Aislinge Meic Con Glinne

Last updated

Aislinge Meic Con Glinne (Middle Ir.: The Vision of Mac Conglinne) is a Middle Irish tale of anonymous authorship, generally believed to have been written in the late 11th/early 12th century. [1] A parody of the "Vision" genre of religious text, it has been described as the "best major work of parody" in the Irish language. [2]

Contents

Text

The tale exists in two manuscript versions, one (sometimes referred to as B) in the fifteenth century collection Leabhar Breac ("Speckled Book"), and the other (known as H) in a manuscript dating from the sixteenth or seventeenth century. [3] The two versions have significant differences.

Synopsis

The Vision is the story of Aniér MacConglinne, a scholar from Armagh, and his efforts to rid King Cathal mac Finnguine of a "demon of gluttony" that lived in Cathal's throat. One day, MacConglinne decides to abandon scholarship and become a poet, because "[t]o spend his life studying was wretched." [4] He decides to visit Cathal, then travelling around Munster, since he is hungry and has heard that Cathal is well supplied with "whitemeats", i.e. dairy products. MacConglinne packs up and travels across the country in a single night, arriving in Cork in the evening. He stays in a dilapidated guesthouse attached to a monastery, where his singing of psalms disturbs the people of Cork. The monks bring him meagre rations, and MacConglinne composes a satire on them, whereupon he is seized, stripped naked and whipped. The abbot, Manchín, proposes crucifying the unrepentant poet; MacConglinne complains that they have shown him no hospitality whatever and curses them as "curs, robbers and shit-hounds". [5] The monks decide to defer crucifying him until the following day, but that night MacConglinne is visited by an angel of God, and is granted a vision of a land made entirely of food:

The fort we reached was beautiful,
With works of custards thick,
Beyond the loch.
New butter was the bridge in front,
The rubble dyke was wheaten white,
Bacon the palisade.

Stately, pleasantly it sat,
A compact house and strong.
Then I went in:
The door of it was dry meat,
The threshold was bare bread,
cheese-curds the sides.

Smooth pillars of old cheese,
And sappy bacon props
Alternate ranged;
Fine beams of mellow cream,
White rafters - real curds,
Kept up the house. [6]

The next day he tells the monks about it and Manchín says that the vision is the only thing that will cure King Cathal of his gluttony. If MacConglinne will communicate the vision to King Cathal, the monks will not kill him for making satires about them. MacConglinne somewhat sulkily agrees, and duly travels to meet Cathal and his entourage. Cathal is still the helpless victim of his gluttony, and MacConglinne is only able to get the king's attention by grinding his teeth so loudly that "there was no one in the neighbourhood [...] that did not hear the noise". [7] He manages to get Cathal to give him an apple, the first time in three and a half years that the king has offered food to anyone else. MacConglinne provokes Cathal into giving him more and more apples, ultimately persuading the king to fast with him. After MacConglinne has got the king to fast for two consecutive nights, he prepares a vast meal of roasted meats and has Cathal lashed to the walls of his palace. Then he taunts the demon of gluttony by passing bits of roast meat before Cathal's mouth and eating them himself. Cathal roars for MacConglinne to be killed, but none of his men obey. MacConglinne relates to Cathal his vision of the land made of food, going into more and more detail about his adventures there, until "the lawless beast that abode in the inner bowels of Cathal MacFinguine came forth, until it was licking his lips outside his head." [8] MacConglinne traps the demon under a cauldron and has the king's men evacuate the palace of all people and property, then he has the palace set on fire. The demon escapes to the roof of the house and MacConglinne demands that it "do obeisance", i.e. bow down to them. The demon replies defiantly:

I have been three half-years in Cathal's mouth, to the ruin of Munster and the Southern Half besides, and if I were to continue three half years more, I should ruin all Ireland. [9]

MacConglinne threatens the demon with the Gospels, and it flies "into the air among the people of hell." [10] Cathal rewards MacConglinne for curing him, and the tale concludes with a list of rewards owed to anyone who is able to recite it in its entirety.

Notes

  1. Preston-Matto 2010 , p. lix
  2. Mercier 1991 , p. 214
  3. Preston-Matto 2010 , p. liii
  4. Preston-Matto 2010 , p. 6
  5. Jackson 1990 , pp. xxxii, 9
  6. Meyer 1892 , p. 36
  7. Meyer 1892 , p. 46
  8. Meyer 1892 , p. 101
  9. Meyer 1892 , p. 105
  10. Meyer 1892 , p. 106

Related Research Articles

<span class="mw-page-title-main">Corned beef</span> Salt-cured beef product

Corned beef, or salt beef in some Commonwealth countries, is salt-cured brisket of beef. The term comes from the treatment of the meat with large-grained rock salt, also called "corns" of salt. Sometimes, sugar and spices are added to corned beef recipes. Corned beef is featured as an ingredient in many cuisines.

Cú Roí mac Dáire is a king of Munster in the Ulster Cycle of Irish mythology. He is usually portrayed as a warrior with superhuman abilities and a master of disguise possessed of magical powers. His name probably means "hound of the plain/field", or more specifically, "hound of the battlefield". He is the son of Dáire mac Dedad, and thus belongs to the Clanna Dedad. However, T. F. O'Rahilly believed this to be artificial, stating that "Cú Roí and Dáire are ultimately one and the same".

<span class="mw-page-title-main">Fenian Cycle</span> Grouping of Irish myths

The Fenian Cycle, Fianna Cycle or Finn Cycle is a body of early Irish literature focusing on the exploits of the mythical hero Finn or Fionn mac Cumhaill and his warrior band the Fianna. Sometimes called the Ossianic Cycle after its narrator Oisín, it is one of the four groupings of Irish mythology along with the Mythological Cycle, the Ulster Cycle, and the Kings' Cycles. Timewise, the Fenian cycle is the third, between the Ulster and Kings' cycles. The cycle also contains stories about other famous Fianna members, including Diarmuid, Caílte, Oisín's son Oscar, and Fionn's rival Goll mac Morna.

<span class="mw-page-title-main">Ruaidrí Ua Conchobair</span> High King of Ireland (c. 1116 – 1198)

Ruaidrí mac Tairrdelbach Ua Conchobair was King of Connacht from 1156 to 1186, and High King of Ireland from 1166 to 1198. He was the last High King of Ireland before the Anglo-Norman invasion.

<span class="mw-page-title-main">Ulster Cycle</span> Grouping of Irish myths

The Ulster Cycle, formerly known as the Red Branch Cycle, is a body of medieval Irish heroic legends and sagas of the Ulaid. It is set far in the past, in what is now eastern Ulster and northern Leinster, particularly counties Armagh, Down and Louth. It focuses on the mythical Ulster king Conchobar mac Nessa and his court at Emain Macha, the hero Cú Chulainn, and their conflict with the Connachta and queen Medb. The longest and most important tale is the epic Táin Bó Cúailnge. The Ulster Cycle is one of the four 'cycles' of Irish mythology and legend, along with the Mythological Cycle, the Fianna Cycle and the Kings' Cycle.

Lebor na hUidre or the Book of the Dun Cow is an Irish vellum manuscript dating to the 12th century. It is the oldest extant manuscript in Irish. It is held in the Royal Irish Academy and is badly damaged: only 67 leaves remain and many of the texts are incomplete. It is named after an anachronistic legend that it was made from the hide of a dun cow by Saint Ciarán of Clonmacnoise.

In Irish mythology, Mesgegra was king of Leinster during the events of the Ulster Cycle, and was also the brother of Mac Da Thó aka Mes Róidia in The Tale of Mac Da Thó's Pig.

Cúscraid known by the epithet Mend Macha, is a son of Conchobar mac Nessa in the Ulster Cycle of Irish mythology.

Conchobar Maenmaige Ua Conchobair, son of High King of Ireland Ruaidrí Ua Conchobair, was King of Connacht from 1183 to 1189. He was a military commander and opponent of the Norman invasion of Ireland.

<span class="mw-page-title-main">Cathal Crobhdearg Ua Conchobair</span> Thirteenth-century king of Connacht, Ireland

Cathal Crobhdearg Ua Conchobair (1153–1224), was a king of Connacht. He was the youngest son of the High King of Ireland Tairrdelbach Ua Conchobair and brother to the last fully recognized High King Ruadri Ua Conchobair. His own sons Aedh Ua Conchobair and Feidhlimidh Ua Conchobair were kings of Connacht after him.

Fíachnae mac Báetáin, also called Fíachnae Lurgan or Fíachnae Find, was king of the Dál nAraidi and High King of the Ulaid in the early 7th century. He was a son of Báetán mac Echdach and brother of Fiachra Cáech, grandson of the Ulaid king Eochaid mac Condlai and father of Mongán mac Fiachnai.

Cathal mac Finguine was an Irish King of Munster or Cashel, and effectively High King of Ireland as well. He belonged to the Eóganacht Glendamnach sept of the dominant Eóganachta kin-group whose members dominated Munster from the 7th century to the 10th. His father, uncle, grandfather and great-grandfather had also been kings of Cashel, as were his son and grandson.

The Scéla Cano meic Gartnáin is an Old Irish prose tale of the ninth century or later. It forms part of the Cycles of the Kings.

Saint Colmán mac Luacháin was an early Irish abbot, founder and patron saint of Lann.

An Leabhar Breac, now less commonly Leabhar Mór Dúna Doighre or possibly erroneously, Leabhar Breac Mic Aodhagáin, is a medieval Irish vellum manuscript containing Middle Irish and Hiberno-Latin writings. The manuscript is held in the library of the Royal Irish Academy in Dublin, where it is catalogued as RIA MS 23 P 16 or 1230.

Mór Muman or Mór Mumain is a figure from early Irish literature who is said to have been a queen of Munster and daughter of king Áed Bennán. Her name means "the Great Mother" and the province of Munster is named after her. She is believed to be a euhemerised mother goddess and sovereignty goddess of the province, particularly of the Eóganachta. Mór Muman "personifies the land of Munster" and "the sovereignty of the region". She is also known as Mugain and may be the same figure as Anu and the Morrígan.

Events from the 7th century in Ireland.

<span class="mw-page-title-main">Uí Liatháin</span>

The Uí Liatháin (IPA:[ˈiːˈlʲiəhaːnʲ]) were an early kingdom of Munster in southern Ireland. They belonged the same kindred as the Uí Fidgenti, and the two are considered together in the earliest sources, for example The Expulsion of the Déisi (incidentally). The two have been given various origins among both the early or proto-Eóganachta and among the Érainn or Dáirine by different scholars working in a number of traditions, with no agreement ever reached or appearing reachable. It is entirely possible that they were the product of a combination of lineages from both these royal kindreds, or alternatively of another origin entirely.

The Tale of Mac Da Thó's Pig is a legendary tale in the Ulster Cycle.

<span class="mw-page-title-main">Keenaght (barony)</span> Place in Northern Ireland, United Kingdom

Keenaght is a barony in the mid-northerly third of County Londonderry, Northern Ireland. It connects to the north-Londonderry coastline, and is bordered by four other baronies: Coleraine to the east; Loughinsholin to the south-east; Tirkeeran to the west; and Strabane Upper to the south-west. It was the territory of the Cianachta Glengiven from the 5th century until its takeover in the 12th century by the Ó Cathaín's. The largest settlement in the barony is the town of Limavady.

References