Related Research Articles
Toccata is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments.
Trevor David Pinnock is a British harpsichordist and conductor.
Wanda Aleksandra Landowska was a Polish harpsichordist and pianist whose performances, teaching, writings and especially her many recordings played a large role in reviving the popularity of the harpsichord in the early 20th century. She was the first person to record Johann Sebastian Bach's Goldberg Variations on the harpsichord in 1933. She became a naturalized French citizen in 1938.
Concert champêtre, FP 49, is a harpsichord concerto by Francis Poulenc, which also exists in a version for piano solo with very slight changes in the solo part.
A harpsichord concerto is a piece of music for an orchestra with the harpsichord in a solo role. Sometimes these works are played on the modern piano. For a period in the late 18th century, Joseph Haydn and Thomas Arne wrote concertos that could be played interchangeably on harpsichord, fortepiano, and pipe organ.
Ralph Leonard Kirkpatrick was an American harpsichordist and musicologist, widely known for his chronological catalog of Domenico Scarlatti's keyboard sonatas as well as for his performances and recordings.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
A harpsichordist is a person who plays the harpsichord. Harpsichordists may play as soloists, as accompanists, as chamber musicians, or as members of an orchestra, or some combination of these roles. Solo harpsichordists may play unaccompanied sonatas for harpsichord or concertos accompanied by orchestra. Accompanist harpsichordists might accompany singers or instrumentalists, either playing works written for a voice and harpsichord or an orchestral reduction of the orchestra parts. Chamber musician harpsichordists could play in small groups of instrumentalists, such as a quartet or quintet. Baroque-style orchestras and opera pit orchestras typically have a harpsichordist to play the chords in the basso continuo part.
Antonius Gerhardus Michael Koopman, known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir.
Millicent Irene Silver was an English harpsichordist, who began her career as a pianist and violinist.
Allan Vogel is an American oboist and educator. He was the former Principal Oboe of the Los Angeles Chamber Orchestra.
The harpsichord was largely obsolete, and seldom played, during a period lasting from the late 18th century to the early 20th. The instrument was successfully revived during the 20th century, first in an ahistorical form strongly influenced by the piano, then with historically more faithful instruments. The revival was the joint work of performers, builders, and composers who wrote new harpsichord pieces. However the harpsichord never completely disappeared from the public eye as it was used through the mid-19th century for basso continuo because despite its low volume, it had considerable power to "cut through" the orchestra. The earliest revival efforts began in the mid-19th century due to its increasingly infrequent usage and there was concern that the instrument could become a forgotten relic of the past.
David Ezra Okonşar is a Turkish–Belgian pianist, composer, conductor, writer and educator. He was previously known as "Mehmet Okonşar".
The Concerto pour orgue, cordes et timbales in G minor, FP 93, is an organ concerto composed by Francis Poulenc between 1934 and 1938. It has become one of the most frequently performed pieces of the genre not written in the Baroque period.
The Orchestra Symphonique de Paris was an orchestra principally active in Paris from 1928 to 1939. The orchestra was co-founded by Ernest Ansermet, Louis Fourestier and Alfred Cortot and gave its first concert on 19 October 1928 at the Théâtre des Champs-Élysées.
Anthony Newman is an American classical musician. While mostly known as an organist, Newman is also a harpsichordist, pedal harpsichordist, pianist, fortepianist, composer, conductor, writer, and teacher. A specialist in music of the Baroque period, particularly the works of Johann Sebastian Bach, Newman considers himself to have played an important role in the movement towards historically informed performance. He has collaborated with noted musicians such as Kathleen Battle, Julius Baker, Itzhak Perlman, Eugenia Zukerman, Jean-Pierre Rampal, Leonard Bernstein, Michala Petri and Wynton Marsalis for whom he arranged and conducted In Gabriel’s Garden, the most popular classical record of 1996.
Philip Manuel was an American pianist, organist, harpsichordist and music educator. With pianist, organist and harpsichordist Gavin Williamson, he formed a duo in 1922, known as Manuel and Williamson, that helped promote the use of harpsichords as concert instruments. In the spring of 1935, the duo were the first professionals to play Bach's Concerto for Four Harpsichords in the United States on this instrument.
Johann Sebastian Bach's music has been performed by musicians of his own time, and in the second half of the eighteenth century by his sons and students, and by the next generations of musicians and composers such as the young Beethoven. Felix Mendelssohn renewed the attention for Bach's music by his performances in the 19th century. In the 20th century Bach's music was performed and recorded by artists specializing in the music of the composer, such as Albert Schweitzer, Helmut Walcha and Karl Richter. With the advent of the historically informed performance practice Bach's music was prominently featured by artists such as Nikolaus Harnoncourt, Gustav Leonhardt and Sigiswald Kuijken.
Jean-Patrice Brosse was a French harpsichordist and organist.
Ruggero Gerlin was an Italian harpsichordist.
References
- ↑ "Buy Orchestre de la Société des concerts du Conservatoire / Pierre Dervaux / Georges Prêtre / Aimée Van de Wiele / Francis Poulenc / Jacques Février / Maurice Duruflé - Concert Champêtre; Concerto for Two Pianos; Organ Concerto - Rate Your Music". rateyourmusic.com. Retrieved 2020-08-26.
- ↑ Hixon, Donald L. (1993). Women in music : an encyclopedic biobibliography. Hennessee, Don A. (2nd ed.). Metuchen, N.J.: Scarecrow Press. ISBN 0-8108-2769-7. OCLC 28889156.
- ↑ Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlarged ed.). New York. ISBN 0-9617485-2-4. OCLC 16714846.
- ↑ Sleeman, Elizabeth (2001). The International Who's Who of Women 2002. Psychology Press. ISBN 978-1-85743-122-3.
- ↑ Hillila, Ruth-Esther; Hong, Barbara Blanchard (1997). Historical Dictionary of the Music and Musicians of Finland. Greenwood Publishing Group. ISBN 978-0-313-27728-3.
- ↑ Senior, Evan (1966). Music and Musicians. Hansom Books.
- ↑ Cue: The Weekly Magazine of New York Life. Cue Publishing Company. 1968.
- ↑ "Aimée Van De Wiele Plays Music Of Jean-Jacques Grunenwald – 1963 – Past Daily Weekend Gramophone". Past Daily: News, History, Music And An Enormous Sound Archive. 2017-06-12. Retrieved 2020-08-26.
- ↑ Publishers, American Society of Composers, Authors and (1936). List of Members of the American Society of Composers, Authors and Publishers and Affiliated Societies.
- ↑ "Aimée van de Wiele: Bach Goldberg Variations - Calliope 370 178". Casals Classical LPs & CDs. Retrieved 2020-08-26.
- ↑ "Nonesuch - Couperin". www.amazon.com. Retrieved 2020-08-26.
| General | |
|---|---|
| National libraries | |
| Other | |
