:25 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) |
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Marilyn Manson singles chronology | ||||
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Audio sample | ||||
"Mobscene" |
"Mobscene" (stylized as "mOBSCENE") is a song by American rock band Marilyn Manson. It was released in April 2003 as the lead single from their fifth studio album, The Golden Age of Grotesque (2003). The song was nominated for a Grammy Award for Best Metal Performance, but lost out to Metallica's "St. Anger". As of 2020, the song sold around 50,000 copies in the United Kingdom, where it has also been streamed almost 4 million times. [2] In the US, the song reached number 18 on the Billboard Mainstream Rock Tracks and number 26 on the Billboard Modern Rock Tracks chart.
Manson has said that "Mobscene" was "pulled from the weirdest parts of my imagination." Prior to writing the song, Manson had seen several Busby Berkeley films with all-female chorus lines. He then met with his band and told them that he wanted to create a song that evoked Berkeley's films, the writings of Oscar Wilde, and an elephant stampede.
In PopMatters , Lance Teegarden deemed "Mobscene" the best track on the band's greatest hits album Lest We Forget: The Best Of (2004), writing "Here Manson finds the little bit of irreverence he is looking for." Teegarden praised Sköld's production. [3] BuzzFeed's Richard James opined that the song "proves nu metal is the greatest gift to music ever". [1]
Chart (2003) | Peak position |
---|---|
Australia (ARIA) [4] | 31 |
Austria (Ö3 Austria Top 40) [5] | 15 |
Belgium (Ultratip Bubbling Under Flanders) [6] | 8 |
Belgium (Ultratop 50 Wallonia) [7] | 38 |
Canada (Nielsen SoundScan) | 4 |
Denmark (Tracklisten) [8] | 7 |
Finland (Suomen virallinen lista) [9] | 16 |
France (SNEP) [10] | 61 |
Germany (Official German Charts) [11] | 20 |
Hungary (Single Top 40) [12] | 6 |
Ireland (IRMA) [13] | 27 |
Italy (FIMI) [14] | 9 |
Netherlands (Single Top 100) [15] | 84 |
New Zealand (Recorded Music NZ) [16] | 32 |
Norway (VG-lista) [17] | 20 |
Portugal (Billboard) [18] | 1 |
Spain (PROMUSICAE) [19] | 10 |
Sweden (Sverigetopplistan) [20] | 18 |
Switzerland (Schweizer Hitparade) [21] | 6 |
UK Singles (OCC) [22] | 13 |
US Alternative Airplay ( Billboard ) [23] | 26 |
US Mainstream Rock ( Billboard ) [24] | 18 |
The Golden Age of Grotesque is the fifth studio album by American rock band Marilyn Manson. It was released on May 7, 2003, by Nothing and Interscope Records, and was their first album to feature former KMFDM member Tim Sköld, who joined after longtime bassist Twiggy Ramirez amicably left the group over creative differences. It was also their final studio album to feature keyboardist Madonna Wayne Gacy and guitarist John 5, who would both acrimoniously quit before the release of the band's next studio album.
Tim Skold is a Swedish musician and record producer who produces solo work and has also collaborated with multiple musical groups including Shotgun Messiah, KMFDM, Marilyn Manson and Motionless in White.
"Tainted Love" is a song composed by Ed Cobb, formerly of American group the Four Preps, which was originally recorded by Gloria Jones in 1964. It attained worldwide fame after being covered and reworked by British synthpop duo Soft Cell in 1981 and has since been covered by numerous groups and artists. A version by Impedance reached #14 on the Canadian Dance charts, April 14, 1990.
Lest We Forget: The Best Of is the first greatest hits album by American rock band Marilyn Manson. It was released on September 28, 2004, by Interscope Records. The album was conceived by the band's eponymous vocalist as a "farewell compilation", and was originally going to feature a duet with Shirley Manson of Garbage. Upon its completion, neither singer was satisfied with the duet, and it remains unreleased. Instead, the band recorded a cover of Depeche Mode's "Personal Jesus" (1989), which became the only new track on the album and was released as a single. The deluxe version of the album included a bonus DVD containing sixteen music videos, one of which was the previously unreleased uncensored version of the music video for "Saint" (2004).
"Personal Jesus" is a song by English electronic music band Depeche Mode. It was released as the lead single from their seventh studio album, Violator (1990), in 1989. It reached No. 13 on the UK Singles Chart and No. 28 on the US Billboard Hot 100. The single was their first to enter the US top 40 since 1984's "People Are People" and was their first gold-certified single in the US. In Germany, "Personal Jesus" is one of the band's longest-charting songs, staying on the West German Singles Chart for 23 weeks.
American rock band Marilyn Manson has released eleven studio albums, one live album, one compilation album, two extended plays, 33 singles, nine promotional singles, six video albums, and 44 music videos.
"The Beautiful People" is a song by American rock band Marilyn Manson. It was released as the lead single from the band's second studio album, Antichrist Superstar, in September 1996. Classified as alternative metal, the song was written by frontman Marilyn Manson and Twiggy Ramirez, and was produced by Trent Reznor, Dave Ogilvie and Manson.
"The Dope Show" is a song by American rock band Marilyn Manson. It was released in September 1998 as the lead single from their third studio album Mechanical Animals. The lyrics were written by Marilyn Manson and the music composed by Twiggy Ramirez.
"Lunchbox" is a song by American rock band Marilyn Manson. It was released as the second single from their debut album, Portrait of an American Family (1994). A heavy metal song that features elements of death metal, industrial music and punk rock, "Lunchbox" was written by the band's eponymous vocalist, Daisy Berkowitz, and Gidget Gein, and produced by Manson with Trent Reznor. According to Berkowitz, the track was written as the frontman's plea to be left alone; it was also inspired by a time where Manson defended himself from bullies with a Kiss lunchbox. The track features elements of "Fire" (1968) performed by Arthur Brown, a musician who influenced the band.
"Bodies" is the debut single by the American rock band Drowning Pool, released in May 2001 from their debut album Sinner. "Bodies" is Drowning Pool's signature song and has been featured in various films, TV programs, and advertisements since its release. It was also the theme song for the 2001 WWF SummerSlam pay-per-view event, as well as that of the ECW brand in 2005 to early 2008, including the ECW One Night Stand pay-per-view events in 2005 and 2006. During 2001, the song became popular but was briefly taken off radio stations due to the September 11 attacks due to the nature of the lyrics, though the song is lyrically about moshing. It was also meant be vague in order for the viewer to have their own interpretation.
"Sweet Dreams (Are Made of This)" is a song by the British new wave music duo Eurythmics. It was released as the fourth and final single from their second album, Sweet Dreams (Are Made of This), in January 1983. It was their breakthrough hit, establishing the duo worldwide. It reached number two on the UK Singles Chart in March 1983, and number one on the US Billboard Hot 100 six months later; it was their first single released in the US.
"This Is the New Shit" is a song by American rock band Marilyn Manson, written by Marilyn Manson, John 5 and Tim Sköld, produced by Manson and Sköld. It is the second track on and second single from the band's fifth studio album, The Golden Age of Grotesque, following "mOBSCENE", and had the most success.
"Tourniquet" is song by American rock band Marilyn Manson. It was released as the second major-label single from their second studio album Antichrist Superstar. The image this song conveys is that of the main character in a world of sorrow and self-pity, prior to his transformation into the Little Horn. It was written by frontman Marilyn Manson, co-founder Daisy Berkowitz and longtime bassist and guitarist Twiggy Ramirez. Like many other songs from Antichrist Superstar, the song's lyrics are based on a dream Manson had.
"The Nobodies" is a song by American rock band Marilyn Manson. It is the third and final single from their fourth studio album, Holy Wood , released in 2000. The song addresses Eric Harris and Dylan Klebold, perpetrators of the Columbine High School massacre in 1999. The song's title is from a quote by John Lennon's murderer, Mark David Chapman, who once lamented that he "felt like a nobody."
"The Fight Song" is a song by American rock band Marilyn Manson. It was released in 2001 as the second single from their fourth full-length studio album, Holy Wood .
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"Long Hard Road Out of Hell" is a song by American rock band Marilyn Manson and British trip hop band Sneaker Pimps. It was released as a single from the soundtrack to the 1997 motion picture Spawn. An arena rock and gothic rock song, "Long Hard Road Out of Hell" was written by Marilyn Manson and Twiggy Ramirez and produced by Manson and Sean Beavan. Its lyrics are about self-loathing and its title is derived from John Milton's Paradise Lost (1667). After the track was written, the Sneaker Pimps' Kelli Ali was recruited to perform background vocals on it, as the Spawn soundtrack featured collaborations between hard rock artists and electronic music artists. The Sneaker Pimps were dissatisfied with the final track and wanted a remix of it to be released as a single instead; conversely, Manson deemed it a personal favorite.
Grotesk Burlesk was the ninth tour Marilyn Manson embarked on, under management of major record label Interscope Records. It was the band's fifth tour to span over multiple legs. The band was on tour from April 11, 2003, until January 3, 2004.
We Are Chaos is the eleventh studio album by American rock band Marilyn Manson. It was produced by Marilyn Manson and Shooter Jennings, and was released on September 11, 2020, by Loma Vista Recordings and Concord Music. The title track and "Don't Chase the Dead" were both issued as singles. The album was a critical and commercial success upon release, garnering mostly positive reviews and becoming their first number one album in Portugal, and their first number one record in Australia since 1998's Mechanical Animals.
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