Alexander Tait (poet)

Last updated

Alexander Tait
Born14 August 1720 [1]
Innerleithen, Peeblesshire
DiedCirca 1800 [2]
OccupationTailor

Alexander Tait, Sawney Tait or Saunders Tait [1] (14 August 1720 - circa 1800) [3] was a tailor, a published poet and also a contemporary of Robert Burns who he knew well. Tait was also well acquainted with the published poet and close friend of Burns, David Sillar. Sawney spent much of his life in Tarbolton where he was an active member of the community. His poems were exhibited in the 1896 Burn Exhibition, a copy being loaned by the Mitchell Library. [4] Alexander was generally known locally as 'Whip-the-cat' an old expression that referred to itinerant tailors, etc. who went from door to door to do work for others. [5]

Contents

Life and background

Montgomerie Street, Tarbolton. Montgomerie Street, Tarbolton, South Ayrshire.jpg
Montgomerie Street, Tarbolton.

A lifelong bachelor, Tait is said to have lived in a small two-storied cottage on the west side of Montgomerie Street near the entrance to the school, [6] occupying the garret of the building with only a large tame rat for company. [7] His friend came to an untimely end when a female visitor encountered his pet and a male friend killed the unsuspecting rodent. [3]

He is thought to have been born at Innerleithen, Peeblesshire, the home territory of the Clain Tait, where he seems to have had a limited education. [8] He travelled a great deal in the South of Scotland in his early years as a pedlar, then he worked at mantua-making, selling gown-pieces to ladies and then making up the dress in the customer's home. Eventually he settled down in Tarbolton and established himself as a respected figure. [7] He was a smart and active with a ready wit, given to lampooning, possessed of a store of amusing stories, was an accomplished rhymester and as such, was much in demand at weddings, bonspiels and other social occasions [1] where his recitations were said to be "unco weel put thegither." [9] He is described as "stout, well formed man of middle stature. [10]

As a tailor he did not claim any particular skill and despite once making a coat in only one day he usually dismissed the vagaries of fashion and worked for 6d a day when the going rate was 8d. [11]

For a time he worked in Paisley as a journeyman for Daniel Mitchell in John Street and during this phase he entertained his colleagues with his rhyming skills, "the smoothest doggrel". It is likely that during his time in Paisley his publication was being prepared for printing. [12]

At the annual 'June Fair' Tait set up an unofficial pub in his house that was well frequented by all, especially younger countryfolk who were attracted by his eccentric behaviour. [7]

Tait was very fond of "Pennystone, a game similar to quoits and was successful at a challenge from a flesher from Ayr. [3]

Poetry

Tait published his "Poems and Songs" in 1790, issued stabbed, probably using the Paisley printer John Neilson. [13] Selling for 1s. 6d. the book was octavo, in half-sheets; 16 x 9.7 cm., trimmed and bound, 304 pages long, copies being privately printed for, and sold by the author only. MDCCXC. [14] The signatures ran from A-Pp4 and the contents were : (i) Title-page; (ii) List of Errata; (iii - vi) Table of Contents; (7 - 304) Text. [13] He published a version of the "Kirk's Alarm" by Robert Burns and added the stanzas "Cessnock Side.." and "Davie Douf ...." [15]

His poem and song titles include a version of Burns's "The Kirk's Alarm" under the title "Composed by Plotcock, the Foul Thief's Exciseman." [16] with some original content; "Sillar and Tait; or, Tit for Tat"; "The Author's Nativity"; "The Lady Ballochmyle's Chariot"; [11] "Colsfield's Hawks and Greyhounds"; [17] "Illumination of Tarbolton on the Recovery of his Majesty"; [18] "Battle of the Largs"; [19] "The Burial of Lord Abercorn" [19] He also composed verses on Loncartie, Dunkeld, Aberlemny, Roslin and other places. [20]

Robert Burns, David Sillar, Claud Alexander of Ballochmyle, his wife Helenora and several others feature in his poems. [7] His poetry has few admirers and Mackay describes his efforts as "Ungrammatical, defective in metre and deficient in rhyme." [1] Paterson states that ".. that his pieces would, in short, be intolerable but for their absurdity, .." [2] Local events and personalities were the subject of his poems, giving them a local significance.

A partial list of the poems and songs in Tait's 1790 publication Poems and Songs

  1. Composed by Plotcock, the Foul Thief's Exciseman,
  2. The Answer to Plotcock,
  3. Sillar and Tait; or, Tit for Tat,
  4. The Author's Nativity,
  5. The Lady Ballochmyle's Chariot,
  6. Colsfield's Hawks and Greyhounds,
  7. Illumination of Tarbolton on the Recovery of his Majesty,
  8. Battle of the Largs,
  9. The Burial of Lord Abercorn,
  10. B-rns in Lochly,
  11. B-rns in his Infancy,
  12. B-rns's Hen Clockin in Mauchline,
  13. A Compliment,
  14. A Journey to Destruction.

Social standing

The old Secession Church The old Free Church, Tarbolton, South Ayrshire.jpg
The old Secession Church

Tait owned several properties in the village at one point, selling them for reasons unknown and held several posts within the village, recording them in the following verses:

I'm Patron to the Burgher folks,
I'm Cornal to the Farmer's Box
And Baillie to guid hearty cocks,
That are a'grand;
Has heaps o'houses built on rocks,
Wi' lime and sand. [7]

In 1777 he was a prominent figure in the setting up of the Secession or Burgher Church despite objections from the heritors and the parish minister and Tait was central to the supply of dressed stone after shortages had threatened the project. [21]

As related in the first line above he had the ceremonial rank of 'Colonel' in the Universal Friendly Society of Tarbolton, leading the Society's procession through the village that aimed to raise funds to reduce distress and poverty amongst agricultural workers. [1] Tait had earned this rank in competition with William Sillar, David's brother, enrolling many more new members than William. [21]

West Lowland Fencible Regiment

Aged seventy-five Tait was one of the first to join this regiment, newly raised by Major Hugh Montgomerie of Coilsfield. In 1794 Tait is mentioned in "Kay's Edinburgh Portraits" relating that he was eccentric, small in stature, a poet, and showed great loyalty. [7] After the regiment was disbanded Tait returned accompanied by a goat he had somehow acquired and a band of local children who had gone out to lead him home. [22] Shirtly after, being ill and feeling that his end was nigh he was taken in by William Wallace of Millburn near Tarbolton and died shortly after. [3]

Association with Robert Burns

At the time Robert lived at Lochlie Farm and David Sillar at Spittalside Farm, both close to Tarbolton, so they would have known Alexander Tait well. Tait is said to have once been on good terms with Robert Burns as in his "Poem and Songs" he published, as stated, a version of "The Kirk's Alarm" with two additional stanzas. [15] However he included the work as an occasional piece solely to set up his own poem "The Answer to Plotcock", vigorously satirising Burns's work in inferior verse, but failing to mention his name. [16] Burns's version of "The Kirk's Alarm" did not appear in print until 1801." [16] Plotcock is a sobriquet for the Devil.

It seems that at some stage Burns and his friend David Sillar insulted Tait's poetry and he decided to amply repay the sentiments in verse, composing three scurrilous poems, namely "B-rns in Lochly", "B-rns in his Infancy" and "B-rns's Hen Clockin in Mauchline". [15]

Now he is fifteen years and mair,
There's not his match in any where,
Na, not in Clydesdale nor Ayrshire,
He beats our Lairds;
His grandfather's gi'en him plenty lear,
To play his cards.
[23]

David Sillar's had compared Tait's poetic muse to ".. a tumbling cart, wantin' shoon'". This refers to a type of cart with an ungreased tree axle and no iron tyres, infamous for the almost intolerable screeching sound they made. Tait wrote of Sillar that "There's nane can sound the bawdy horn, like you and Burns." This highlighted the pairs mutual enjoyment of bawdry pursuits. Tait was a much older than either Burns or Sillars and may have been doubly insulted by these young poets usurping his position as the local bard. [7]

Another retaliatory work was "Sillar and Tait; or, Tit for Tat"

My pipe wi'wind I maun gae fill'er,
And play a tune to Davie Sillar;
[24]

Tait undertook to "..trace his pedigree, Because he made a sang on me". Suggesting that Burns had written cutting verses regarding his poetic efforts, however they have not survived. [7]

Tait was well aware of the legal dispute over Lochlie Farm rents, etc. between William Burnes and his landlord David McLure and waded in with his own views:

McLure he put you in a farm,
And coft you coals your arse to warm,
And meal and maut - ye did get barm,
And then it wrought,
For his destruction and his harm,
It is my thought.
[7]

He likewise did the mailing stock,
And built you barns, the doors did lock,
His ain gun ye did at him cock,
And never spar'd,
Wi't owre his head came a clean knock,
Maist kill'd the Laird.

The horse, corn, pets, kail, kye and lures,
Cheese, pease, beans, rye, wood, house, and flours,
Pots, pans, crans, tongs, brace-spits, and skeurs,
The milk and barm,
Each thing they had was a' M'Lure's,
He stock'd the farm.
[25]

Not satisfied with this diatribe Tait dedicated a poem entitled "A Compliment" to James Grieve, the unofficial provost of Tarbolton :

Sir, for M'Lure he fought so fair
'Gainst Burns and Lawyers in Air,
He trimm'd their jacket to a hair
So wantonlie,
No toil nor travel he did spare
To win the plea.
[26]

In "A Journey to Destruction" he mentions the feud between Burns and McLure:

Like Catholic country's scarlet whore,
The wat that Burns play'd wi' McLure,
Who then had money was na sure.
[27]

Jean Armour's second confinement gave Tait another opportunity to deepen his feud with Burns:

The wives they up their coats did kilt,
And through the streets so clean did stilt,
Some at the door fell wi' a pelt
Maist broke their leg,
To see the hen, poor wanton jilt!
Lay her fourth egg.
[28]

Burns had failed to ingratiate himself into the company of the Alexander's of Ballochmyle, however Tait wrote a song that was not only popular locally, but caught the ear of Mrs Helenora Alexander of Ballochmyle and he was invited to visit and to present the piece to the family. Tait was well rewarded for the composition and unlike Burns he became a ".. privileged frequenter of the hall". [29]

Tait's historical significance lies in his association and interactions with the genius of Robert Burns, his verses otherwise would have become forgotten and his publication is a great rarity. [29] In this respect Tait has much in common with John Lapraik and David Sillar who also published their poems and songs with a similar descent into obscurity and financial emabarassment.

Tait concluded his book with the stanza:

Wi' this my book I think I'll close,
I'll love my friends, I'll fight my foes;
If they be cheery, I'll rejoice,
And wi' them reel,
I'll say my grace, and sup my brose,
So fare ye weel.
[30]

See also

Related Research Articles

<span class="mw-page-title-main">Mauchline</span> Town and civil parish in East Ayrshire, Scotland

Mauchline is a town and civil parish in East Ayrshire, Scotland. In the 2001 census Mauchline had a recorded population of 4,105. It is home to the National Burns Memorial.

<span class="mw-page-title-main">Tarbolton</span> Human settlement in Scotland

Tarbolton is a village in South Ayrshire, Scotland. It is near Failford, Mauchline, Ayr, and Kilmarnock. The old Fail Monastery was nearby and Robert Burns connections are strong, including the Bachelors' Club museum.

<span class="mw-page-title-main">Robert Burns</span> Scottish poet and lyricist (1759–1796)

Robert Burns, also known familiarly as Rabbie Burns, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. He is the best known of the poets who have written in the Scots language, although much of his writing is in a "light Scots dialect" of English, accessible to an audience beyond Scotland. He also wrote in standard English, and in these writings his political or civil commentary is often at its bluntest.

<span class="mw-page-title-main">Lochlea, South Ayrshire</span> Body of water

Lochlea or Lochlie was situated in a low-lying area between the farms and dwellings of Lochlea and Lochside in the Parish of Tarbolton, South Ayrshire, Scotland. The loch was natural, sitting in a hollow created by glaciation. The loch waters ultimately drained via Fail Loch, the Mill Burn, and the Water of Fail. It is well-documented due to the presence of a crannog that was excavated and documented circa 1878, and its association with the poet Robert Burns, who lived here for several years whilst his father was the tenant. Lochlea lies 2+12 miles northeast of Tarbolton, and just over three miles northwest of Mauchline.

<span class="mw-page-title-main">Fail Loch</span> Body of water

Fail Loch or Faile Loch was situated in a low-lying area near the old monastery of Fail in the Parish of Tarbolton, South Ayrshire, Scotland. The old Lochlea Loch lies nearby and its waters still feed into Fail Loch via the Mill Burn.

<span class="mw-page-title-main">John MacKenzie (doctor)</span>

John MacKenzie (c.1755–1837) was a Scottish army surgeon. He was a native of Ayrshire, where he married Helen Miller (d.1827), one of the "Six proper Mauchline belles" who is buried in Irvine's Old Parish church. He was a member with Robert Burns of the St James Lodge, Tarbolton. His house in Mauchline is now the 'Burns House Museum,' run by East Ayrshire Council. MacKenzie wrote "Origin of Morals and Common Sense."

<span class="mw-page-title-main">Irvine Burns Club</span> Association which celebrates Robert Burns and Scottish literature

The Irvine Burns Club, based at the Wellwood Burns Centre & Museum, was founded on 2 June 1826 and is one of the world's longest continuously active Burns Clubs. At least five personal friends of Robert Burns were among the group of local gentleman, whose idea it was to form the club. Irvine in North Ayrshire is an old market town and port situated on the west coast of Scotland, approx 14 miles north of Ayr.

<span class="mw-page-title-main">Bachelors' Club, Tarbolton</span> 17th-century Scottish building which housed early cultural and social groups

The Bachelors' Club is a National Trust for Scotland museum located at 1 Sandgate Street, Tarbolton, KA5 5RB. The upstairs room was the largest in Tarbolton and was used for a number of social events. It was probably the first rural debating society in Scotland and the prototype for many Burns Clubs the world over. This 17th-century building is thatched and has period furnishings.

<span class="mw-page-title-main">David Sillar</span>

David Sillar (1760–1830) was a Scottish farmer, poet, grocer, schoolteacher and baillie who was a close friend of the poet Robert Burns. He died in 1830, aged 70, after a long illness, and was buried in Irvine's Old Parish Church cemetery. His eroded gravestone was replaced by a facsimile thanks to the Irvine Burns Club. He married twice and had only one son survive him, a Dr. Zachary Sillar M.D. of Liverpool. His father was Patrick Sillar, tenant farmer at Spittalside near Tarbolton, Ayrshire. He first married a widow, Mrs Margaret Kerr, née Gemmell shortly after moving to Irvine and had seven children and his second wife was the sister of John Bryan of the Sun Inn, Kilmarnock.

<span class="mw-page-title-main">Poetry of Scotland</span> Poetry written within the boundaries of modern Scotland

Poetry of Scotland includes all forms of verse written in Brythonic, Latin, Scottish Gaelic, Scots, French, English and Esperanto and any language in which poetry has been written within the boundaries of modern Scotland, or by Scottish people.

<span class="mw-page-title-main">Fog House</span>

Fog Houses are a special type of pleasure or summer house popular in Scotland and at one time commonly found on many country estates as a feature in the pleasure gardens. The name 'Fog' derives from the Scots word for the moss that was a major feature of the building, mainly used to line the walls and roof.

<span class="mw-page-title-main">Wilhelmina Alexander</span>

Wilhelmina Alexander (1756–1843), was born at Newton House, Elderslie, Renfrewshire. She was the 4th daughter of Claud Alexander of Newton and Joanna, daughter of Alexander Cuninghame of Craigends. Her lasting fame derives from being Robert Burns's 'The Bonnie Lass o'Ballochmyle' in the song of that title. Robert Burns was accustomed to taking walks and musing over his poetry and songs in the Ballochmyle Estate next to the River Ayr when he caught sight of her one-day and composed the song in memory of the event. She refused publication at the time and Burns never forgave this perceived slight on his genius, Wilhelmina never married, she did however treasure the letter and the manuscript of the song until her dying day.

<i>Poems, Chiefly in the Scottish Dialect (Edinburgh Edition)</i> 1787 collection of poems by Robert Burns

Poems, Chiefly in the Scottish Dialect is commonly known as the first Edinburgh Edition and the partial second setting has become known as the Stinking Edition. It is a collection of poetry and songs by Robert Burns, first Printed for the Author by William Smellie in Edinburgh and published or Sold by William Creech of Edinburgh on the 17 April, an announcement being made in the Edinburgh Advertiser on that date, although the date 21 April 1786 is given by a few authors. The Kilmarnock Edition made Robert Burns Caledonia's Bard whilst the 'Edinburgh Edition' elevated him into a position amongst the world's greatest poets.

<i>Poems</i> by David Sillar

Poems is a collection of poetry and songs by David Sillar, a close friend of the poet Robert Burns who had been encouraged to go into print by the success of Poems, Chiefly in the Scottish Dialect. Poems was printed by John Wilson of Kilmarnock in 1789. Sillar's interest in poetry predated his friendship with Burns, but was one of several reasons for it.

<i>Poems, Chiefly in the Scottish Dialect (London Edition)</i> 1787 collection of poems by Robert Burns

Poems, Chiefly in the Scottish Dialect is commonly known as the Third or London Edition and sometimes the Stinking Edition. It is a collection of poetry and songs by Robert Burns, printed for A. Strahan; T. Cadell in the Strand; and W. Creech, Edinburgh. MDCCLXXXVII The date of publication for the London Edition was in November 1787, however Strahan and Cadell had previously advertised for sale the 'Second' or 'Edinburgh Edition' using the 500 or so copies that William Creech still had that were unsold. The successful selling of these made a truly new 'London Edition' a commercially viable enterprise.

<span class="mw-page-title-main">Duncan McNaught</span> Parochial school teacher in Scotland

Duncan McNaught LL.D., J.P., was born in Alexandria, Dunbartonshire in 1845. He was the parochial school teacher at Kilmaurs in East Ayrshire from 1867 and served at the school for over fifty years, having served as assistant from 1865. He founded the Kilmarnock Conservative Association, jointly founded the Robert Burns World Federation, acted as the editor of the "Burns Chronicle" and was the president of what became the Robert Burns World Federation.

<i>Poems, Chiefly in the Scottish Dialect (Second Edinburgh Edition)</i> 1793 collection of poems and songs by Robert Burns

Poems, Chiefly in the Scottish Dialect was issued during the poet's lifetime In Two Volumes. The Second Edition Considerably Enlarged. It is a collection of poetry and songs by the poet Robert Burns, printed for T. Cadell, London, and W. Creech, Edinburgh. M,DCC,XCIII The date of publication for this edition was 16 February 1793 as advertised in the Edinburgh Courant. The successful demand for the 1787 Edinburgh Edition seems to have encouraged Creech to publish this new edition as the 1787 volume had been sold out since around 1791.

<span class="mw-page-title-main">James McKie (publisher)</span>

James M'Kie or James McKie (1816–1891) was an apprentice of Hugh Crawford, John Wilson's successor at the Kilmarnock Cross printing business. In 1867, M'Kie published the first facsimile edition of the 1786 "Kilmarnock Edition" or Poems, Chiefly in the Scottish Dialect as well as various bibliographies, reprints, special editions, limited editions, etc. of Robert Burns' and other works for the Scottish, British, British Empire or North American markets. He became an avid collector of Burnsiana and put together the largest collection of published in the world at the time, that was eventually purchased by the local Kilmarnock Corporation and housed in the Kay Park Burns Museum.

<i>Poems, Chiefly in the Scottish Dialect (Dublin Variant)</i> 1787 collection of poems by Robert Burns

Poems, Chiefly in the Scottish Dialect was the second 'pirated' issue of Robert Burns's work, being published in Ireland at Belfast without permission from or payment to the author or publisher. It is a so-called 'Stinking Edition', carrying the error 'Stinking' for the Scots word 'Skinking' (watery) in the poem "To a Haggis" because the type setters copied from a 1787 'Stinking Edition' of Poems, Chiefly in the Scottish Dialect . It has been shown to be from the same print setting as the 'Belfast Edition' but with a different title page.

<i>Poems, Chiefly in the Scottish Dialect (Belfast Edition)</i> 1787 collection of poems by Robert Burns

Poems, Chiefly in the Scottish Dialect was a 'pirated' edition of Robert Burns's work, being published in Ireland without permission from or payment to the author or publisher. It is a so-called 'Stinking Edition', carrying the error 'Stinking' for the Scots word 'Skinking' (watery) in the poem "To a Haggis" because the type setters copied from a 1787 'Stinking Edition' of Poems, Chiefly in the Scottish Dialect .

References

Notes
  1. 1 2 3 4 5 McKay (2004), Page 81
  2. 1 2 Paterson (1840), Page 144
  3. 1 2 3 4 Paterson (1840), Page 157
  4. Memorial Catalogue of The Burns Exhibition. Item 1039A.
  5. Lowe (1904), Page 121
  6. Boyle (1996), Page 153
  7. 1 2 3 4 5 6 7 8 9 Purdie (2003), Page 309
  8. Paterson (1840), Page 145
  9. Paterson (1840), Page 147
  10. Lowe (1910), Page 125
  11. 1 2 Paterson (1840), Page 148
  12. Paterson (1840), Page 156
  13. 1 2 Egerer (1964), Page 34
  14. Burns; life, genius, achievement, By 1849-1903. William Ernest Henley and Alexander Tait. Poems and songs. Tait.
  15. 1 2 3 Egerer (1964), Page 35
  16. 1 2 3 Noble (2001), Page 441
  17. Paterson (1840), Page 150
  18. Paterson (1840), Page 152
  19. 1 2 Paterson (1840), Page 155
  20. Lowe (1910), Page 130
  21. 1 2 Paterson (1840), Page 146
  22. Lowe (1910), Page 129
  23. Lowe (1910), Page 124
  24. Paterson (1840), Page 143
  25. McKay (2004), Page 111
  26. McKay (2004), Page 118
  27. Lowe (1910), Page 149
  28. McIntyre (1995), Page 206
  29. 1 2 McKay (2004), Page 82
  30. Lowe (1910), Page 199
Sources and further reading
  1. Annandale, Charles (Editor) (1890). The Works of Robert Burns. London : Blackie & Son.
  2. Boyle, A. M. (1996), The Ayrshire Book of Burns-Lore. Darvel : Alloway Publishing. ISBN   0-907526-71-3.
  3. Dougall, Charles E. (1911). The Burns Country. London : Adam and Charles Black.
  4. Douglas, William Scott (1938). The Kilmarnock Edition of the Poetical Works of Robert Burns. Glasgow : Scottish Daily Express.
  5. Egerer, Joel W. (1964). A Bibliography of Robert Burns. Oliver and Boyd ISBN   1-85152-734-6.
  6. Hogg, Patrick Scott (2008). Robert Burns. The Patriot Bard. Edinburgh : Mainstream Publishing. ISBN   978-1-84596-412-2.
  7. Hosie, Bronwen (2010). Robert Burns. Bard of Scotland. Glendaruel : Argyll Publishing. ISBN   978-1-906134-96-9.
  8. Lowe, David (1904). Burns's passionate pilgrimage, or, Tait's indictment of the poet : with other rare records. Glasgow : Frederick W. Wilson.
  9. Mackay, James. A Biography of Robert Burns. Edinburgh : Mainstream Publishing. ISBN   1-85158-462-5.
  10. McIntyre, Ian (1995). Robert Burns: A Life.. New York : Welcome Rain Publishers.
  11. McQueen, Colin Hunter & Hunter, Douglas (2008). Hunter's Illustrated History of the Family, Friends and Contemporaries of Robert Burns. Published by Messrs Hunter Queen and Hunter. ISBN   978-0-9559732-0-8
  12. Memorial Catalogue of The Burns Exhibition. 1896. Glasgow : William Hodge & Co. MDCCCXCVIII.
  13. Noble, Andrew and Hogg, Patrick Scott (Editors). (2001). The Canongate Burns. Edinburgh : Canongate Books Ltd. ISBN   1-84195-148-X
  14. Paterson, James (1840). The Contemporaries of Burns and the More Recent Poets of Ayrshire. Edinburgh : Hugh Paton, Carver & Gilder.
  15. Purdie, David; McCue Kirsteen and Carruthers, Gerrard. (2013). Maurice Lindsay's The Burns Encyclopaedia. London : Robert Hale. ISBN   978-0-7090-9194-3.
  16. Westwood, Peter J. (2004). The Definitive Illustrated Companion to Robert Burns. Scottish Museums Council.
  17. Westwood, Peter J. (Editor). (2008). Who's Who in the World of Robert Burns. Robert Burns World Federation. ISBN   978-1-899316-98-4