He was born in Liverpool in 1938, to Scottish parents who returned to Edinburgh in 1940. He attended the Royal High School in Edinburgh (1952–56) and Edinburgh University (1956–59).
He began a reading career on Edinburgh Festival fringe in 1960, with the London poets Pete Brown, Mike Horovitz and Libby Houston. In 1965 Jackson founded the yearly series of readings during the Edinburgh Festival in the Traverse Theatre (with Tony Jackson, no relation). These readings became a platform for the Liverpool poets Brian Patten, Adrian Henri and Roger McGough and for the older Scottish poets Edwin Morgan, Robert Garioch and Norman McCaig. Hamish Henderson brought folk singers Pentangle played there, as did The Scaffold. Poets such as Pete Morgan and Pete Roche (editor of the influential 1967 anthology Love Love Love: The New Love Poetry ) first appeared at these Traverse readings.
Jackson went on from this time till the early 1970s to give hundreds of readings throughout Britain, often solo, but mostly with Patten, Mitchell, Morgan, Houston and others of the poets mentioned above.
In 1973, Jackson announced that he was retiring from the "reading scene". The time had come he said "to obey the poetry", rather than merely purveying it to others. This move of Jackson’s only makes sense when it is considered that his poetry had never been one of nature description or social anecdote, but had themes of self-inquisition and self-undoing.
Heart of the Sun (published in 1986 by Open Township) has a long introduction entitled "Reasons for the Work", describing his poetic evolution through the years since the decision to "retire". Jackson had always had considerable philosophical and historical interests and a main feature of the introduction is his account of how experiences of his own led him to the work of Rudolf Steiner, the Austrian Christian initiate.
This new phase in Jackson’s life led to the writing of short stories, in italics because they are not so much realist, but have something of the nature of myth and fable. He was also writing ideas pieces, investigating and expressing "the spirit forces" at work in our time.
He self-published Underwater Wedding in 1961.
In 1968, he was published in Penguin Modern Poets 12, and in 1969 by the avant garde Fulcrum Press (publishers of Ed Dorn and Gary Snyder).
In June 1971 the whole issue of Lines Review 37, the Scottish literary magazine, was devoted to Jackson's essay "The Knitted Claymore", which expressed his conviction that rising nationalist sentiment in Scotland was infiltrating and distorting the realm of literature. As could be expected, the essay was widely welcomed and widely attacked.
A CD of his readings at The Netherbow Arts Centre on the High Street in Edinburgh in 1977/78 is available which are hilarious and sombre in equal measure
Jackson's short poem "Young Politician" is to be found carved in the outer wall of the new Scottish Parliament along with quotations from Robert Burns, Walter Scott, Robert Louis Stevenson and Hugh MacDiarmid. [1]
Sorley MacLean was a Scottish Gaelic poet, described by the Scottish Poetry Library as "one of the major Scottish poets of the modern era" because of his "mastery of his chosen medium and his engagement with the European poetic tradition and European politics". Nobel Prize Laureate Seamus Heaney credited MacLean with saving Scottish Gaelic poetry.
Dame Carol Ann Duffy is a Scottish poet and playwright. She is a professor of contemporary poetry at Manchester Metropolitan University, and was appointed Poet Laureate in May 2009, and her term expired in 2019. She was the first female poet, the first Scottish-born poet and the first openly lesbian poet to hold the Poet Laureate position.
Roger Joseph McGough is an English poet, performance poet, broadcaster, children's author and playwright. He presents the BBC Radio 4 programme Poetry Please, as well as performing his own poetry. McGough was one of the leading members of the Liverpool poets, a group of young poets influenced by Beat poetry and the popular music and culture of 1960s Liverpool. He is an honorary fellow of Liverpool John Moores University, a fellow of the Royal Society of Literature and President of the Poetry Society.
Kenneth Charles Marion Rexroth was an American poet, translator, and critical essayist. He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. Although he did not consider himself to be a Beat poet, and disliked the association, he was dubbed the "Father of the Beats" by Time magazine. Largely self-educated, Rexroth learned several languages and translated poems from Chinese, French, Spanish, and Japanese.
The British Poetry Revival is the general name now given to a loose movement in the United Kingdom that took place in the late 1960s and 1970s. The term was a neologism first used in 1964, postulating a New British Poetry to match the anthology The New American Poetry (1960) edited by Donald Allen.
Roy Fisher was an English poet and jazz pianist. His poetry shows an openness to both European and American modernist influences, whilst remaining grounded in the experience of living in the English Midlands. Fisher has experimented with a wide range of styles throughout his long career, largely working outside of the mainstream of post-war British poetry. He has been admired by poets and critics as diverse as Donald Davie, Eric Mottram, Marjorie Perloff, and Sean O’Brien.
Edwin George Morgan was a Scottish poet and translator associated with the Scottish Renaissance. He is widely recognised as one of the foremost Scottish poets of the 20th century. In 1999, Morgan was made the first Glasgow Poet Laureate. In 2004, he was named as the first Makar or National Poet for Scotland.
Fulcrum Press was founded in London in the mid-1960s by medical student Stuart Montgomery and his wife Deirdre. Montgomery later became an eminent psychiatrist and expert in depression. Earning a reputation as the premier small press of the late 1960s to early '70s, Fulcrum published major American and British poets in the modernist and the avant-garde traditions in carefully designed books on good paper. The Fulcrum Press made a significant contribution to the British Poetry Revival and was one of the best known little presses of the period, recognized for publishing the works of Modernist poets including Ezra Pound, Basil Bunting, Allen Ginsberg and Roy Fisher.
William Sydney Graham was a Scottish poet, who was often associated with Dylan Thomas and the neo-romantic group of poets. Graham's poetry was mostly overlooked in his lifetime; however, partly thanks to the support of Harold Pinter, his work was eventually acknowledged. He was represented in the second edition of the Penguin Book of Contemporary Verse and the Anthology of Twentieth-Century British and Irish Poetry.
Children of Albion: Poetry of the Underground in Britain, an anthology of poetry, was edited by Michael Horovitz and published by Penguin Books in 1969. According to Martin Booth it was "virtually a manifesto of New Departures doctrine and dogma".
The Liverpool poets are a number of influential 1960s poets from Liverpool, England, influenced by 1950s Beat poetry.
Adrian Henri was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough. The trio of Liverpool poets came to prominence in that city's Merseybeat zeitgeist of the 1960s and 1970s. He was described by Edward Lucie-Smith in British Poetry since 1945 as the "theoretician" of the three. His characterisation of popular culture in verse helped to widen the audience for poetry among 1960s British youth. He was influenced by the French Symbolist school of poetry and surrealist art.
Brian Patten is an English poet and author. He came to prominence in the 1960s as one of the Liverpool poets, and writes primarily lyrical poetry about human relationships. His famous works include "Little Johnny's Confessions", "The Irrelevant Song", "Vanishing Trick", "Emma's Doll", and "Impossible Parents".
Peter Ronald Brown was an English performance poet, lyricist, and singer best known for his collaborations with Cream and Jack Bruce. Brown formed the bands Pete Brown & His Battered Ornaments and Pete Brown & Piblokto! and worked with Graham Bond and Phil Ryan. Brown also wrote film scripts and formed a film production company.
The Mersey Sound is an anthology of poems by Liverpool poets Roger McGough, Brian Patten and Adrian Henri first published in 1967, when it launched the poets into "considerable acclaim and critical fame". It went on to sell over 500,000 copies, becoming one of the bestselling poetry anthologies of all time. The poems are characterised by "accessibility, relevance and lack of pretension", as well as humour, liveliness and at times melancholy. The book was, and continues to be, widely influential with its direct and often witty language, urban references such as plastic daffodils and bus conductors, and frank, but sensitive depictions of intimacy.
Colin Peter Morgan was a British poet, lyricist and television documentary author and presenter.
David Macleod Black is a South African-born Scottish poet and psychoanalyst. He is author of six collections of poetry and is included in British Poetry since 1945, Emergency Kit (Faber), Wild Reckoning, Twentieth Century Scottish Poetry (Faber) and many other anthologies. As a psychoanalyst he has published many professional papers, an edited volume on psychoanalysis and religion, and a collection of essays relating to values and science.
Roderick Chalmers "Roddy" Lumsden was a Scottish poet, writing mentor and quizzer. He was born in St Andrews and educated at Madras College and the University of Edinburgh. He published seven collections of poetry, a number of pamphlets, and a collection of trivia. He also edited a generational anthology of British and Irish poets of the 1990s and 2000s, Identity Parade, and The Salt Book of Younger Poets. His collections The Book of Love and So Glad I'm Me were shortlisted for the T. S. Eliot Prize.
Christopher Whyte is a Scottish poet, novelist, translator and critic. He is a novelist in English, a poet in Scottish Gaelic, the translator into English of Marina Tsvetaeva, Pier Paolo Pasolini and Rainer Maria Rilke, and a critic of Scottish and international literature. His work in Gaelic appears under the name Crìsdean MacIlleBhàin.
Robert Crawford is a Scottish poet, scholar and critic. He is emeritus Professor of English at the University of St Andrews.