 Vol 51 (Published 23 Jan 2018 ) | |
| Discipline | Poetry, literary journal |
|---|---|
| Language | English |
| Edited by | Patricia McCarthy |
| Publication details | |
| History | 1959 to present |
| Publisher | Agenda and Editions Charitable Trust (United Kingdom) |
| Frequency | Quarterly |
| Standard abbreviations | |
| ISO 4 | Agenda |
| Indexing | |
| ISSN | 0002-0796 |
| Links | |
Agenda is a literary journal published in London and founded by William Cookson. Agenda Editions is an imprint of the journal operating as a small press.
Agenda was started in 1959, after Cookson had met Ezra Pound in Italy the previous year. [1] Pound had originally suggested that Cookson edit pages in an existing publication, but when these plans did not come to fruition, the bookseller and poet Peter Russell suggested that Cookson found his own magazine. Agenda was edited with Peter Dale and then Patricia McCarthy, who continues to edit the journal following Cookson's death in 2003.
The editorial preoccupations of Agenda reflected Cookson's own passions. The journal continued to champion Pound long after the poet's death. A "Special Issue in Honour of Ezra Pound's Eighty-Fifth Birthday" (Vol. 8, Nos. 3–4) was a significant early issue of the journal in 1970, and a special issue on "Dante, Ezra Pound and Contemporary Poetry" (Vol. 34, Nos. 3–4) was published as late as 1996.
Cookson also used Agenda to promote the reputation of David Jones, devoting two major special issues to him (in 1967 and 1974) in addition to articles in several other issues. Agenda Editions published several major Jones volumes. These included The Kensington Mass (1975, published with a photographic reproduction of the manuscript) and The Roman Quarry (1981), a full-length volume of until then unpublished material. Agenda Editions published volumes of Jones's letters in 1979 and 1996.
Agenda is also notable for its focus upon the art of translation. Recent issues include "Translation as Metamorphosis" in 2005 (Vol. 4, No. 4).
Poets, translators and reviewers included were:
Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism is sometimes viewed as "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Modernist poetry in English started in the early years of the 20th century with the appearance of the Imagists. In common with many other modernists, these poets wrote in reaction to the perceived excesses of Victorian poetry, with its emphasis on traditional formalism and ornate diction. In many respects, their criticism echoes what William Wordsworth wrote in Preface to Lyrical Ballads to instigate the Romantic movement in British poetry over a century earlier, criticising the gauche and pompous school which then pervaded, and seeking to bring poetry to the layman.
The Objectivist poets were a loose-knit group of second-generation Modernists who emerged in the 1930s. They were mainly American and were influenced by, among others, Ezra Pound and William Carlos Williams. The basic tenets of objectivist poetics as defined by Louis Zukofsky were to treat the poem as an object, and to emphasize sincerity, intelligence, and the poet's ability to look clearly at the world. While the name of the group is similar to Ayn Rand's school of philosophy, the two movements are not affiliated.
The Faber Book of Modern Verse was a poetry anthology, edited in its first edition by Michael Roberts, and published in 1936 by Faber and Faber. There was a second edition (1951) edited by Anne Ridler, and a third edition (1965) edited by Donald Hall. The selection was of poems in English printed after 1910, which meant that work by Gerard Manley Hopkins could be included. A later edition was edited by Peter Porter.
British Poetry since 1945 is a poetry anthology edited by Edward Lucie-Smith, first published in 1970 by Penguin Books. The anthology is a careful attempt to take account of the whole span of post-war British poetry including poets from The Group, a London-centred workshop for whom Lucie-Smith himself had once been chairman.
George Sutherland Fraser was a Scottish poet, literary critic and academic.
The Penguin poetry anthologies, published by Penguin Books, have at times played the role of a "third force" in British poetry, less literary than those from Faber and Faber, and less academic than those from Oxford University Press..
Thomas Ernest Hulme was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the 'father of imagism'.
William Cookson was a British poet, writer on poetry and literary editor, best known for his poetry magazine Agenda, regarded as one of the most influential of its age.
New Directions Publishing Corp. is an independent book publishing company that was founded in 1936 by James Laughlin (1914-1997) and incorporated in 1964. Its offices are located at 80 Eighth Avenue in New York City.
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", and published a number of controversial works, such as parts of Ulysses. Today, it is considered "England's most important Modernist periodical."
The National Poetry Foundation (NPF) is a book publisher founded in 1971 by Carroll F. Terrell who built its reputation with Burton Hatlen at the University of Maine in Orono. Today it publishes poetry by individual authors as well as both journals and scholarship devoted to Ezra Pound and poets in the Imagist and "Objectivist" traditions. It has also positioned itself as a center and host for international conferences on modern poetry.
Nationality words link to articles with information on the nation's poetry or literature.
Nationality words link to articles with information on the nation's poetry or literature.
Tom Scott was a Scottish poet, editor, and prose writer. His writing is closely tied to the New Apocalypse, the New Romantics, and the Scottish Renaissance.
Stephen Romer, FRSL is an English poet, academic and literary critic.
Irwin Peter Russell was a British poet, translator and critic. He spent the first half of his life—apart from war service—based in Kent and London, being the proprietor of a series of bookshops, editing the influential literary magazine Nine and being part of the literary scene. Bankruptcy and divorce led to several years of travel which took him to Berlin, Venice, British Columbia and Iran, amongst other places. After the Iranian Revolution he settled permanently in Italy, where he spent the rest of his life. He lived in considerable financial hardship and throughout all he lived a life dedicated to poetry. His work never became mainstream, but it is highly regarded in some circles.
Clive Wilmer is a British poet, who has published nine volumes of poetry. He is also a critic, literary journalist, broadcaster and lecturer.
David Pollard is a British author.
The Quarterly Review of Literature (QRL) was an American literary magazine founded in 1943 by the poet Theodore (Ted) Weiss (1916–2003) and then Spanish teacher Warren Pendleton Carrier (1918–2009). In 1944, Weiss's wife — Renée Karol Weiss, a violinist and, later, an author of children's books — replaced Carrier when he entered the military. The Review showcased emerging and major writers including William Carlos Williams, Wallace Stevens, E. E. Cummings, Thomas Merton, Mark Van Doren, Ezra Pound, Henry Miller, and Jean-Paul Sartre, the quarterly is credited with reviving interest in poets who were out of literary fashion, and introducing some that were not widely known to Americans, including Franz Kafka and Eugenio Montale.
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