Aleksandr Pavlovich Bubnov | |
---|---|
![]() Postage stamp of the USSR on the 600th anniversary of the Battle of Kulikovo | |
Born | |
Died | June 30, 1964 56) | (aged
Nationality | USSR, Russian |
Education | Higher Art and Technical Institute, ( Vkhutein ) |
Known for | Painting |
Movement | Russian avant-garde, Socialist realism |
Awards | Stalin Prize |
Aleksandr Pavlovich Bubnov (Russian : Алекса́ндр Па́влович Бу́бнов) (1908–1964) was a noted Soviet painter, best known for the portraits of Stalin and for a monumental canvas, "Morning on the Kulikovo Field". He was awarded the Stalin Prize in 1948, and became a corresponding member of the Soviet Academy of Arts in 1954.
Aleksandr Pavlovich Bubnov was born on 4 March [ O.S. 20 February] 1908 in Tbilisi (modern Georgia) in the family of a serviceman. When the service was over, the family returned to the Saratov Province, in the town of Atkarsk. With the beginning of the First World War in 1914, the father was again called up for service, and the mother and the boy lived for three years in the village of Bubnovka with his grandfather. His father came back sick and the family again moved to Atkarsk, where the boy began to study at a school. In parallel with his studies in a regular school, he went to an art studio for a while, but it was soon closed due to the Russian Civil War. The young boy loved to draw and made sketches from life with pencil and charcoal. Fedorov, his teacher at an art studio, taught not only to draw, but also history and local history. His students participated in archaeological excavations near Atkarsk, where Bubnov also made sketches. In the group photo of graduates in 1926, he was taken with a pencil and an album for sketches. In 1926 or 1927 he moved to Moscow and entered the Higher Art and Technical Institute, ( Vkhutein ) where Konstantin Istomin was his teacher. [1] [2] [3] In 1930 Vkhutein was split up into six smaller trade-oriented schools and its heritage began to be described by the derogatory (and dangerous) word "formalistic". [4] Bubnov was also criticized for his style and did not turn to Socialist realism until the middle nineteen-thirties. [5]
In 1929, Bubnov joined the Association of Artists of Revolutionary Russia ( AKhRR ) and began to participate in its exhibitions but in 1930 he was sent to Kuznetsktstroy in Siberia as a junior architect, and his painting work was interrupted. In 1932 he returned to Moscow. According to his memoirs, "The first work Killed in Battle was presented at the exhibition '15 years of the Red Army', the second, Whites in the Town, at the exhibition of young artists in 1934." In 1936, he painted the Oktyabriny (Octobering), showing the newly-invented secular Soviet naming rite intended to replace baptism (Krestiny in Russian). This painting was presented at the exhibition The Industry of Socialism. [6] In the painting Yablochko (1938), which depicts a famous dance, Bubnov tried to draw from life, though not completely. [7] [8] He took part in the creation of a huge panel of "Well Known People of the U.S.S.R." for the 1939 New York World's Fair. In the same year he painted the picture Comrade Stalin Among Collective Farmers. [5]
After the beginning of the Great Patriotic War (Second World War), he drew propaganda posters, painted pictures on military subjects, such as Dying, but did not Surrender, To the Combat Position, Borodino Field in 1942. He also wrote a portrait of Alexander Matrosov. In 1943-1947 he produced his most famous work Morning on the Kulikovo Field, dedicated to the epic battle of the 14th century, and in 1948 was awarded the Stalin Prize for it. [9] [7]
After the war, Bubnov painted landscapes, genre scenes and pictures on mythological and historical themes; in particular, he created illustrations for Pushkin's ballad Song of the Wise Oleg. In 1954 he became a corresponding member of the USSR Academy of Arts, and was awarded the title Honored Artist of the RSFSR. In the last years of his life he painted illustrations for the books of Gogol and Taras Shevchenko. His triptych Pugachev. Popular uprising remained unfinished. He died on 30 June 1964 and was buried at the Novodevichy Cemetery in Moscow. [2] [7]
Aleksandr Pavlovich Aleksandrov is a former Soviet cosmonaut and twice Hero of the Soviet Union.
Aleksandr Mikhailovich Gerasimov was a Soviet and Russian painter. He was a leading proponent of socialist realism in the visual arts, and painted Joseph Stalin and other Soviet leaders.
Aleksandr Aleksandrovich Deyneka was a Soviet Russian painter, graphic artist and sculptor, regarded as one of the most important Russian modernist figurative painters of the first half of the 20th century. His Collective Farmer on a Bicycle (1935) has been described as exemplifying the socialist realist style.
Andrei Sergeyevich Bubnov was a Russian Bolshevik revolutionary leader, one of Bolshevik leaders in Ukraine, Soviet politician and military leader and member of the Left Opposition.
Alexandr Pavlovich Zhdanov was a Russian avant-garde painter.
Fyodor Pavlovich Reshetnikov was a prominent Soviet painter. A preeminent practitioner of socialist realism, Reshetnikov was recognized by the government for his work and was a member for three and a half decades of the Soviet Academy of Arts. His creations are held in Russia's finest collections, including the Tretyakov Gallery (Moscow), the Russian Museum, the State Historical Museum (Moscow), and others.
Aleksandr Davydovich Drevin was a Latvian-Russian painter.
Aleksandr Viktorovich Bubnov is a Russian former professional footballer and a coach. After a short career as a coach, he has since become a radio, television and internet pundit working for the Russian website Sportbox.ru.
Vikentii Pavlovich Trofimov was a Russian painter.
Alexander Nikolayevich Samokhvalov was a Soviet Russian painter, watercolorist, graphic artist, illustrator, art teacher and Honored Arts Worker of the RSFSR, who lived and worked in Leningrad. He was a member of the Leningrad branch of Union of Artists of Russian Federation, and was regarded as one of the founders and brightest representatives of the Leningrad school of painting, most famous for his genre and portrait painting.
Vladimir Pavlovich Krantz was a Soviet Russian painter who lived and worked in Leningrad - Saint Petersburg and is regarded as one of the representatives of the Leningrad school of painting. He is most famous for his lyrical landscape paintings.
Mikhail Pavlovich Trufanov was a Soviet Russian painter and Honored Artist of the Russian Federation. He lived and worked in Leningrad and is regarded as one of the brightest representatives of the Leningrad school of painting, most famous for his portrait paintings.
Ruben Agasievich Zakharian was a Russian painter, who lived and worked in Leningrad. He was a member of the Leningrad Union of Artists, and regarded as one of the representatives of the Leningrad School of Painting.
The year 1964 was marked by many events that left an imprint on the history of Soviet and Russian Fine Arts.
The year 1952 was marked by many events that left an imprint on the history of Soviet and Russian Fine Arts.
Bogdan Pavlovich Willewalde was a Russian Imperial artist, academic, emeritus professor of military art, and a fellow of the Imperial Academy of Arts.
Aleksandr Pavlovich Petrov was a Soviet-Azerbaijani basketball player and coach. He was one of the first very tall centers in Soviet basketball history. During his club playing career, Petrov won EuroLeague championships, in 1962 and 1963. As a member of the senior men's Soviet Union national team, he was voted to the All-Tournament Team of the 1963 FIBA World Cup. For his achievements in the sport of basketball, Petrov was awarded the Honored Master of Sports of the USSR and the Order of the Badge of Honor.
Alexander Pavlovich Kibalnikov was a Soviet sculptor.
Aleksandr Pavlovich Orekhov is a Russian football player who plays for FC Torpedo Moscow.
Farewell of Hector to Andromache is a painting by the Russian artist Anton Losenko (1737–1773), painted in 1773. The painting is held in the State Tretyakov Gallery. The dimensions of the canvas are 156.3 × 212.5 cm. The subject of the painting is linked to the account of the Trojan War as described in the Iliad, namely the farewell of Hector, the commander-in-chief of the Trojans, with his wife Andromache and their son Astyanax. The artist combines the theme of farewell to the family of the Trojan hero going to battle with the Greeks with the theme of patriotic exploits and civic duty.