Alap | |
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Coordinates: 46°48′36″N18°40′50″E / 46.81°N 18.6805°E | |
Country | Hungary |
Region | Central Transdanubia |
County | Fejér |
Area | |
• Total | 48.29 km2 (18.64 sq mi) |
Population (2017) [1] | |
• Total | 1,860 |
• Density | 39/km2 (100/sq mi) |
Time zone | UTC+1 (CET) |
• Summer (DST) | UTC+2 (CEST) |
Postal code | 7011 |
Area code | +36 25 [1] |
Website | https://www.alap.hu/ |
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampradaya and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from dhruva and pada. The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text Natyashastra, and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the Bhagavata Purana, where the theories of music and devotional songs for Krishna are summarized.
The proposed substratal elements in Romanian are mostly lexical items. The process of determining if a word is of substratum involves comparison to Latin, languages Romanian came into contact, or determining if it is an internal construct, and if there are no matching results a comparison to Albanian vocabulary, Thracian remnants or Proto-Indo-European reconstructed words is made.
Komárom is a city in Hungary on the south bank of the Danube in Komárom-Esztergom County. Komárno, Slovakia, is on the northern bank. Komárom was formerly a separate village called Újszőny. In 1892 Komárom and Újszőny were connected with an iron bridge and in 1896 the two towns were united under the name city of Komárom. The fortress played an important role in the Hungarian Revolution of 1848 and many contemporary English sources refer to it as the Fortress of Comorn.
The Alap is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised and unaccompanied, and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation.
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