Classical dressage

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Lusitano riders of the Portuguese School of Equestrian Art, one of the "Big Four" most prestigious riding academies in the world, alongside the Cadre Noir, the Spanish Riding School, and the Royal Andalusian School. . Queluz Palace horses approach (9180978620).jpg
Lusitano riders of the Portuguese School of Equestrian Art, one of the "Big Four" most prestigious riding academies in the world, alongside the Cadre Noir, the Spanish Riding School, and the Royal Andalusian School. .

Classical dressage evolved from cavalry movements and training for the battlefield, and has since developed into the competitive dressage seen today. Classical riding is the art of riding in harmony with, rather than against, the horse.

Contents

A painting of the Spanish Riding School in 1783 Bellotto Colonel Piotr Koenigsfels.png
A painting of the Spanish Riding School in 1783

Correct classical riding only occurs when the rider has a good seat and a correct and well-balanced body position, moves with the horse's motion, and applies and times the aids correctly.

Natural abilities of the horse

The origins of classical dressage and collection lie in the natural ability of the horse and its movements in the wild. In fact, most modern definitions of dressage state that the goal is to have the horse perform under saddle with the degree of athleticism and grace that it naturally shows when free.

Horses naturally use collection when playing, fighting, competing and courting with each other. When trying to impress other horses, they make themselves look bigger, just as other animals do. They achieve this by lifting the forehand, raising the neck and making it bigger by flexing the poll, while at the same time transforming their gaits to emphasize more upwards movement. When fighting, the horse will collect because in collection he can produce lightning speed reactions for kicking, rearing, spinning, striking with the front feet, bucking and jumping.

This natural ability to collect is visible in every horse of any breed, and probably inspired early trainers to reproduce that kind of behavior in more controlled circumstances. This origin also points out why, according to most Classical dressage trainers, every healthy horse, regardless of its breed, can perform classical dressage movements, including the Haute Ecole jumps, or Airs above the ground, even though it may perform them a little differently from the ideal performance due to the build of its body.

The ultimate goal of dressage training is to develop a horse to its ability as an athlete: maximum performance with a minimum of effort. The training scale (as set for in the German riding instruction) is to physically develop the horse in a consistent manner with longevity in mind. Dressage is fitness training and needs to be treated as such, with thought, compassion and patience.

History

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Xenophon and Socrates

The Western World's earliest complete surviving work on many of the principles of classical dressage is Xenophon's On Horsemanship . Xenophon emphasized training the horse through kindness and reward.

In the 15th century, brute force training fell out of favour, while artistry in riding came to the fore. Along with these developments came an increase in indoor riding. The Renaissance gave rise to a new and more enlightened approach to riding, as a part of the general cultivation of the classical arts. By the Victorian age, indoor riding had become a sophisticated art, with both rider and horse spending many years perfecting their form. Gueriniere, Eisenberg, Ruy d'Andrade and Marialva wrote treatises on technique and theory during these periods.

The horses were trained to perform a number of airs above the ground (or "sauts d'école") movements, which could enable their riders to escape if surrounded, or to fight more easily. These included movements such as levade, capriole, courbette, and ballotade. Movements still seen today in competitive dressage include the piaffe, passage, and half-pass.

Compared to competitive dressage

Capriole KochCapriole.jpeg
Capriole
Courbette KochCourbette.jpeg
Courbette
Levade KochLevade.jpeg
Levade

Modern, or competitive, dressage evolved in the competition arena, although it now exists in a very different form from its ancestor. Competitive dressage is an international sport ranging from beginner levels to the Olympics. Unlike classical dressage, competitive dressage is focused solely on competition, at times at the expenses of both good horsemanship and the well being of the horse. Competitive dressage employs cruel techniques to achieve a particular carriage of the horse which, for most breeds, is completely unnatural. The technique frequently utilized, although officially banned in competition arenas, is called Rollkur it involves pulling and holding the horse's chin to its chest in an effort to get a vertical fix of its face in the arena.

In theory, competitive dressage should follow the same principles as classical dressage. However, there has been criticism by some riders for the trend at all levels for "quick fixes" and incorrect training that makes the horse appear correct, but that is in fact neglecting the fundamentals. Classical riders criticize such training methods on the grounds that they are biomechanically incompatible with correct movement, are painful to the horse, and cause long-term physical damage. [2] These short-cuts usually catch up to the rider as they move up the levels and need to be corrected to perform certain movements. While these modern methods, such as the highly controversial rollkur technique, can produce winning animals, classical dressage riders argue that such training is incorrect and even abusive.

It is also believed by some that competitive dressage does not always reward the most correctly trained horse and rider, especially at the lower levels. For example, some riders who consider themselves to be training classically would not ask their horse to hold his head near-vertical when he first began training, and this would be penalized at the lower levels of competitive dressage, marked down because the horse is not considered to be correctly on the bit. Other riders, who also would consider themselves classically trained, would disagree, saying that if a horse is not ready to travel in a correct outline (on the bit) he is not ready for competition, and this is the reason such horses would be marked down.

The highest form of classical riding, as well as dressage, high school dressage, or haute école, takes years for both the horse and rider to master. When a horse is advanced in its training, it can perform not only Grand Prix dressage movements such as collected and extended gaits, passage and piaffe, but some can also perform certain "Airs Above the Ground," although usually a horse will only be trained in one air, and only if it is particularly able.

The school jumps

The "high school" or haute ecole school jumps, popularly known as the "airs above the ground", include the courbette, capriole, levade, and ballotade. Though these movements are said to come from when the horse was used in war, in their modern form, the airs were unlikely to have been used in actual battle, as all but the capriole expose the horse's sensitive underbelly to the weapons of foot soldiers, and they were more likely training exercises used off the battlefield.

The courbette is a movement where the horse balances on its hind legs and jumps, keeping its fore legs off the ground, thus it "hops" on its hind legs.

The capriole is a movement where the horse leaps into the air and pulls his fore legs in towards his chest at the height of elevation, while kicking out with his hind legs.

The levade' is a movement where the horse is balanced on its haunches at a 45° angle from the ground. It requires great control and balance, and is very strenuous.

Two main breeds are most well known for their abilities for airs above ground: the Lipizzaner and the Andalusian. Other breeds known for their abilities in high school dressage include the Friesian and Lusitano.

The Spanish Riding School in Vienna, as well as the Cadre Noir in Saumur, still practices and teaches the haute ecole. The Spanish Riding School exclusively uses Lipizzaner stallions for their work.

Today, the only remaining large schools of classical dressage are the Cadre Noir, the Spanish Riding School, the Royal Andalusian School of Equestrian Art in Jerez de la Frontera, the Portuguese School of Equestrian Art in Lisbon and the Mexican Haute École of Riders Domecq in Texcoco. Independent classical dressage trainers also endeavor to keep this branch of the art alive, including the Portuguese riding master Nuno Oliveira and his students, Bent Branderup, and the American clinician, Paul Belasik.

Dressage masters and authors

Related Research Articles

Dressage Equestrian sport and art

Dressage is a form of horse riding performed in exhibition and competition, as well as an art sometimes pursued solely for the sake of mastery. As an equestrian sport defined by the International Equestrian Federation, dressage is described as "the highest expression of horse training" where "horse and rider are expected to perform from memory a series of predetermined movements."

Equestrianism Use of horses for sport or work

Equestrianism, commonly known as horse riding or horseback riding, includes the disciplines of riding, driving, and vaulting. This broad description includes the use of horses for practical working purposes, transportation, recreational activities, artistic or cultural exercises, and competitive sport.

Cadre Noir

The Cadre Noir is a corps of ecuyers, or instructors, at the French military riding academy École Nationale d'Équitation at Saumur in western France, founded in 1828. It also performs as an equestrian display team. Its name comes from the black uniforms that are still in use today. It is one of the "Big Four", the most prestigious classical riding academies in the world.

Lipizzan Horse breed noted for use in the Spanish Riding School in Vienna

The Lipizzan or Lipizzaner, is a horse breed named for the Lipizza Stud of the Habsburg monarchy. Generally gray in color, the Lipizzan is a breed of Baroque type that is powerful, matures slowly, and noted for longevity. The breed is closely associated with the Spanish Riding School of Vienna, Austria, where the horses demonstrate the haute école or "high school" movements of classical dressage, including the highly controlled, stylized jumps and other movements known as the "airs above the ground." The horses at the Spanish Riding School are primarily selected from those bred at the Piber Federal Stud, near Graz, Austria, and trained using traditional methods that date back hundreds of years, based on the principles of classical dressage.

Piaffe Stationary stylized collected trot

The piaffe is a dressage movement where the horse is in a highly collected and cadenced trot, in place or nearly in place. The center of gravity of the horse should be more towards the hind end, with the hindquarters slightly lowered and great bending of the joints in the hind legs. The front end of the horse is highly mobile, free, and light, with great flexion in the joints of the front legs, and the horse remains light in the hand. The horse should retain a clear and even rhythm, show great impulsion, and ideally should have a moment of suspension between the foot falls. As in all dressage, the horse should perform in a calm manner and remain on the bit with a round back.

Spanish Riding School

The Spanish Riding School is an Austrian institution dedicated to the preservation of classical dressage and the training of Lipizzaner horses, based in Vienna, Austria, whose performances in the Hofburg are also a tourist attraction. The leading horses and riders of the school also periodically tour and perform worldwide. It is one of the "Big Four", the most prestigious classical riding academies in the world, alongside the Cadre Noir, the Portuguese School of Equestrian Art, and the Royal Andalusian School.

Airs above the ground Movements in classical dressage

The airs above the ground or school jumps are a series of higher-level, Haute ecole, classical dressage movements in which the horse leaves the ground. They include the capriole, the courbette, the mezair, the croupade and the levade. None are typically seen in modern competitive dressage. They are performed by horses of various riding academies such as the Spanish Riding School in Vienna and the Cadre Noir in Saumur, and may be seen in other dressage performances. The levade and courbette are a particular feature of the Doma Menorquina, the riding tradition of the island of Menorca. Horses such as the Andalusian, Lusitano, Lipizzan and Menorquín are the breeds most often trained to perform the airs today, in part due to their powerfully conformed hindquarters, which allow them the strength to perform these difficult movements. There were originally seven airs, many of which were used to build into the movements performed today.

On Horsemanship is the English title usually given to Περὶ ἱππικῆς, peri hippikēs, one of the two treatises on horsemanship by the Athenian historian and soldier Xenophon. Other common titles for this work are De equis alendis and The Art of Horsemanship. The other work by Xenophon on horsemanship is Ἱππαρχικὸς, hipparchikos, usually known as Hipparchicus, or The cavalry commander. The title De re equestri may refer to either of the two.

Horse training Methods of teaching behaviors to horses

Horse training refers to a variety of practices that teach horses to perform certain behaviors when commanded to do so by humans. Horses are trained to be manageable by humans for everyday care as well as for equestrian activities from horse racing to therapeutic horseback riding for people with disabilities.

Alois Podhajsky Austrian equestrian

Alois Podhajsky was the director of the Spanish Riding School in Vienna, Austria as well as an Olympic medal-winner in dressage, riding instructor, and writer. He competed at the 1936 Summer Olympics and the 1948 Summer Olympics.

Rearing (horse)

Rearing occurs when a horse or other equine "stands up" on its hind legs with the forelegs off the ground. Rearing may be linked to fright, aggression, excitement, disobedience, non experienced rider, or pain. It is not uncommon to see stallions rearing in the wild when they fight, while striking at their opponent with their front legs. Mares are generally more likely to kick when acting in aggression, but may rear if they need to strike at a threat in front of them.

Rollkur

Rollkur or hyperflexion of the horse's neck is defined as "flexion of the horse's neck achieved through aggressive force" and is banned in International and Olympic sanctioned equestrian sports by the governing body, the International Federation for Equestrian Sports (FEI). The FEI recognises a distinction between rollkur and the riding of the horse in a deep outline not achieved by force.

François Baucher

A "baucher" is also a type of bit, named after the man.

Impulsion

Impulsion is the movement of a horse when it is going forward with controlled power. Related to the concept of collection, impulsion helps a horse effectively use the power in its hindquarters. To achieve impulsion, a horse is not using speed, but muscular control; the horse exhibits a relaxed spinal column, which allows its hindquarters to come well under its body and "engage" so that they can be used in the most effective manner to move the horse forward at any speed.

Baroque horse

The term baroque horse describes a group of horse breeds, usually descended from and retaining the distinctive characteristics of a particular type of horse that rose to prominence in Europe during the Baroque era, after significant development throughout the Middle Ages. It describes the type of agile but strong-bodied descendants of horses in the Middle Ages such as the destrier. Specific ancestors of this type include the Neapolitan horse, and the Iberian horse of Barb ancestry known in the Middle Ages as the Spanish Jennet. They are characterized by powerful hindquarters, a muscular, arched neck, a straight or slightly convex profile, and usually a full, thick mane and tail. These horses are particularly well suited for the haute ecole discipline of classical dressage.

James Fillis British-born French riding master

James Fillis was a British-born French horseman and riding master. He had a profound influence on the development of the haute école of dressage in both France and Russia. He travelled widely in Europe, and lived for about twelve years in Russia. He believed he had ridden over a hundred and fifty thousand horses in his lifetime.

<i>Airs Above the Ground</i> (novel)

Airs Above the Ground is a novel by Mary Stewart, first published in 1965. The title derives from Classical dressage, in particular, the graceful Airs Above the Ground, the haute ecole movements for which special breeds of horses, in particular Lippizans, are highly trained. These trained moves were once used by the horse to aid mounted soldiers in battle.

South African Lipizzaners

The South African Lipizzaners is the name of a riding academy that operates according to the classical model in Kyalami, Midrand in the Gauteng province of South Africa. In contrast to other classical riding schools, only women ride and train the 40 Lipizzaner stallions. Public performances take place every week on Sundays. There is also an affiliated stud farm that provides horses for the academy as well as preserving a valuable genetic outcross pool for European studs.

Doma menorquina

Doma menorquina is the traditional style of riding of the island of Menorca. It is closely associated with the Menorquín horse.

Marji Armstrong is one of the pioneers of the classical philosophy of horsemanship in Australia. She has taught these classical principles to students around the world for the past two decades, both in person and via the internet, and now shares her thoughts and experience on Marji's Blog.

References

  1. Horse & Hound - 7 Things You Need to Know about the Portuguese School of Equestrian Art
  2. "Dressage Revolution". Archived from the original on 2014-05-17. Retrieved 2019-07-04.