| Afternoon Ragas | |
|---|---|
 | |
| Studio album by | |
| Released | 1992 |
| Recorded | May 17, 1970 |
| Genre | Hindustani classical music |
| Label | Raga Records |
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
Afternoon Ragas is a studio album by Nikhil Banerjee and includes performances of the ragas Bhimpalasi (or Bhimpalasri) and Multani. Though originally recorded in 1970, it wasn't released until 22 years later, in 1992.
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampradaya and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from dhruva and pada. The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text Natyashastra, and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the Bhagavata Purana, where the theories of music and devotional songs for Krishna are summarized.
Khyal or Khayal is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian/Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity than intellectual rigour.
The Alap is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised and unaccompanied, and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation.
In Hindustani classical music, the jor is a formal section of composition in the long elaboration (alap) of a raga that forms the beginning of a performance. It comes after alap and precedes jhala, the climax. Jor is the instrumental equivalent of nomtom in the dhrupad vocal style of Indian music. Both have a simple pulse but no well-defined rhythmic cycle.
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, shastriya sangeet. The term shastriya sangeet literally means classical music, and can also mean Indian classical music in general. It is played on instruments like the veena, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. While Carnatic music largely uses compositions produced in Sanskrit, Kannada, Telugu, Tamil and sometimes in Malayalam, Hindustani music largely uses compositions written in Hindi, Punjabi, Rajasthani, Urdu, and Braj Bhasha.
Ustad Amir Khan was one of the greatest and most influential Indian vocalists in the Hindustani classical tradition. He was the founder of the Indore gharana.
Aashish Khan Debsharma is an Indian classical musician, a player of the sarod. He was nominated for a Grammy Award in 2006 in the 'Best World Music' category for his album "Golden Strings of the Sarode". He is also a recipient of the Sangeet Natak Akademi Award. Besides being a performer, composer, and conductor, he is also an adjunct professor of Indian classical music at the California Institute of the Arts, and the University of California at Santa Cruz, in the United States.
Pandit Ritwik Sanyal is an Indian classical singer and the Dhrupad maestro from Varanasi. He is a retired professor and Ex Dean from the department of vocal music at the faculty of performing arts at Banaras Hindu University. On 5 April 2023, Pandit (Dr.) Ritwik Sanyal was conferred the Padma Shri award for 2023 in recognition of his outstanding contributions to the revival and propagation of the Dhrupad tradition, both as an academician and performer. A recipient of the esteemed Kendriya Sangeet Natak Akademi award in 2013, presented by the then Hon. President of India, Pranab Mukherjee, Pandit Ritwik Sanyal has now received the 4th highest civilian award, the Padma Shri, from President of India, Droupadi Murmu.
Pandit Budhaditya Mukherjee is an Indian classical sitar and surbahar maestro of the Imdadkhani gharana (school), recognizable by his intricate vocalic playing complemented by spectacular high speed playing. He holds a unique distinction of being the ever first artist in history to perform in the House of Commons, London. Famously proclaimed the "sitar artist of the century" by veena great Balachander, he has performed in thousands of concerts since the 1970s in India, America, Australia, the UAE, and almost all of Europe.
The Maihar Gharana or Maihar-Senia Gharana is a gharana or school of classical music, a style of Indian classical music originating in the northern parts of the Indian subcontinent. The school was formed by Allaudin Khan in the princely state of Maihar, now in the central Indian state of Madhya Pradesh, and hence the name. Allauddin Khan learnt music from Vina player Wazir Khan, an exponent of the Senia gharana. The Maihar gharana is therefore sometimes referred to as the Maihar-Senia gharana.
Sound of the Sitar is an LP by Hindustani classical musician Ravi Shankar. It was released in 1965 on vinyl. It was later released on CD by BGO Records in 1993 and in a digitally remastered version through Angel Records in 2000.
Gandharva Mahavidyalaya New Delhi is an institution established in 1939 to popularize Indian classical music and dance. The Mahavidyalaya (school) came into being to perpetuate the memory of Pandit Vishnu Digambar Paluskar, the great reviver of Hindustani classical music, and to keep up the ideals set down by him. The first Gandharva Mahavidyalaya was established by him on 5 May 1901 at Lahore. The New Delhi school follows the syllabi set by the Akhil Bharatiya Gandharva Mahavidyalaya Mandal.
Ustad Nissar Hussain Khan (1909–1993) was an Indian classical vocalist from the Rampur-Sahaswan gharana. He was a disciple and son of Fida Hussain Khan and after a long and illustrious career was awarded the Padma Bhushan in 1971. He was the court musician of Maharaja Sayajirao Gaekwad III at Baroda and was featured extensively on All India Radio. He was a specialist in Tarana. His most famous disciples are Ghulam Mustafa Khan and Rashid Khan.
At the Woodstock Festival is a live album by Indian classical musician Ravi Shankar that was released in 1970 on World Pacific Records. It was recorded on 15 August 1969, during the first day of the Woodstock Festival in upstate New York. Shankar's set took place during a downpour and he later expressed his dissatisfaction with the event due to the prevalence of drugs among the crowd.
Multani is a Hindustani classical raga. The newer raga Madhuvanti was inspired by Multani. Multani belongs to Todi Thaat. It is generally sung in the third prahar of the day, that is, around 1 PM to 4 PM.
Full Circle: Carnegie Hall 2000 is a live album by Indian musician and composer Ravi Shankar, released in 2001 through the record label Angel Records. Recorded at Carnegie Hall in October 2000 as part of a tour with Shankar's daughter Anoushka, the album contains five tracks and presents two ragas. The concert occurred sixty-two years after Shankar's first performance at Carnegie Hall and commemorated his eightieth birthday; the album was his first live recording in nearly twenty years. Full Circle was produced by Hans Wendl, mastered by Scott Hull, and mixed and engineered by Tom Lazarus. Featured are performances by Tanmoy Bose and Bickram Ghosh on tabla, and Anoushka and Ravi on sitar.
Chaturprahar is an annual Indian classical music festival held at National Centre for Performing Arts (NCPA) in Mumbai, India. It is based on the concept of association of time (prahar) with the ragas. 2011 saw the inception of this festival. It usually takes place in the month of September every year.
Jung Hee Choi is a South Korean-born artist and musician, based in New York City, working in video, performance, sound and multi-media installation. Since 1999, Choi has been a disciple of La Monte Young and Marian Zazeela in the study of music and art. Choi, with Young and Zazeela, is a founding member of The Just Alap Raga Ensemble, and has performed as vocalist with the ensemble since 2002. Choi's work has been presented in the U.S., Europe and Asia, including FRAC Franche-Comté, France; Berliner Festspiele, Germany; Dia Art Foundation, Guggenheim Museum and MELA Foundation Dream Houses, NYC; FRESH Festival, Bangkok; and the Korea Experimental Arts Festival, Korea. The New York Times listed Choi’s Tonecycle for Blues performed by her Sundara All Star Band as one of The Best Classical Music Performances of 2017.
Carsten Wicke is a Rudra Veena player of German origin who lives in India. He studied North Indian classical music with several master musicians since the 1990s, after learning western violin and vocal music as a child.
Thok, in Indian classical music, is a post-jhala phase of elaboration and is replete with accents. The plectrum, etc., is actually struck on adjacent wooden or metal portion of the instrument to introduce the ‘thok’ (strike) effect. After jhala alap reaches the drut+drut phase because of the ‘thok’, stresses become important. In vocal music, more stressed, meaningless syllables such as ‘dretum’, etc., actualize the phase in a raga in Hindustani classical music.
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