Small press

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The Dun Emer Press in 1903 with Elizabeth Yeats working the hand press Dun Emer Press ,c. 1903.jpg
The Dun Emer Press in 1903 with Elizabeth Yeats working the hand press

A small press is a publisher with annual sales below a certain level or below a certain number of titles published. The terms "indie publisher" and "independent press" and others are sometimes used interchangeably. However, when a distinction is drawn, there are about 100,000 small presses and about one million independent presses. [1]

Contents

Independent press is generally defined as publishers that are not part of large conglomerates or multinational corporations. Even when owned by a larger business, an independent press is allowed to choose which books to publish, and the business will survive or fail as a result of how well those books sell. [1] Many small presses rely on specialization in genre fiction, poetry, or limited-edition books or magazines, but there are also thousands that focus on niche non-fiction markets.

Other terms for small press, sometimes distinguished from each other and sometimes used interchangeably, are small publishers, independent publishers, or indie presses. [2]

Independent publishers (as defined above) made up about half of the market share of the book publishing industry in the United States in 2007. [3] The majority of small presses are independent or indie publishers, meaning that they are separate from the handful of major publishing house conglomerates, such as Random House or Hachette. [4]

Characteristics

Since the profit margins for small presses can be narrow, many are driven by other motives, including the desire to help disseminate literature with only a small likely market. Many presses are also associated with crowdfunding efforts that help connect authors with readers. [5]

Small presses tend to fill the niches that larger publishers neglect. They can focus on regional titles, narrow specializations and niche genres. [1] They can also make up for commercial clout by creating a reputation for academic knowledge, vigorously pursuing prestigious literature prizes and spending more effort nurturing the careers of new authors. [6] At its most minimal, small press production consists of chapbooks. This role can now be taken on by desktop publishing and web sites. This still leaves a continuum of small press publishing: from specialist periodicals, short runs or print-to-order of low-demand books, to fine art books and limited editions of collectors' items printed to high standards.

Unlike a vanity press or self-publishing service, a small press rarely publishes books written by the owner or publisher. [1] Instead, these are small businesses, often with only a few employees, who select books written by other authors. [1]

Micro-presses

There is now also a distinction made between small presses and micro-presses. A micro-press can be defined as a publisher that produces chapbooks and other small books on a very small scale (e.g. 50 copies of one book per year). It can also be defined in terms of revenue. Micro-presses are often run as a hobby or part-time job because of their low profits. They may not produce enough profit to support their owners. [3]

In Canada, these are considered small press publishers, but the standard small press book run is accepted at 300 copies of a chapbook and 500 or more copies of a spine-bound book. In doing this, small press publishers are eligible for grants from the Ontario Arts Council and the Canada Council.[ citation needed ]

Not to be confused with

Small presses should not be confused with self-publishing presses (sometimes called "vanity presses"). Self-publishing or subsidy presses usually require payment by authors, or a minimum purchase of copies. By comparison, small presses make their profits by selling books to consumers, rather than selling services to authors or selling a small number of copies to the author's friends.

Small presses should not be confused with printers. Small presses are traditional publishers, which means that they engage in a book selection process, along with editing, marketing and distribution. Small presses also enter into a contract with the author, often paying royalties for being allowed to sell the book. Publishers own the copies they have printed, but usually do not own the copyright to the book itself. In contrast, printers merely print a book, and sometimes offer limited distribution if they are a POD printing press. Printers have a very low selectivity. They will accept nearly anyone who can pay the cost of printing. They rarely offer editing or marketing. Printers do not own the copies that are printed, and they do not pay royalties.

Book packagers combine aspects of small presses and printers, but they are technically neither small presses nor printers.

History

Small presses became distinguishable from jobbing printers at some time towards the end of the nineteenth century. The roots lie with the Arts and Crafts movement, particularly the Kelmscott Press. The use of small letterpress machines by amateur printers increased proportionately to the mechanization of commercial printing. Later, the advance of practical lithography made small press publication much easier. The 1960s and 1970s are considered the small press's golden age in the USA. The unprecedented proliferation of small and independent publishers at the time was a result of the so-called 'Mimeo Revolution' and the proliferation of DIY and affordable reproduction technologies. [7]

A recent burgeoning of small presses has been caused by the introduction of digital printing, especially print on demand technology. Combined with Internet based marketing, digital typesetting, design tools with the rise of eBooks, the new printing technologies have lowered the economic barriers to entry, allowing many new niches to be served, and many new publishers to enter the industry. A notable boom of small press publishing has been observed since the 2008 economic crisis. [8]

By country

Australia

Small presses have played a significant part historically in recognising new voices and publishing notable works of literary fiction in Australia, [9] but the market was seen as a tough one in 1999, despite about 80 per cent of the Australian Publishers Association being small book publishers (defined as those with less than AU$2m), nearly all Australian-owned. [10]

In recent years, though, the small publishers have especially made gains as big publishers have backed away from publishing literary works. Small press publications have won some of the greatest literary prizes, including the Stella Prize, the Prime Minister's Literary Award for Fiction and the Miles Franklin Literary Award. There was a strong upward trend in the number of titles published by small press and shortlisted for the Miles Franklin and the PM's Fiction Awards in the two years preceding 2017. [9]

The Small Press Network (SPN), located at the Wheeler Centre in Melbourne, represents small and independent publishers in Australia, which promotes independent publishing and supports diversity within the industry "as a vital component of Australian literary culture". Founded in 2006, it has grown to represent more than 140 members in Australia and New Zealand. Its members include such publishers as the Griffith Review , National Library of Australia Publishing, Scribe and Wakefield Press, as well as many smaller publishers. [11]

See also

Related Research Articles

In legal discourse, an author is the creator of an original work that has been published, whether that work is in written, graphic, or recorded medium. The creation of such a work is an act of authorship. Thus, a sculptor, painter, or composer, is an author of their respective sculptures, paintings, or compositions, even though in common parlance, an author is often thought of as the writer of a book, article, play, or other written work. In the case of a work for hire, the employer or commissioning party is considered the author of the work, even if they did not write or otherwise create the work, but merely instructed another individual to do so.

<span class="mw-page-title-main">Book</span> Medium consisting of pages of text or images

A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.

<span class="mw-page-title-main">Publishing</span> Production and distribution of media

Publishing is the activity of making information, literature, music, software, and other content available to the public for sale or free of charge. Traditionally, the term refers to the creation and distribution of printed works, such as books, comic books, newspapers, and magazines. With the advent of digital information systems, the scope has expanded to include digital publishing such as e-books, digital magazines, websites, social media, music, and video game publishing.

<span class="mw-page-title-main">Print on demand</span> Printing business process

Print on demand (POD) is a printing technology and business process in which book copies are not printed until the company receives an order, allowing prints in single or small quantities. While other industries established the build-to-order business model, POD could only develop after the beginning of digital printing because it was not economical to print single copies using traditional printing technologies such as letterpress and offset printing.

<span class="mw-page-title-main">Paperback</span> Book with a paper or paperboard cover

A paperback book is one with a thick paper or paperboard cover, and often held together with glue rather than stitches or staples. In contrast, hardback (hardcover) books are bound with cardboard covered with cloth, leather, paper, or plastic.

A vanity press or vanity publisher, sometimes also subsidy publisher, is a book printer that is paid by authors to self-publish their books. A vanity press charges fees in advance and does not contribute to the development of the book. It has been described as a scam, though, as the book does get printed, it does not necessarily rise to the level of fraud. The term vanity press is derogatory, so it is not used by the printers. Some self-publishing businesses prefer to market themselves as an independent press, and some authors who are self-publishing through CreateSpace and Amazon Kindle prefer to market themselves as indie authors instead of as self-publishing authors.

<span class="mw-page-title-main">History of copyright</span>

The history of copyright starts with early privileges and monopolies granted to printers of books. The British Statute of Anne 1710, full title "An Act for the Encouragement of Learning, by vesting the Copies of Printed Books in the Authors or purchasers of such Copies, during the Times therein mentioned", was the first copyright statute. Initially copyright law only applied to the copying of books. Over time other uses such as translations and derivative works were made subject to copyright and copyright now covers a wide range of works, including maps, performances, paintings, photographs, sound recordings, motion pictures and computer programs.

The bibliographical definition of an edition is all copies of a book printed from substantially the same setting of type, including all minor typographical variants.

<span class="mw-page-title-main">Chapbook</span> Short inexpensive booklet

A chapbook is a type of small printed booklet that was popular medium for street literature throughout early modern Europe. Chapbooks were usually produced cheaply, illustrated with crude woodcuts and printed on a single sheet folded into 8, 12, 16, or 24 pages, sometimes bound with a saddle stitch. Printers provided chapbooks on credit to chapmen, who sold them both from door to door and at markets and fairs, then paying for the stock they sold. The tradition of chapbooks emerged during the 16th century as printed books were becoming affordable, with the medium ultimately reaching its height of popularity during the 17th and 18th centuries. Various ephemera and popular or folk literature were published as chapbooks, such as almanacs, children's literature, folklore, ballads, nursery rhymes, pamphlets, poetry, and political and religious tracts. The term chapbook remains in use by publishers to refer to short, inexpensive booklets.

A bestseller is a book or other media noted for its top selling status, with bestseller lists published by newspapers, magazines, and book store chains. Some lists are broken down into classifications and specialties. An author may also be referred to as a bestseller if their work often appears in a list. Well-known bestseller lists in the U.S. are published by Publishers Weekly, USA Today, The New York Times, and IndieBound. The New York Times tracks book sales from national and independent bookstores, as well as sales from major internet retailers such as Amazon.com and Barnes & Noble.

<span class="mw-page-title-main">Broadside ballad</span> Single sheet of paper printed on one side

A broadside is a single sheet of inexpensive paper printed on one side, often with a ballad, rhyme, news and sometimes with woodcut illustrations. They were one of the most common forms of printed material between the sixteenth and nineteenth centuries, particularly in Britain, Ireland and North America because they are easy to produce and are often associated with one of the most important forms of traditional music from these countries, the ballad.

<span class="mw-page-title-main">Galley proof</span> First proofs printed from type, usually before breaking into pages

In printing and publishing, proofs are the preliminary versions of publications meant for review by authors, editors, and proofreaders, often with extra-wide margins. Galley proofs may be uncut and unbound, or in some cases electronically transmitted. They are created for proofreading and copyediting purposes, but may also be used for promotional and review purposes.

Book packaging is a publishing activity in which a publishing company outsources the myriad tasks involved in putting together a book—writing, researching, editing, illustrating, and even printing—to an outside company called a book-packaging company. Once the book-packaging company has produced the book, they then sell it to the final publishing company.

<i>Rain Taxi</i> Book review and literary organization

Rain Taxi is a Minneapolis-based book review and literary organization. In addition to publishing its quarterly print edition, Rain Taxi maintains an online edition with distinct content, sponsors the Twin Cities Book Festival, hosts readings, and publishes chapbooks through its Brainstorm Series. Rain Taxi's mission is "to advance independent literary culture through publications and programs that foster awareness and appreciation of innovative writing." As of 2008, the magazine distributes 18,000 copies through 250 bookstores as well as to subscribers. The magazine is free on the newsstand. It is also available through paid subscription. Structurally, Rain Taxi is a 501(c)(3) non-profit. It sells advertising at below market rates, much of it to literary presses.

<span class="mw-page-title-main">Novel</span> Substantial work of narrative fiction

A novel is an extended work of narrative fiction usually written in prose and published as a book. The English word to describe such a work derives from the Italian: novella for "new", "news", or "short story ", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and in the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term "romance". Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. Works of fiction that include marvellous or uncommon incidents are also novels, including Mary Shelley's Frankenstein, J. R. R. Tolkien's The Lord of the Rings, and Harper Lee's To Kill a Mockingbird.

Self-publishing is the publication of media by its author at their own cost, without the involvement of a publisher. The term usually refers to written media, such as books and magazines, either as an ebook or as a physical copy using print on demand technology. It may also apply to albums, pamphlets, brochures, games, video content, artwork, and zines. Web fiction is also a major medium for self-publishing.

<span class="mw-page-title-main">Beyond Words Publishing</span>

Beyond Words Publishing is a book publishing company located in Portland, Oregon, United States. Founded in 1983, the company was unprofitable in its early years, though its works were award-winning. The privately owned company focuses on non-fiction titles in the New Age genre, but began as a publisher of coffee table books. Beyond Words has a national distribution agreement with Simon & Schuster's Altria Books imprint and has published works by John Gray, Masaru Emoto, and Rhonda Byrne, including her book The Secret.

<span class="mw-page-title-main">Herman Melville bibliography</span>

The bibliography of Herman Melville includes magazine articles, book reviews, other occasional writings, and 15 books. Of these, seven books were published between 1846 and 1853, seven more between 1853 and 1891, and one in 1924. Melville was 26 when his first book was published, and his last book was not released until 33 years after his death. At the time of his death he was on the verge of completing the manuscript for his first novel in three decades, Billy Budd, and had accumulated several large folders of unpublished verse.

<span class="mw-page-title-main">Debut novel</span> First full-length work of fiction by an author

A debut novel is the first novel a novelist publishes. Debut novels are often the author's first opportunity to make an impact on the publishing industry, and thus the success or failure of a debut novel can affect the ability of the author to publish in the future. First-time novelists without a previous published reputation, such as publication in nonfiction, magazines, or literary journals, typically struggle to find a publisher.

<span class="mw-page-title-main">Outline of books</span> Overview of and topical guide to books

The following outline is provided as an overview of and topical guide to books.

References

  1. 1 2 3 4 5 Biel, Joe (2018-12-05). People's Guide to Publishing: Building a Successful, Sustainable, Meaningful Book Business From the Ground Up. Microcosm Publishing. pp. 21–22. ISBN   978-1-62106-313-1.
  2. "Complete Guide to Small Press Publishing: The Good, The Bad, and The Ugly of Small Presses for Writers". TCK publishing. 9 November 2017. Retrieved 18 April 2019.
  3. 1 2 Herman, Jeff Herman's Guide To Book Publishers, Editors & Literary Agents, 2007, p. 131.
  4. "Independent Book Publishers Statistics – WordsRated". 2023-01-19. Retrieved 2024-01-22.
  5. "Kickstarting a books revolution: the literary crowdfunding boom". the Guardian. June 5, 2015.
  6. Herman, Jeff Herman's Guide To Book Publishers, Editors & Literary Agents, 2007, pp. 131–132, 367–372.
  7. Phillips, Rodney (1998). Clay, Stephen (ed.). A secret location on the Lower East Side: adventures in writing, 1960 - 1980 ; a sourcebook of information. New York Public Library (1. publ ed.). New York: The New York Publ. Library [u.a.] ISBN   978-1-887123-19-8.
  8. Colby, Georgina; Marczewska, Kaja; Wilson, Leigh, eds. (2020). The contemporary small press: making publishing visible. New directions in book history. Cham: Palgrave Macmillan. ISBN   978-3-030-48783-6.
  9. 1 2 Stinson, Emmett (4 May 2018). "Friday essay: the remarkable, prize-winning rise of our small publishers". The Conversation. Retrieved 18 April 2019.
  10. Poland, Louise (1 December 1999). "Independent Australian Publishers and the Acquisition of Books". Journal of Australian Studies. Archived from the original on 22 October 2012.
  11. "About SPN". Small Press Network. Retrieved 18 April 2019.