Agriopas was a writer of ancient Greece mentioned by Pliny the Elder. [1] He was the author of an account of the Olympic victors, called the Olympionicae. His exact date of birth is unknown. [2]
Agriopas is also sometimes cited by writers on werewolf mythology. These writers have handed down Agriopas' tale of Demaenetus of Parrhasia who, during the Arcadian sacrifices for the festival of Zeus Lycaeus, tasted the viscera of a human child, and was turned into a wolf for ten years. At the end of those ten years he supposedly became a man again and competed in the ancient Olympic Games. [3]
Agriopas was also in some manuscripts of Pliny given as the name of the father of Cinyras, rather than Apollo. Whether this is genuine or an error remains a matter of some debate. [4]
Gnaeus Domitius Afer was a Roman orator and advocate, born at Nemausus (Nîmes) in Gallia Narbonensis. He flourished in the reigns of Tiberius, Caligula, Claudius and Nero. He was suffect consul in the nundinium of September to December 39 as the colleague of Aulus Didius Gallus.
Lucius Accius, or Lucius Attius, was a Roman tragic poet and literary scholar. Accius was born in 170 BC at Pisaurum, a town founded in the Ager Gallicus in 184 BC. He was the son of a freedman and a freedwoman, probably from Rome.
Ageladas or Hagelaedas was a celebrated Greek (Argive) sculptor, who flourished in the latter part of the 6th and the early part of the 5th century BC.
Agamede was a name attributed to two separate women in classical Greek mythology and legendary history.
Aegimus or Aegimius was one of the most ancient of the Greek physicians, who is said by Galen to have been the first person who wrote a treatise on the pulse. He was a native of Velia in Lucania, and is supposed to have lived before the time of Hippocrates, that is, in the 5th century BC. His work was entitled Περί Παλμων, which is no longer extant.
Eunicus is the name of two different people in Classical history:
Aeschines was a Greek ancient physician who lived in the latter half of the 4th century AD. He was born on the island of Chios, and settled at Athens, where he appears to have practiced with little success, but acquired fame by a cure of Eunapius Sardianus, who on his voyage to Athens had been seized with a fever, which yielded only to treatment of a peculiar nature.
Agathosthenes (Ἀγαθοσθένης) was a Greek historian or philosopher of uncertain date, who is referred to by Tzetzes as his authority in matters connected with geography. There is mention of a work of Agathosthenes called "Asiatica Carmina", where some writers read the name "Aglaosthenes"; for Aglaosthenes or Aglosthenes, who is by some considered to be the same as Agathosthenes, wrote a work on the history of Naxos, of which nothing remains, but which was much used by ancient writers.
Phradmon was a little-known sculptor from Argos, whom Pliny places as the contemporary of Polykleitos, Myron, Pythagoras, Scopas, and Perelius, at Olympiad 90 in 420 BCE, in giving an anecdotal description of a competition for a Wounded Amazon for the temple of Artemis at Ephesus: in Pliny's anecdote, the fifth place was won by Phradmon, whom Pliny admits was younger than any of the four who were preferred to him. Trusting in Pliny's anecdote, scholars have often hopefully assigned the "Lansdowne" type of Wounded Amazon to Phradmon.
Pythagoras of Samos or Pythagoras of Rhegion was an Ancient Greek sculptor from Samos. Pliny the Elder describes two different sculptors who bore a remarkable personal likeness to each other. In the nineteenth century Dictionary of Greek and Roman Biography and Mythology, Philip Smith accepted the opinion of Karl Julius Sillig (1801–1855) that Pliny's date of Olympiad 87 ought to be referred to a Pythagoras of Samos but not a Pythagoras of Rhegium; other writers considered it possible Pythagoras of Samos lived closer to the beginning of the 5th century BC. Modern writers consider it certain these two were the same artist, and that this Pythagoras was one of the Samian exiles who moved to Zankle at the beginning of the 5th century BC and came under the power of the tyrant Anaxilas in Rhegium. While a Samian by birth, he was a pupil of Clearchus of Rhegium.
Aglaophon was an ancient Greek painter, born on the island of Thasos. He was the father and instructor of Polygnotus. He had another son named Aristophon. As Polygnotus flourished before the 90th Olympiad, Aglaophon probably lived around the 70th Olympiad, that is, around the late 6th or early 5th century BC. Quintilian praises his paintings, which were distinguished by the simplicity of their coloring, as worthy of admiration on other grounds besides their antiquity.
Albucius or Albutius was a physician of ancient Rome, who lived probably about the beginning or middle of the 1st century, and who is mentioned by Pliny as having gained by his practice the annual income of two hundred and fifty thousand sesterces. This is considered by Pliny to be a very large sum, and may therefore give us some notion of the fortunes made by physicians at Rome about the beginning of the empire.
Alcisthene or Alkisthene may have been a female painter mentioned by Pliny the Elder, in a list of notable female painters. In the Latin text, however, the name Alcisthenes seems to refer instead to a dancer (saltator) who is the subject of a painting by Irene daughter of the painter Cratinus.
The name Alcon or Alco can refer to a number of people from classical history:
Alexis was an ancient Greek sculptor mentioned by Pliny as one of the pupils of Polykleitos. Pausanias mentions an artist of the same name, a native of Sicyon, and father of the sculptor Cantharus. It cannot be satisfactorily settled whether these are the same, or different persons. Pliny's account implies that he had the elder Polykleitos in mind, in which case Alexis could not have flourished later than Olympiad 95 in 400 BC, whereas Eutychides, under whom Cantharus studied, flourished about Olympiad 120 in 300. If the two were identical, as German classicist Friedrich Thiersch thinks, we must suppose either that Pliny made a mistake, and that Alexis studied instead under Polykleitos the Younger, or else that Eutychides, whose date is given by Pliny, was not the artist under whom Cantharus studied.
Alphius Avitus was a Latin poet believed to have flourished during the reigns of the Roman emperors Augustus and Tiberius, that is, the late 1st century BC or early 1st century AD. Many suppose him to be the same person with Alfius Flavus—the precocious pupil of Lucius Cestius Pius and contemporary with Seneca the Elder, who while only a boy was so renowned for his eloquence that crowds flocked to listen to his orations—and with a "Flavius Alfius", who is referred to by Pliny the Elder as an authority for a story about dolphins. This has led some scholars to conjecture that this person's full, correct name may have been "Flavus Alfius Avitus". All this is very uncertain. We know from the ancient grammarian Terentianus that Alphius Avitus composed a work about "Illustrious Men", in iambic dimeters, extending to several books; and eight lines are cited by Priscian from the second book, forming a part of the legend of the Faliscan schoolteacher who betrayed his students to Marcus Furius Camillus; besides which, three lines more from the first book are contained in some manuscripts of the same grammarian. These fragments are given in the Latin Anthology of Pieter Burman the Younger.
Antigonus was a sculptor of ancient Greece, and an eminent writer upon his art, was one of the artists who represented the battles of Attalus I and Eumenes against the Gauls. He lived, therefore, about 239 BCE, when Attalus I, king of Pergamus, conquered the Gauls. According to Pliny, Antigonus sculpted statues of Harmodius and Aristogeiton, and a "Perixyomenos" – probably a sculpture of a man scraping himself. He may have been the same Antigonus who wrote on the art of painting and was mentioned by Diogenes Laërtius.
In Greek mythology, Aganippe was the name of both a spring and the Naiad associated with it. The spring is in Boeotia, near Thespiae, at the base of Mount Helicon, and was associated with the Muses who were sometimes called Aganippides. Drinking from her well, it was considered to be a source of poetic inspiration. The nymph is called a daughter of the river-god Permessus. Ovid associates Aganippe with Hippocrene.
Aristeides was a sculptor of ancient Greece who was celebrated for his statues of four-horsed and two-horsed chariots. Since he was the disciple of Polykleitos the Younger, he must have flourished around 388 BCE. Perhaps he was the same person as the Aristeides who made some improvements in the goals of the Olympic stadium.
In Greek mythology Smilax was the name of a nymph who was in love with Crocus and was turned into the plant bearing her name. Ancient sources with information about her and her tale are few and far between.
This article incorporates text from a publication now in the public domain : Smith, William, ed. (1870). "Agriopas". Dictionary of Greek and Roman Biography and Mythology .