After the Rehearsal | |
---|---|
Written by | Ingmar Bergman |
Directed by | Ingmar Bergman |
Starring |
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Country of origin | Sweden |
Original language | Swedish |
Production | |
Producer | Jörn Donner |
Cinematography | Sven Nykvist |
Running time | 70 min |
Release | |
Original release | 9 April 1984 |
After the Rehearsal (Swedish : Efter repetitionen) is a television film, written and directed by Ingmar Bergman in 1984. The script contains numerous quotes from Strindberg's A Dream Play . The film was screened out of competition at the 1984 Cannes Film Festival. [1]
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Strindberg's A Dream Play . She talks of her hatred for her mother (now dead), an alcoholic actress who was Vogler's star and lover. Vogler falls into a reverie, remembering a day Anna's mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.
(Tartan DVD release of this film erroneously lists "Liv Ullmann" as one of the three main stars. Ullmann is not in this film)
After the Rehearsal received strongly positive reviews from critics, garnering a 91% approval rating on Rotten Tomatoes. [2] Vincent Canby wrote that it "may well be another Bergman classic." [3] Roger Ebert gave it a full four stars and argued that the work "consists of unadorned surfaces concealing fathomless depths." [4] The film ranked 4th on Cahiers du Cinéma's Top 10 Films of the Year List in 1985. [5]
Liv Johanne Ullmann is a Norwegian actress and film director. Recognised as one of the greatest European actresses of all time, Ullmann is known as the muse and frequent partner of filmmaker Ingmar Bergman. She acted in many of his films, including Persona (1966), Cries and Whispers (1972), Scenes from a Marriage (1973), The Passion of Anna (1969), and Autumn Sonata (1978).
Cries and Whispers is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters confront their emotional distance from each other.
Ingrid Lilian Thulin was a Swedish actress and director who collaborated with filmmaker Ingmar Bergman. She was often cast as harrowing and desperate characters, and earned acclaim from both Swedish and international critics. She won the Cannes Film Festival Award for Best Actress for her performance in Brink of Life (1958) and the inaugural Guldbagge Award for Best Actress in a Leading Role for The Silence (1963), and was nominated for a Best Supporting Actress BAFTA for Cries and Whispers (1972).
Fanny and Alexander is a 1982 period drama film written and directed by Ingmar Bergman. The plot focuses on two siblings and their large family in Uppsala, Sweden during the first decade of the twentieth century. Following the death of the children's father, their mother remarries a prominent bishop who becomes abusive towards Alexander for his vivid imagination.
Persona is a 1966 Swedish avant-garde psychological drama film written, directed, and produced by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking. They move to a cottage, where Alma cares for Elisabet, confides in her, and begins having trouble distinguishing herself from her patient.
Scenes from a Marriage is a 1973 Swedish television miniseries written and directed by Ingmar Bergman. Over the course of six hour-long episodes, it explores the disintegration of the marriage between Marianne, a divorce lawyer, and Johan, a psychology professor. The series spans a period of 10 years. Bergman's teleplay draws on his own experiences, including his relationship with Ullmann. It was shot on a small budget in Stockholm and Fårö in 1972.
Face to Face is a 1976 Swedish psychological drama film written and directed by Ingmar Bergman. It tells the story of a psychiatrist who is suffering from a mental illness. It stars Liv Ullmann and Erland Josephson.
Smiles of a Summer Night is a 1955 Swedish comedy film written and directed by Ingmar Bergman. It was shown at the 1956 Cannes Film Festival. In 2005, TIME magazine ranked it as one of the 100 greatest films since 1923.
Saraband is a 2003 Swedish drama film directed by Ingmar Bergman, and his final film. It was made for Swedish television, but released theatrically in a longer cut outside Sweden. Its United States theatrical release, with English subtitles, was in July 2005. The Swedish television version is 107 minutes, while theatrical releases run just under 2 hours.
In the Presence of a Clown is a television film by Ingmar Bergman, recorded for Swedish television in 1997 with Bergman as a director. It was screened in the Un Certain Regard section of the 1998 Cannes Film Festival. It tells the story of a professor named Carl, who has been found guilty of attempted murder and sentenced to treatment in a mental ward. In the hospital he befriends a man named Osvald, and they attempt to make and promote a film.
Hour of the Wolf is a 1968 Swedish psychological horror film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg, who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.
The Touch is a 1971 romantic drama film directed by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliott Gould, and Sheila Reid. The film tells the story of an affair between a married woman and an impetuous foreigner. It contains references to the Virgin Mary and the Holocaust.
The Passion of Anna is a 1969 Swedish drama film written and directed by Ingmar Bergman, who was awarded Best Director at the 1970 National Society of Film Critics Awards for the film.
Berit Elisabet Andersson, known professionally as Bibi Andersson, was a Swedish actress who was best known for her frequent collaborations with filmmaker Ingmar Bergman.
Ansiktet, also released as The Magician, is a 1958 Swedish film written and directed by Ingmar Bergman, starring Max von Sydow and Ingrid Thulin. The plot follows a traveling magician named Albert Vogler, whose allegedly supernatural live shows are challenged by the skeptical population of a small village.
The Best Intentions is a 1991 Swedish television drama film directed by Bille August and written by Ingmar Bergman. It is semi-autobiographical, telling the story of the complex relationship between Bergman's parents, Erik Bergman and Karin Åkerblom, who are renamed Henrik and Anna in the film but retain their true surnames. The film documents the courtship and the difficult early years of their marriage, until the point when Anna becomes pregnant with their second son, who corresponds to Ingmar himself. Samuel Fröler and Pernilla August played Henrik and Anna, respectively.
Secrets of Women is a 1952 Swedish film directed by Ingmar Bergman. It was screened within the official selection of the Venice Film Festival in 1953. It is a drama about youthful relationships, told in flashbacks by a group of women.
Summer Interlude, originally titled Illicit Interlude in the United States, is a 1951 Swedish drama film co-written and directed by Ingmar Bergman. The film opened to highly positive reviews from critics.
Dreams is a 1955 Swedish drama film directed by Ingmar Bergman.
Private Confessions is a 1996 Swedish drama film directed by Liv Ullmann and written by Ingmar Bergman. It was screened in the Un Certain Regard section at the 1997 Cannes Film Festival.