Wild Strawberries is a 1957 Swedish drama film written and directed by Ingmar Bergman. The original Swedish title is Smultronstället, which literally means "the wild strawberry patch" but idiomatically signifies a hidden gem of a place, often with personal or sentimental value, and not widely known. The cast includes Victor Sjöström in his final screen performance as an old man recalling his past, as well as Bergman regulars Bibi Andersson, Ingrid Thulin, and Gunnar Björnstrand. Max von Sydow also appears in a small role.
Ingrid Bergman was a Swedish actress. With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. She won numerous accolades, including three Academy Awards, two Primetime Emmy Awards, a Tony Award, four Golden Globe Awards, BAFTA Award, and a Volpi Cup. She is one of only four actresses to have received at least three acting Academy Awards. In 1999, the American Film Institute recognised Bergman as the fourth greatest female screen legend of Classic Hollywood Cinema.
Lena Maria Jonna Olin is a Swedish actress. She has received nominations for an Academy Award, a Golden Globe Award, a BAFTA Award, and a Primetime Emmy Award.
Ingrid Lilian Thulin was a Swedish actress and director who collaborated with filmmaker Ingmar Bergman. She was often cast as harrowing and desperate characters, and earned acclaim from both Swedish and international critics. She won the Cannes Film Festival Award for Best Actress for her performance in Brink of Life (1958) and the inaugural Guldbagge Award for Best Actress in a Leading Role for The Silence (1963), and was nominated for a Best Supporting Actress BAFTA for Cries and Whispers (1972).
Hjalmar Fredrik Elgérus Bergman was a Swedish writer and playwright.
Berit Elisabet Andersson, known professionally as Bibi Andersson, was a Swedish actress who was best known for her frequent collaborations with filmmaker Ingmar Bergman.
All These Women, originally released as Now About These Women in the UK, is a 1964 Swedish comedy film directed by Ingmar Bergman. It is a parody of Federico Fellini's 8½. Along with Smiles of a Summer Night, the film is one of the few comedy films ever made by Bergman. It was Bergman's first film to be shot in color.
Gunn Wållgren (born Gunnel Margaret Haraldsdotter Wållgren; ; was a Swedish stage and film actress. She is best remembered for her role in Ingmar Bergman's film Fanny and Alexander.
Prison, also known as The Devil's Wanton in the United States, is a 1949 Swedish drama film directed by Ingmar Bergman. It is the earliest film directed by Bergman to be based on his own original screenplay.
Port of Call is a 1948 Swedish drama film written and directed by Ingmar Bergman. This film is strongly influenced by neorealism.
Birgitta Valberg was a Swedish actress. She was best known for her work in several Ingmar Bergman films made over 30 years, including the Bergman-produced Paradise Place (1977). For her role in this film, which was directed by Gunnel Lindblom, another member of Bergman's repertory company, she won the award for Best Actress at the 13th Guldbagge Awards.
Summer Interlude, originally titled Illicit Interlude in the United States, is a 1951 Swedish drama film co-written and directed by Ingmar Bergman. The film opened to highly positive reviews from critics.
Dreams is a 1955 Swedish drama film directed by Ingmar Bergman.
Naima Wifstrand was a Swedish film actress, operetta singer, troubadour, director and composer. In her later years, she was cast in several supporting roles in Ingmar Bergman films.
Torment is a 1944 Swedish film, directed by Alf Sjöberg from a screenplay by Ingmar Bergman. The film, a tale of sex, passion and murder, was originally released as Frenzy in the United Kingdom, although later releases have used the US title. The film won the Grand Prix at the 1946 Cannes Film Festival.
Ingmar Bergman was a Swedish screenwriter and film director. Between 1944 and 2003 he directed 48 feature-length films as well as many short films. He also served as writer and producer for many other films.
The Image Makers is a 2000 Swedish television play directed by Ingmar Bergman and written by Per Olov Enquist. The drama is set in the year 1920 at Filmstaden where the film director Victor Sjöström is shooting the film The Phantom Carriage, an adaptation of Selma Lagerlöf's novel Thy Soul Shall Bear Witness! Accompanied by actress Tora Teje and film photographer Julius Jaenzon, he has now invited the book's author to take a first look at some early scenes.
Jullan Kindahl was a Swedish actress. Born Julia Carolina Carlsson, she worked as an actress from 1900s until the 1960s. She appeared in Swedish theatres like the Hippodromen in Malmö, the Malmö City Theatre in Malmö and the Stora Teatern in Göteborg. Kindahl also made 33 films between 1923 and 1962. She remains perhaps best known for her domestic supporting roles in two films: as the cook Beata in Smiles of a Summer Night (1955) and as Professor Borg's housekeeper Agda in Wild Strawberries (1957), both of which were directed by Ingmar Bergman. She was married to actor Arvid Kindahl (1887–1927) from 1913 until his early death.
The Blessed Ones is a 1986 Swedish drama film directed by Ingmar Bergman, starring Harriet Andersson and Per Myrberg. The screenplay was adapted by Ulla Isaksson from her own novel with the same title. The film tells the story of a couple in which the woman becomes delusional and loses her mind. It was the third time Bergman directed a film written by Isaksson, after Brink of Life and The Virgin Spring. The Blessed Ones was produced by Sveriges Television and premiered on TV2 on 19 February 1986. The American premiere was on 21 February 1987 at the Museum of Broadcasting in New York City.
Bergman: A Year in a Life, Swedish: Bergman - ett år, ett liv, is a 2018 Swedish-Norwegian documentary film directed by Jane Magnusson. Journeying through 1957, the year Ingmar Bergman released two of his most acclaimed features, made a TV film and directed four plays for theatre, Magnusson has amassed a wealth of archive and contemporary interviews, along with a selection of clips from his vast body of work. Film has its premiere on 71st Cannes Film Festival.
