Latin hip hop is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Afro–Latin Americans or Black Latin Americans are Latin Americans of full or mainly sub-Saharan African ancestry.
Hip hop music arrived in Cuba via radio and TV broadcasts from Miami. During the 1980s hip hop culture in Cuba was mainly centered on breakdancing. But by the 1990s, with the collapse of the Soviet Union and the onset of the Special Period, young raperos, exposed to foreign tourists whose wealth highlighted their struggle, turned to rapping to affirm their cubanidad and advocate for further revolutionary reforms.
Afro-Cubans or Black Cubans are Cubans of full or partial sub-Saharan African ancestry. The term Afro-Cuban can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African and other cultural elements found in Cuban society, such as race, religion, music, language, the arts and class culture.
Witchcraft in Latin America, known in Spanish as brujería and in Portuguese as bruxaria, is a complex blend of indigenous, African, and European influences. Indigenous cultures had spiritual practices centered around nature and healing, while the arrival of Africans brought syncretic religions like Santería and Candomblé. European witchcraft beliefs merged with local traditions during colonization, contributing to the region's magical tapestry. Practices vary across countries, with accusations historically intertwined with social dynamics. A male practitioner is called a brujo, a female practitioner is a bruja.
The culture of Puerto Rico is the result of a number of internal and indigenous influences, both past and present. Modern cultural manifestations showcase the island's rich history and help create an identity that is uniquely Puerto Rican - Taíno, Spanish, African, and North American.
Black Hispanic and Latino Americans, also called Afro-Hispanics, Afro-Latinos, Black Hispanics, or Black Latinos, are classified by the United States Census Bureau, Office of Management and Budget, and other U.S. government agencies as Black people living in the United States with ancestry in Latin America, Spain or Portugal and/or who speak Spanish, and/or Portuguese as either their first language or second language.
Afrocubanismo was an artistic and social movement in black-themed Cuban culture with origins in the 1920s, as in works by the cultural anthropologist Fernando Ortiz. The Afrocubanismo movement focused on establishing the legitimacy of black identity in Cuban society, culture, and art. The movement developed in the interwar period when white intellectuals in Cuba acknowledged openly the significance of African culture in Cuba. Afro-Cuban artistic expressions helped integrate the marginalized black community into mainstream Cuban society and art. Since its inception, Afro-Cuban Humanities has emerged as a major area of collegiate studies, and Afrocubanismo's influences can be seen in Cuban literature, painting, music, theater, and sculpture.
Hispanic and Latino are ethnonyms used to refer collectively to the inhabitants of the United States who are of Spanish or Latin American ancestry. While many use the terms interchangeably, for example, the United States Census Bureau, others maintain a distinction: Hispanic refers to people from Spanish-speaking countries, while Latino refers people from Latin American countries.
There is no single system of races or ethnicities that covers all modern Latin America, and usage of labels may vary substantially.
A neo/new diaspora is the displacement, migration, and dispersion of individuals away from their homelands by forces such as globalization, neoliberalism, and imperialism. Such forces create economic, social, political, and cultural difficulties for individuals in their homeland that forces them to displace and migrate.
Juan Flores was a Professor of Social and Cultural Analysis and director of Latino Studies at New York University. He was considered a leading pioneer, scholar, and expert in Latin American and Nuyorican culture, often working with his wife Miriam Jiménez Román.
Selenidad: Selena, Latinos, and the Performance of Memory is a work of academic literature written by scholar Deborah Paredez and published through Duke University Press in 2009. Paradez names the reactions made by Latinos in the United States following the shooting death of Selena on March 31, 1995, as "Selenidad". The book explores the effects on Latinos following Selena's death. It also explores her impact and contributions to music and fashion.
Blanqueamiento in Spanish, or branqueamento in Portuguese, is a social, political, and economic practice used in many post-colonial countries in the Americas and Oceania to "improve the race" towards a supposed ideal of whiteness. The term blanqueamiento is rooted in Latin America and is used more or less synonymously with racial whitening. However, blanqueamiento can be considered in both the symbolic and biological sense. Symbolically, blanqueamiento represents an ideology that emerged from legacies of European colonialism, described by Anibal Quijano's theory of coloniality of power, which caters to white dominance in social hierarchies. Biologically, blanqueamiento is the process of whitening by marrying a lighter-skinned individual to produce lighter-skinned offspring.
Latinidad is a Spanish-language term that refers to the various attributes shared by Latin American people and their descendants without reducing those similarities to any single essential trait. It was first adopted within US Latino studies by the sociologist Felix Padilla in his 1985 study of Mexicans and Puerto Ricans in Chicago, and has since been used by a wide range of scholars as a way to speak of Latino communities and cultural practices outside a strictly Latin American context. As a social construct, latinidad references "a particular geopolitical experience but it also contains within it the complexities and contradictions of immigration, (post)(neo)colonialism, race, color, legal status, class, nation, language and the politics of location." As a theoretical concept latinidad is a useful way to discuss amalgamations of Latin American cultures and communities outside of any singular national frame. Latinidad also names the result of forging a shared cultural identity out of disparate elements in order to wield political and social power through pan-Latino solidarity. Rather than be defined as any singular phenomenon, understandings of Latinidad are contingent on place-specific social relations.
Miriam Jiménez Román was a Puerto Rican scholar, activist, and author on Afro-Latino culture, whose work is described as "without a doubt ... [making] an enormous contribution to the theoretical discussion surrounding Latinidad in the United States." Her work on Afro-Latinidad was foundational to the field of cultural studies in that she developed programming, research, and spaces for the various Afro-Latino communities in the United States.
Blaxicans are Americans who are both Black and Mexican American descent. Some may prefer to identify as Afro-Chicano or Black Chicana/o and embrace Chicano identity, culture, and political consciousness. Most Blaxicans have origins in working class community interactions between African Americans and Mexican Americans. Los Angeles has been cited as the hub for Blaxican culture. In 2010, it was recorded that 42,000 people in Los Angeles County identified as both Black and Latino, most of whom are believed to be both Black and Mexican American.
Los Pleneros de la 21 is a New York City-based drum and dance ensemble that has been active since 1983. They specialize in Afro-Puerto Rican bomba and plena music and related dance forms. In addition to performing, they run a community-based, not-for-profit educational company dedicated to preserving and celebrating Puerto Rican traditional culture and "fostering the legacy and history of Puerto Rican artistic traditions of African and Creole descent."
