Airs above the ground

Last updated April 09, 2021

Courbette KochCourbette.jpeg — Courbette

Ballotade KochBallotade.jpeg — Ballotade

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca.^[1] Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

There is a popular conception that these movements were originally taught to horses for military purposes, and indeed both the Spanish Riding School and the Cadre Noir are military foundations. However, while agility was necessary on the battlefield, most of the airs as performed today would have exposed the vulnerable underbelly of the horse to the weapons of foot soldiers.^[2] It is therefore more likely that the airs were exercises to develop the military horse and rider, rather than to be employed in combat.

Horses are usually taught each air on the long rein without a rider, which is less strenuous for the animal. However, each movement is meant to eventually be performed under a rider.

The pesade and the levade

The pesade and levade are the first airs taught to the High School horse, and it is from these that all other airs are taught. In the pesade, the horse raises its forehand off the ground and tucks the forelegs evenly, carrying all weight on the hindquarters, to form a 45 degree angle with the ground.

The levade was first taught at the beginning of the 20th century, asking the horse to hold a position approximately 30–35 degrees from the ground. Unlike the pesade, which is more of a test of balance, the decreased angle makes the levade an extremely strenuous position to hold, and requires a greater effort from the horse. Therefore, many horses are not capable of a good-quality levade. The levade is also a transition movement between work on the ground and the airs above the ground. Neither of these movements are equivalent to rearing, as they require precise control, excellent balance, and a great deal of strength, and are the product of correct training, rather than resistance from the horse.

The horse is asked to enter the pesade or levade from the piaffe, which asks the horse to increasingly engage its hindquarters, lowering them toward the ground and bringing the hind legs more toward its center of gravity. This gives the viewer the impression that the horse appears to sink down in back and rise in front. The position is held for a number of seconds, and then the horse quietly puts the forelegs back on the ground and proceeds at the walk, or stands at the halt. The levade is considered to be pinnacle of collection, as the horse carries all weight on the back legs, and has an extreme tucking of the hindquarters and coiling of the loins.

The capriole, the croupade and the ballotade

In the capriole (meaning leap of a goat), the horse jumps from a raised position of the forehand straight up into the air, kicks out with the hind legs, and lands more or less on all four legs at the same time. It requires an enormously powerful horse to perform correctly, and is considered the most difficult of all the airs above the ground. It is first introduced with the croupade, in which the horse does not kick out at the height of elevation, but keeps the hind legs tucked tightly under, and remains parallel to the ground. The horse is then taught the ballotade. In this movement, the horse's hind hooves are positioned so one can see its shoes if watching from behind, but the horse is not asked to kick out. When the horse demonstrates proficiency in the ballotade, the capriole is introduced.

The courbette

In the courbette, the horse raises its forehand off the ground, tucks up forelegs evenly, and then jumps forward, never allowing the forelegs to touch down, in a series of "hops". Extremely strong and talented horses can perform five or more leaps forward before having to touch down with the forelegs, although it is more usual to see a series of three or four leaps. The courbette, like the capriole, is first introduced through the easier croupade.

The mezair

In the mezair, the horse rears up and strikes out with its forelegs. It is similar to a series of levades with a forward motion (not in place), with the horse gradually bringing its legs further under himself in each successive movement and lightly touching the ground with the front legs before pushing up again. The mezair was originally called the courbette by the old dressage masters. It is no longer practiced at the Spanish Riding School.

Related Research Articles

Dressage is a form of riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements."

Collection occurs when a horse's center of gravity is shifted backwards. Energy is directed in a more horizontal trajectory with less forward movement. Biomechanical markers include: increased flexion in the lumbo-sacral joint, stifle, and hocks of the horse; increased engagement of the thoracic sling muscles resulting in the withers rising relative to the horse's scapula; and reduced ranges of limb protraction–retraction.

The Lipizzan or Lipizzaner, is a horse breed named for the Lipizza Stud of the Habsburg monarchy. The breed is closely associated with the Spanish Riding School of Vienna, Austria, where the horses demonstrate the haute école or "high school" movements of classical dressage, including the highly controlled, stylized jumps and other movements known as the "airs above the ground." The horses at the Spanish Riding School are trained using traditional methods that date back hundreds of years, based on the principles of classical dressage.

Classical dressage evolved from cavalry movements and training for the battlefield, and has since developed into the competitive dressage seen today. Classical riding is the art of riding in harmony with, rather than against, the horse.

The piaffe is a dressage movement where the horse is in a highly collected and cadenced trot, in place or nearly in place. The center of gravity of the horse should be more towards the hind end, with the hindquarters slightly lowered and great bending of the joints in the hind legs. The front end of the horse is highly mobile, free, and light, with great flexion in the joints of the front legs, and the horse remains light in the hand. The horse should retain a clear and even rhythm, show great impulsion, and ideally should have a moment of suspension between the foot falls. As in all dressage, the horse should perform in a calm manner and remain on the bit with a round back.

The trot is a two-beat diagonal gait of the horse where the diagonal pairs of legs move forward at the same time with a moment of suspension between each beat. It has a wide variation in possible speeds, but averages about 13 kilometres per hour (8.1 mph). A very slow trot is sometimes referred to as a jog. An extremely fast trot has no special name, but in harness racing, the trot of a Standardbred is faster than the gallop of the average non-racehorse, and has been clocked at over 30 miles per hour (48 km/h).

The Spanish Riding School is an Austrian institution dedicated to the preservation of classical dressage and the training of Lipizzaner horses, based in Vienna, Austria, whose performances in the Hofburg are also a tourist attraction. The leading horses and riders of the school also periodically tour and perform worldwide. It is one of the "Big Four", the most prestigious classical riding academies in the world, alongside the Cadre Noir, the Portuguese School of Equestrian Art, and the Royal Andalusian School.

The canter and gallop are variations on the fastest gait that can be performed by a horse or other equine. The canter is a controlled three-beat gait, while the gallop is a faster, four-beat variation of the same gait. It is a natural gait possessed by all horses, faster than most horses' trot, or ambling gaits. The gallop is the fastest gait of the horse, averaging about 40 to 48 kilometres per hour. The speed of the canter varies between 16 to 27 kilometres per hour depending on the length of the horse's stride. A variation of the canter, seen in western riding, is called a lope, and is generally quite slow, no more than 13–19 kilometres per hour (8–12 mph).

The half-pass is a lateral movement seen in dressage, in which the horse moves forward and sideways at the same time. Unlike the easier leg-yield, the horse is bent in the direction of travel, slightly around the rider's inside leg. The outside hind and forelegs should cross over the inside legs, with the horse's body parallel to the arena wall and his forehand leading. The horse should remain forward, balanced, and bent, moving with cadence. The inside hind leg remains engaged throughout the half-pass, and the horse should not lose its rhythm.

A Pirouette is a French word for the Ballet reference, "to whirl about."

Turn on the forehand is a lateral movement in equestrian schooling that involves moving the horse's hindquarters around his front legs. Although a basic movement, it is an important training tool for both horse and rider.

Rearing occurs when a horse or other equine "stands up" on its hind legs with the forelegs off the ground. Rearing may be linked to fright, aggression, excitement, disobedience, non experienced rider, or pain. It is not uncommon to see stallions rearing in the wild when they fight, while striking at their opponent with their front legs. Mares are generally more likely to kick when acting in aggression, but may rear if they need to strike at a threat in front of them.

Rollkur or hyperflexion of the horse's neck is an illegal practice in equestrianism defined as "flexion of the horse's neck achieved through aggressive force" and is banned by the world governing body, the International Federation for Equestrian Sports (FEI). The FEI recognises a distinction between rollkur and the riding of the horse in a deep outline not achieved by force.

Riding aids are the cues a rider gives to a horse to communicate what they want the animal to do. Riding aids are broken into the natural aids and the artificial aids.

Lateral movements or lateral flexions within equestrianism, have a specific meaning, used to refer to movements made by a horse where the animal is moving in a direction other than straight forward. They are used both in training and in competition, vary in difficulty, and are used in a progressive manner, according to the training and physical limitations of the animal.

Impulsion is the movement of a horse when it is going forward with controlled power. Related to the concept of collection, impulsion helps a horse effectively use the power in its hindquarters. To achieve impulsion, a horse is not using speed, but muscular control; the horse exhibits a relaxed spinal column, which allows its hindquarters to come well under its body and "engage" so that they can be used in the most effective manner to move the horse forward at any speed.

The turn of the haunches is a lateral movement performed at the halt and walk, used in horse training. It requires the horse, while bent in the direction of the turn, to move his forehand around his hindquarters so that he makes a very small circle with the inside foreleg. The horse should pivot around a hindleg, as seen in the spin. Additionally, the horse should continue to display basic requirements of dressage, such as an even and regular rhythm, relaxation, acceptance of the aids, balance, and freedom of movement.

Haunches-in, also called travers or tête au mur, is a lateral movement used in the dressage discipline of horse training. It has a close cousin, haunches-out, renvers, or croupe au mur, that is slightly more difficult. Both movements are four-track, meaning they produce four lines of hoof prints in the sand, as opposed to the usual two seen if the horse is straight and to the three-track shoulder-in.

The shoulder-in is a lateral movement in dressage used to supple and balance the horse and encourage use of its hindquarters. It is performed on three tracks, where the horse is bent around the rider's inside leg so that the horse's inside hind leg and outside foreleg travel on the same line. For some authors it is a "key lesson" of dressage, performed on a daily basis.

The half-halt is a specific riding aid given by an equestrian to his horse, in which the driving aids and restraining aids are applied in quick succession. It is sometimes thought of as an "almost halt," asking the horse to prepare to halt in balance, before pushing it onward to continue in its gait.

References

↑ "Menorca – Insel der Pferde" (PDF). Equus (in German). 2011 (2). April–June 2011. Retrieved 10 July 2011. Menorca – Island of horses
↑ Chamberlin, J. Edward. Horse: How the Horse Has Shaped Civilizations. Bluebridge, 2006, pp. 166–67 ISBN 0-9742405-9-1

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.

[equus-1] "Menorca – Insel der Pferde" (PDF). Equus (in German). 2011 (2). April–June 2011. Retrieved 10 July 2011. Menorca – Island of horses

[chamb-2] Chamberlin, J. Edward. Horse: How the Horse Has Shaped Civilizations. Bluebridge, 2006, pp. 166–67 ISBN 0-9742405-9-1

[1]

[2]