Untitled (African American Flag) | |
---|---|
Artist | David Hammons |
Year | 1990 |
Medium | Fabric |
Movement | Contemporary art |
Dimensions | 142.2 cm× 223.5 cm(56.0 in× 88.0 in) |
Location | The Broad, Jack Shainman Gallery, Museum of Modern Art, National Museum of African American History and Culture, The New School, Studio Museum in Harlem |
Untitled (African-American Flag) is a vexillographic artwork by American artist David Hammons from 1990, combining the colors of the Pan-African flag with the pattern of the flag of the United States to represent African diaspora identity. The flag replaces the red, white and blue colors on the traditional American flags with Pan-African colors. [1]
It was first created for the art exhibition "Black USA" at an Amsterdam museum in 1990, and its first edition was of five flags, which are now in major museum collections. [2]
The work's creation has been seen in the context of the inauguration of David Dinkins as the first African American mayor of New York City, following his 1989 election. [3] The following year Hammons was awarded the MacArthur Genius Fellowship for his "contributions to African American cultural identity". [4]
The original series was of five flags, these are sometimes known as the 'Amsterdam flags'. The original series was followed by another series of ten.
The original series flags include the versions in the collections of:
The work is also in following collections but it is unclear when they were created:
Since 2004 the Studio Museum Harlem has flown its version of the artwork above its entrance in Harlem, New York. [9]
Replicas of Hammon's flag are frequently flown social justice protests and demonstrations. [10]
The Pan-African flag is an ethnic flag representing pan-Africanism, the African diaspora, and/or black nationalism. A tri-color flag, it consists of three equal horizontal bands of red, black, and green.
Aaron Douglas was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. Douglas set the stage for young, African-American artists to enter the public-arts realm through his involvement with the Harlem Artists Guild. In 1944, he concluded his art career by founding the Art Department at Fisk University in Nashville, Tennessee. He taught visual art classes at Fisk University until his retirement in 1966. Douglas is known as a prominent leader in modern African-American art whose work influenced artists for years to come.
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