Show jumping is a part of a group of English ridingequestrian events that also includes eventing, hunters, and equitation. Jumping classes are commonly seen at horse shows throughout the world, including the Olympics. Sometimes shows are limited exclusively to jumpers. Sometimes jumper classes are offered in conjunction with other English-style events. Sometimes, show jumping is but one division of a very large, all-breed competition that includes a very wide variety of disciplines. Jumping classes may be governed by various national horse show sanctioning organizations, such as the United States Equestrian Federation or the British Showjumping Association. International competitions are governed by the rules of the International Federation for Equestrian Sports.
Proper show jumping attire, as seen in the show jumping phase of a three-day event. Attire at an event includes a mandatory armband as seen here, although the armband is not required in general show jumping.
Show jumping events have hunter classes, jumper classes and hunt seat equitation classes.
Hunters are judged subjectively on the degree to which they meet an ideal standard of manners, style, and way of going. Conversely, jumper classes are scored objectively, based entirely on a numerical score determined only by whether the horse attempts the obstacle, clears it, and finishes the course in the allotted time. Jumper courses tend to be much more complex and technical than hunter courses because riders and horses are not being judged on style. Courses often are colorful and at times, quite creatively designed. Jumper courses can range anywhere in height from 0.80 meters to 1.60 meters.
Hunters have meticulous turnout and tend toward very quiet, conservative horse tack and rider attire. Hunter bits, bridles, crops, spurs, and martingales are tightly regulated. Jumpers, while caring for their horses and grooming them well, are not scored on turnout, are allowed a wider range of equipment, and may wear less conservative attire, so long as it stays within the rules. Some events may make it compulsory to wear show jackets. Formal turnout always is preferred; a neat rider gives a good impression at shows.
In addition to hunters and jumpers, there are equitation classes, sometimes called hunt seat equitation, which judges the ability of the rider. The equipment, clothing, and fence styles used in equitation more closely resemble hunter classes, although the technical difficulty of the courses may more closely resemble showjumping events. This is because both disciplines are designed to test the rider's ability to control the horse through a difficult course consisting of rollbacks, combinations, and higher obstacles.
Rules
A show jumping courseShow jump courseDiagram of a show jumping course
Jumper classes are held over a course of show jumping obstacles, including verticals, spreads, and double and triple combinations, usually with many turns and changes of direction. The intent is to jump cleanly over a set course within an allotted time. Time faults are assessed for exceeding the time allowance. Jumping faults are incurred for knockdowns and blatant disobedience, such as refusals (when the horse stops before a fence or the horse, "runs out") (see Modern scoring below). Horses are allowed a limited number of refusals before being disqualified. A refusal may lead to a rider exceeding the time allowed on course. Placings are based on the lowest number of points or "faults" accumulated. A horse and rider who have not accumulated any jumping faults or penalty points are said to have scored a "clear round". Tied entries usually have a jump-off over a raised and shortened course, and the course is timed; if entries are tied for faults accumulated in the jump-off, the fastest time wins.
In most competitions, riders are allowed to walk the initial course but not the jump-off course (usually the same course with missing jumps, e.g., 1, 3, 5, 7, 8 instead of 1, 2, 3, 4, 5, 6, 7, 8, 9 or the same course but timed) before competition to plan their ride. Walking the course before the event is a chance for the rider to walk the lines he or she will have to ride, in order to decide how many strides the horse will need to take between each jump and from which angle. Going off course will cost time if minor errors are made and major departures will result in disqualification.
The higher levels of competition, such as "A" or "AA" rated shows in the United States, or the international "Grand Prix" circuit, present more technical and complex courses. Not only is the height and width ("spread") of an obstacle increased to present a greater challenge, technical difficulty also increases with tighter turns and shorter or unusual distances between fences. Horses sometimes also have to jump fences from an angle rather than straight on. For example, a course designer might set up a line so that there are six and a half strides (the standard measure for a canter stride is twelve feet) between the jumps, requiring the rider to adjust the horse's stride dramatically in order to make the distance. This could also mean that the rider may have to add or subtract a stride to clear the jump with more ease. How the rider chooses to adjust can also depend on their horse. If a horse has a smaller stride in comparison to the average, they may need to add another stride and vice versa if the horse has a longer stride.
Unlike show hunter classes, which reward calmness and style, jumper classes require boldness, scope, power, accuracy, and control; speed also is a factor, especially in jump-off courses and speed classes (when time counts even in the first round). The first round of the class consists of the rider and horse having to go around the course without refusing or knocking down any jumps while also staying within the time allowed. If the horse/rider combination completes the first round successfully, then they move on to the second round, called the "jump-off". In a jump-off, the rider needs to plan ahead of time because they need to be very speedy and also not have any faults. The jump-off has fewer jumps than the first round but is usually much more difficult. To win this round, the rider has to be the quickest while still not refusing or knocking down any jumps. In most competitions, the penalties for knocking a pole down is four per pole. This is then added to any time penalties that have occurred
Show jumping is a relatively new equestrian sport. Until the Inclosure Acts, which came into force in England in the 18th century, there had been little need for horses to jump fences routinely, but with this act of Parliament came new challenges for those who followed fox hounds. The Inclosure Acts brought fencing and boundaries to many parts of the country as common ground was dispersed amongst separate owners. This meant that those wishing to pursue their sport now needed horses that were capable of jumping these obstacles.
In the early horse shows held in France, there was a parade of competitors who then took off across country for the jumping. This sport was, however, not popular with spectators since they could not follow to watch the jumping. Thus, it was not long before fences began to appear in an arena for the competitions. This became known as Lepping. 1869 was the year ‘horse leaping’ came to prominence at Dublin horse show.[1] Fifteen years later, Lepping competitions were brought to Britain and by 1900 most of the more important shows had Lepping classes. Separate classes were held for women riding sidesaddle.
At this time, the principal cavalry schools of Europe at Pinerolo and Tor-di-Quinto in Italy, the French school in Saumur, and the Spanish school in Vienna all preferred to use a very deep seat with long stirrups when jumping. While this style of riding may have felt more secure for the rider, it also impeded the freedom of the horse to use its body to the extent needed to clear large obstacles.
An Italian riding instructor, Captain Federico Caprilli, heavily influenced the world of jumping with his ideas promoting a forward position with shorter stirrups. This style placed the rider in a position that did not interfere with the balance of the horse while negotiating obstacles. This style, now known as the forward seat, is commonly used today. The deep, Dressage-style seat, while useful for riding on the flat and in conditions where control of the horse is of greater importance than freedom of movement, is less suitable for jumping.
The first major show jumping competition held in England was at Olympia in 1907. Most of the competitors were members of the military and it became clear at this competition and in the subsequent years, that there was no uniformity of rules for the sport. Judges marked on their own opinions. Some marked according to the severity of the obstacle and others marked according to style. Before 1907 there were no penalties for a refusal and the competitor was sometimes asked to miss the fence to please the spectators. The first courses were built with little imagination, many consisting of only a straight bar fence and a water jump. A meeting was arranged in 1923 which led to the formation of the BSJA in 1925. In the United States, a similar need for national rules for jumping and other equestrian activities led to the formation of the American Horse Shows Association in 1917, which now is known as the United States Equestrian Federation.
An early form of show jumping first was incorporated into the Olympic Games in 1900. Show jumping in its current format appeared in 1912 and has thrived ever since, its recent popularity due in part to its suitability as a spectator sport that is well adapted for viewing on television.
Scoring
Historic scoring
Riders walking a course
The original list of faults introduced in Great Britain in 1925 were as follows:
(At first, stadium jumps were set as a single rail that sometimes would be up to five feet high. Some horses began to duck under these jumps instead, which perhaps is the origin of the term "ducking out" at a fence.)
Fall of the horse, the rider, or both: elimination
Touches: If a horse touched a fence without knocking it down, zero faults
Rail down with front hooves: 4 faults
Rail down with back hooves: 4 faults
Foot in the water jump: If a horse lands with any number of feet in the water: 4 faults. No faults were incurred, however, if the raised block in front of the water was knocked down.
Failure to break the timers starting or finishing would result in elimination.
Water jumps were once at least 15 feet (5 m) wide, although the water often had drained out of them by the time the last competitor jumped. High jumping would start with a pole at around five feet high, but this was later abandoned since many horses went under the pole. It was for this reason that more poles were added and fillers came into use. Time penalties were not counted until 1917.
Modern scoring
This knockdown will incur four penalties or "faults".
Rules have evolved since then, with different national federations having different classes and rules.[2] The international governing body for most major show jumping competitions is the Fédération Équestre Internationale (FEI).[3] The two most common types of penalties are jumping penalties and time penalties.
Jumping Penalties: Jumping penalties are assessed for refusals and knockdowns, with each refusal or knockdown adding four faults to a competitor's score.
Penalties for knockdowns are imposed only when the knockdown changes the height or width of the jump. If a horse or rider knocks down a bottom or middle rail while still clearing the height of the obstacle, providing the rails are directly underneath the top rail, they receive no penalties. Penalties are assessed at the open water when any of the horse's feet touch the water or white tape marking its boundary. If the water fence is a 'Liverpool' no faults will be accumulated for landing in the water.[4] A Liverpool is when a small pool (although it does not have to be filled with water) is placed under an oxer or a vertical.
Refusals: Refusals now are penalized four faults, up from three. Within the last several years, the FEI has decreased the number of refusals resulting in elimination from three to two, and this rule has trickled down from the top levels of FEI competition to other levels of horse shows in the US, however in such places as Australia, lower levels (below 1.15m usually) may still have the 3 refusals and elimination rule.
A refusal that results in the destruction of the integrity of a jump (running into the fence instead of jumping it, displacing poles, gates, flowers, or large clumps of turf or dirt) will not receive four faults for the knockdown, but instead the four faults for a refusal. A refusal inside a combination (a series of two or more fences with one or two strides between each element) must re-jump the entire combination.
Time Penalties: In the past, a common timing rule was a 1/4 second penalty for each second or fraction of a second over the time allowed. Since the early 2000s, this rule was changed by the FEI so that each second or fraction of a second over the time allowed would result in 1 time penalty (e.g. with a time allowed of 72 seconds, a time of 73.09 seconds would result in 2 time faults).
Combinations: A refusal at any of the jumps in combination results in the horse having to repeat the entire set of obstacles in the designated order of succession, not just the element refused. So a horse may jump "A" and "B" without issue but have a refusal at the third fence (C), at which time the rider would have to circle and return to jump fence "A" again, giving the horse a second chance to refuse or knock down "A" and "B". Despite being considered one obstacle, each element may result in penalty points if knocked down. Therefore, if each of the three fences in a triple combination were knocked down, the rider would receive 12 faults (4 per fence, instead of 4 faults for the entire obstacle). "In and out" is the informal name designated to combinations with only two elements such as "A" and "B", and not specific enough for a three-jump combination.
Table C, speed scoring
The above type of scoring is called "Table A" scoring. Table C is a method of scoring based only on speed. The penalties for each knockdown is to add 4 seconds to the rider's time. The fastest score wins.[5][6]
Common show jumping tack: jumping saddle, open-front boots, running martingale
Show jumping competitors use a very forward style of English saddle, most often the "close contact" design, which has a forward flap and a seat and cantle that is flatter than saddles designed for general all-purpose English riding or dressage. This construction allows greater freedom of movement for the rider when in jumping position and allows a shorter stirrup, allowing the rider to lighten the seat on the horse. Other saddles, such as those designed for dressage, are intended for riders with a deep seat, can hinder a rider over large fences, forcing them into a position that limits the horse's movement and may put the rider dangerously behind the movement of the horse.
At international levels, saddle pads are usually white and square in shape, allowing the pair to display a sponsorship, national flag, or breeding affiliation. In contrast, riders in show hunters and equitation often use "fitted" fleece pads that are the same shape as the saddle. Girths vary in size and type, but usually have a contour to give room for the horse's elbows, and many have belly guards to protect the underside of the horse from its shoe studs when the front legs are tightly folded under.
Bridles may be used with any style of cavesson noseband, and there are few rules regarding the severity of this equipment. The figure-8 cavesson is the most popular type. Bits may also vary in severity, and competitors may use any bit, or even a "bitless bridle" or a mechanical hackamore. The ground jury at the show has the right, however, based on veterinary advice, to refuse a bit or bridling scheme if it could cause harm to the horse.
Boots and wraps are worn by almost all horses, due to the fact that they may easily injure their legs when landing or when making tight turns at speed. Open-fronted tendon boots usually are worn on the forelegs, because they provide protection for the delicate tendons that run down the back of the leg, but still allow the horse to feel a rail should it get careless and hang its legs. Fetlock boots are sometimes seen on the rear legs, primarily to prevent the horse from hitting itself on tight turns. However, dressage horses are forbidden from wearing boots or wraps during competition or tests, due to the formality of dressage there are extended regulations on tack.[7]
Martingales are very common, especially on horses used at the Grand Prix level. The majority of jumpers are ridden in running martingales since these provide the most freedom over fences. Although a standing martingale (a strap connecting directly to the horse's noseband) is commonly seen on show hunters and may be helpful in keeping a horse from throwing its head up, it also may be quite dangerous in the event of a stumble, restricting a horse from using its head to regain its balance. For this reason, standing martingales are not used in show jumping or eventing. Breastplates also are common, used to keep the saddle in place as the horse goes over large fences.
Rider attire
2008 Olympic equestrian jumping gold medalists Beezie Madden and Will Simpson
Rider attire may be somewhat less formal than that used in hunter riding. An approved ASTM/SEI equestrian helmet with a harness is always required, however, and is a practical necessity to protect the rider's head in the event of a fall. Tall boots are required, usually black. Spurs are optional, but commonly used. Breeches are traditional in color, usually white, tan, or beige. At approved competitions, depending on sanctioning organization, a dark-colored coat usually is worn (although under the rules of the USEF tweed or wash jackets are allowed in the summer and lighter colors are currently in fashion), with a light-colored (usually white) ratcatcher-style shirt and either a choker or stock tie. In hot summer weather, many riders wear a simple short-sleeved "polo" style shirt with helmet, boots and breeches, and even where coats are required, the judges may waive the coat rule in extremely hot weather. Gloves, usually black, are optional, as is the plaiting of the horse's mane and tail.
At FEI Grand Prix levels, dress is more strictly controlled. Riders must wear white or light-colored shirts, white ties or chokers, black or brown boots, white or light fawn breeches, and red or black jackets. Members of the military, police forces, and national studs, however, retain the right to wear their service uniforms instead of FEI-prescribed dress.[8] In some circumstances, members of international teams may wear jackets in their country's respective colors or add national insignia.
Types of competition
Grand Prix competition
Grand Prix: the highest level of show jumping. Run under International Federation for Equestrian Sports (FEI) rules, the horse jumps a course of 10 to 16 obstacles, with heights up to 1.6 meters (5feet 3inches) and spreads of up to 2.0 metres (6ft 7in). Grand Prix-level show jumping competitions include the Olympics, the World Equestrian Games, and other series of internationally ranked events. Grand Prix show jumping is normally referred to collectively as five-star Concours de Saut International (CSI) rules.
Speed derby
Puissance: a high-jump competition in which the final wall may reach over seven feet tall. The current, (April 2013), world record for the puissance is 2.40m (7ft 10in) held by Franke Sloothaak. The world record for the high jump, the precursor to the puissance, is 2.47m (8ft 1in), held by Captain Alberto Larraguibel Morales riding Huaso, in 1949.
Six-bar: riders jump six fences set in a straight line. In most places, fences are placed at equal distances apart, the first fence is the lowest and each subsequent fence is higher than the one before. Horses are either penalized or eliminated from the competition if they knock down a rail. After each round where more than one competitor goes "clean," or is tied for the fewest faults, the six fences are raised in height for each subsequent round until there is a winner. Occasionally, if there are multiple jump-offs, the final fences may be raised to well over six feet.
Gambler's choice/accumulator: An event where exhibitors choose their own course, with each fence cleared worth a given number of points based on difficulty. The entry who accumulates the most points within a set time limit on course is the winner.
Calcutta: A jumping event where spectators bet on which horse will win by means of an auction where the highest bidder has the exclusive bet on a given horse. Although the exact mechanism varies by region and culture, as a rule, the spectator who bets on the winner collects all money bet and then splits the purse with the owner of the winning horse.
Maiden, novice, and limit: Jumping classes limited to horses with fewer than one, three, or six wins. Fences are usually lower and time limits more generous.
Match race or double slalom: two identical courses are set up in a split arena, and two horses jump over the courses in a timed competition.
Touch class: A class held much as a normal show jumping class, except that if the horse touches the jump it is considered four faults.
Faults converted: A class in which any faults are converted into seconds on the clock, usually at the rate of 1 second per fault (i.e., one rail = 4 seconds)
Show jumping fences often are colorful, sometimes very elaborate and artistic in design, particularly at the highest levels of competition. Fences are designed to break away if stuck by the horse, both to simplify scoring, but also for safety, particularly to prevent falls by the horse. Types of jumps used include the following:
An oxer – England, 2004A Liverpool – California, USA, 2005
Vertical (or upright) – a jump that consists of poles or planks placed one directly above another with no spread, or width, to jump
Oxer – two verticals close together, to make the jump wider, also called a spread
Square oxer (sometimes known as Box Oxer): both top poles are of an equal height
Ascending oxer (usually called a Ramped Oxer): the furthest pole is higher than the first
Descending oxer (usually called an Offset Oxer): the furthest pole is lower than the closest. Descending oxers are not used in competitions and competitors are forbidden from jumping it. This is due to the fact that the horse may not be able to see the furthest pole before making the jump.
Swedish oxer: the poles slant in opposite directions, so that they appear to form an "X" shape when seen head on
Triple bar – is a spread fence using three elements of graduating heights
Cross rail – not commonly used in sanctioned horse shows, and sometimes called a "cross-pole," two poles crossed with one end of each pole being on the ground and on jump standards so that the center is lower than the sides; used at small shows and for schooling purposes to help teach the rider how to properly aim the horse jump in the center of the fence
Wall – This type of jump is usually made to resemble a brick wall, but the "bricks" are constructed of a lightweight material and fall easily when knocked.
Hogsback – a type of spread fence with three rails where the tallest pole is in the center
Filler – this is not a type of fence, but is a solid part below the poles, such as flower boxes or a rolltop; it also may be a gate or other filling decorative pieces
Combination – usually two or three jumps in a row, with no more than two strides between each; two jumps in a row are called double combinations, and three jumps in a row are called triple combinations (if a horse refuses the second or third element in one of these combinations, they must jump the whole combination again, not just any obstacle missed)
Fan: the rails on one side of the fence are spread out by standards, making the fence take the shape of a fan when viewed from above
Liverpool: a ditch or large tray of water under a vertical or oxer
Joker – a tricky fence comprising only a rustic (or unpainted) rail and two wings wherein the lack of filler makes it difficult for a horse to judge their proximity to the fence as well as the fence's height, making it a tricky obstacle usually found only in the upper divisions, and illegal in some competitions
Brush jump - a jump that has brush or faux grass on the top of it. Normally, the horse is able to see over the top of it and most of the time the horse's belly will hit the grass on top. These jumps have a cut out in the middle and brush on the side. There may be a fence or log on the bottom of the jump. The jump could be anywhere from 2–5ft tall. The jump also may be wide, causing the horse to stretch out its legs and chest.
At international level competitions that are governed by FEI rules, fence heights begin at 1.50 metres (4ft 11in). Other competition levels are given different names in different nations, but are based primarily on the height and spread of fences
In the United States, jumping levels range from 0–9 as follows:
USEF jumper levels
Level 0. Fences 2′6″ to 2′9″ in height and 2′9″ to 3′0″ in spread, triple bars/liverpools to 3′9″
Level 1. Fences 2′9″ to 3′0″ in height and 3′0″ to 3′6″ in spread, triple bars/liverpools to 4′0″
Level 2. Fences 3′0″ to 3′3″ in height and 3′3″ to 3′9″ in spread, triple bars/liverpools to 4′3″
Level 3. Fences 3′3″ to 3′6″ in height and 3′6″ to 4′0″ in spread, triple bars/liverpools to 4′6″
Level 4. Fences 3′6″ to 3′9″ in height and 3′9″ to 4′3″ in spread, triple bars to 4′9″, water to 8′
Level 5. Fences 3′9″ to 4′0″ in height and 4′0″ to 4′6″ in spread, triple bars to 5′0″, water to 9′
Level 6. Fences 4′0″ to 4′3″ in height and 4′3″ to 4′9″ in spread, triple bars to 5′3″, water to 10′
Level 7. Fences 4′3″ to 4′6″ in height and 4′6″ to 5′0″ in spread, triple bars to 5′6″, water to 12′
Level 8. Fences 4′6″ to 4′9″ in height and 4′9″ to 5′3″ in spread, triple bars to 5′9″, water to 12′6″
Level 9. Fences 4′9″ to 5′0″ in height and 5′0″ to 5′6″ in spread, triple bars to 6′0″, water to 13′
In Germany, competition levels are denoted by the letters E, A, L, M, S, and correspond to heights ranging from 0.80 to 1.55 meters.
The horses
A show jumper must have the scope and courage to jump large fences as well as the athletic ability to handle the sharp turns and bursts of speed necessary to navigate the most difficult courses. Many breeds of horses have been successful show jumpers, and even some grade horses of uncertain breeding have been champions. Most show jumpers are tall horses, over 16hands (64inches, 163cm), usually of Warmblood or Thoroughbred breeding, though horses as small as 14.1hands (57inches, 145cm) have been on the Olympic teams of various nations and carried riders to Olympic and other international medals. There is no correlation between the size of a horse and its athletic ability, nor do tall horses necessarily have an advantage when jumping. Nonetheless, a taller horse may make a fence appear less daunting to the rider.[9]
Ponies also compete in show jumping competitions in many countries, usually in classes limited to youth riders, defined as those under the age of 16 or 18 years, depending on the sanctioning organization. Pony-sized horses may, on occasion, compete in open competition with adult riders. The most famous example was Stroller, who only stood 14.1hands (57inches, 145cm) but was nonetheless an Individual silver medal winner and part of the Great Britain show jumping team in the 1968 Summer Olympics, jumping one of the few clean rounds in the competition. Significant jumpers from the United States are included in the Show Jumping Hall of Fame.[10][11]
Eventing is an equestrian event where a single horse and rider combine and compete against other competitors across the three disciplines of dressage, cross-country, and show jumping. This event has its roots in a comprehensive cavalry test that required mastery of several types of riding. The competition may be run as a one-day event (ODE), where all three events are completed in one day or a three-day event (3DE), which is more commonly now run over four days, with dressage on the first two days, followed by cross-country the next day and then show jumping in reverse order on the final day. Eventing was previously known as Combined Training, and the name persists in many smaller organizations. The term "Combined Training" is sometimes confused with the term "Combined Test", which refers to a combination of just two of the phases, most commonly dressage and show jumping.
Equestrianism, commonly known as horse riding or horseback riding, includes the disciplines of riding, driving, and vaulting. This broad description includes the use of horses for practical working purposes, transportation, recreational activities, artistic or cultural exercises, and competitive sport.
Cross country equestrian jumping forms one of the three phases of the sport of eventing; it may also be a competition in its own right, known as hunter trials or simply "cross-country", although these tend to be lower-level, local competitions.
Equitation is the art or practice of horse riding or horsemanship.
The equestrian events at the 1936 Berlin Summer Olympics included dressage, eventing, and show jumping. All three disciplines had both individual and team competitions. The host country, Germany, had a stellar year, winning both individual and team gold in every equestrian event, as well as individual silver in dressage. The competitions were held from 12 to 16 August 1936. Moderately priced tickets meant huge crowds at all equestrian events, with 15,000–20,000 spectators at any time during the dressage competition, 60,000 on the endurance day of eventing, and 120,000 for the Nations Cup in jumping.
The equestrian events at the 1972 Summer Olympics in Munich included show jumping, dressage and eventing. All three disciplines had both individual and team competitions. The equestrian competitions were held at 3 sites: an existing equestrian facility at Riem for the individual show jumping and eventing competitions, the Olympic Stadium in Munich for the Nations Cup, and Nymphenburg, a Baroque palace garden, for the sold-out dressage. 179 entries, including 31 women, competed from 27 countries: Argentina, Australia, Austria, Belgium, Bolivia, Bulgaria, Brazil, Canada, Chile, Denmark, the German Democratic Republic (GDR), France, the Federal Republic of Germany (FRG), Great Britain, Hungary, Ireland, Italy, Japan, Mexico, the Netherlands, Poland, Portugal, the Soviet Union, Spain, Sweden, Switzerland, and the United States. The youngest participant was Kurt Maeder from Switzerland at 19 years old, while the oldest rider was Lorna Johnstone from Great Britain at 70 years old.
The equestrian events at the 1964 Summer Olympics in Tokyo included show jumping, dressage and eventing. All three disciplines had both individual and team competitions. The competitions were held from 16 to 24 October 1964. These events took place at Karuizawa, which would become the first city to host Summer and Winter Olympic event when it hosted the curling events for the 1998 Winter Olympics in Nagano.
The Hunter division is a branch of horse show competition that is judged on the horse's performance, soundness and when indicated, conformation, suitability or manners. A "show hunter" is a horse that competes in this division.
Hunt seat is a style of forward seat riding commonly found in North American horse shows. Along with dressage, it is one of the two classic forms of English riding. The hunt seat is based on the tradition of fox hunting. Hunt seat competition in North America includes both flat and over fences for show hunters, which judge the horse's movement and form, and equitation classes, which judge the rider's ability both on the flat and over fences. The term hunt seat may also refer to any form of forward seat riding, including the kind seen in show jumping and eventing.
Equestrian sports were first included in the Olympic Games in the Summer Olympics of 1900 in Paris. They were again included in 1912, and have been included in every subsequent edition of the Games. Currently, the Olympic equestrian disciplines are dressage, eventing, and show jumping. In each discipline, both individual and team medals are awarded. Since the XV Olympiad in Helsinki in 1952, women and men compete on equal terms.
The individual show jumping was an equestrian event held as part of the Equestrian at the 1964 Summer Olympics programme. The event was held on 24 October. There were 46 competitors from 17 nations. Each nation could have up to three riders. The event was won by Pierre Jonquères d'Oriola of France, the first rider to win two gold medals in individual jumping; he did so 12 years apart, with his first in 1952. It was France's third gold medal in the event overall, moving out of a tie with Italy at two for most all-time. Hermann Schridde, representing the United Team of Germany, took silver. Great Britain earned its second consecutive bronze in the event, this time with Peter Robeson taking the honors.
Many types of obstacles are found in competitive horse jumping sports such as show jumping, hunter classes, and the cross-country phase of eventing. The size and type of obstacles vary depending on the course designer and the expected difficulty level of a particular competition. Horses will need to negotiate many types of obstacles in order to be successful in jumping sports.
Dog agility is a dog sport in which a handler directs a dog through an obstacle course in a race for both time and accuracy. Dogs run off leash with no food or toys as incentives, and the handler can touch neither dog nor obstacles. The handler's controls are limited to voice, movement, and various body signals, requiring exceptional training of the animal and coordination of the handler.
The individual show jumping in equestrian at the 1932 Summer Olympics in Los Angeles was held on 14 August. The event was called the "Prix des Nations" at the time. There were 14 competitors from 4 nations.
The individual eventing event at the 2020 Summer Olympics is scheduled to take place from 30 July to 2 August 2021 at the Baji Koen and Sea Forest Cross-Country Course. Like all other equestrian events, the eventing competition is open-gender, with both male and female athletes competing in the same division. 65 riders from 29 nations are expected to compete.
The individual show jumping event at the 2020 Summer Olympics is scheduled to take place on 3–4 August 2021 at the Baji Koen. Like all other equestrian events, the jumping competition is mixed gender, with both male and female athletes competing in the same division. 75 riders from 35 nations are expected to compete.
The team eventing event at the 2020 Summer Olympics is scheduled to take place from 30 July to 2 August 2021 at the Baji Koen and Sea Forest Cross-Country Course. Like all other equestrian events, the eventing competition is open-gender, with both male and female athletes competing in the same division. 45 riders from 15 nations are expected to compete.
The team show jumping event at the 2020 Summer Olympics took place on 6–7 August 2021 at the Baji Koen. Like all other equestrian events, the jumping competition was open-gender, with both male and female athletes competing in the same division. 60 riders from 20 nations competed. The event was won by team Sweden, which included Peder Fredricson, the silver medalist in the individual event. The United states were second, and Belgium third.
Rotational falls occur when a horse falls in such a manner as to somersault before landing on its back. It is of particular concern in the sport of eventing, especially in the cross-country phase of the competition. These falls can cause grave injuries and in the past have resulted in fatalities; such fatalities have spiked in recent years, prompting investigations and movements worldwide to increase the safety for participants.
The individual eventing event at the 2024 Summer Olympics is scheduled to take place from 27 July to 29 July 2024 at the Château de Versailles.
Clayton, Michael, and William Steinkraus. The Complete Book of Show Jumping. New York: Crown Publishers, 1975. ASIN: B000HFW4KC
de Nemethy, Bertalan. Classic Show Jumping: The de Nemethy Method; A Complete System for Training Today's Horses and Riders. Doubleday, 1988. ISBN0-385-23620-4
Llewellyn, H. M. "INTERNATIONAL SHOW JUMPING." Journal of the Royal Society of Arts, Vol. 102, No. 4935, pp. 896-898.
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