A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.
Henri François Joseph Vieuxtemps was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century. He is also known for playing what is now known as the Vieuxtemps Guarneri del Gesù, a violin of superior workmanship.
Eugène-Auguste Ysaÿe was a Belgian virtuoso violinist, composer, and conductor. He was regarded as "The King of the Violin", or, as Nathan Milstein put it, the "tsar".
Johann Wenzel Anton Stamitz was a Bohemian composer and violinist. His two surviving sons, Carl and Anton Stamitz, were composers of the Mannheim school, of which Johann is considered the founding father. His music is stylistically transitional between the Baroque and Classical periods.
This is a list of music related events in 1768.
Josef Mysliveček was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant compositional models in the genres of symphony, Italian serious opera, and violin concerto; both Wolfgang and his father Leopold Mozart considered him an intimate friend from the time of their first meetings in Bologna in 1770 until he betrayed their trust over the promise of an operatic commission for Wolfgang to be arranged with the management of the Teatro San Carlo in Naples. His closeness to the Mozart family resulted in frequent references to him in the Mozart correspondence.
The year 1727 in music involved some significant events.
Joseph Bodin de Boismortier was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: having obtained a royal licence for engraving music in 1724, he made enormous sums of money by publishing his music for sale to the public.
Michel Blavet was a French composer and flute virtuoso. Although Blavet taught himself to play almost every instrument, he specialized in the bassoon and the flute which he held to the left, the opposite of how most flutists hold theirs today.
Jean-Marie Leclair l'aîné was a French Baroque violinist and composer. He is considered to have founded the French violin school. His brothers, the lesser-known Jean-Marie Leclair the younger (1703–77) as well as Pierre Leclair (1709–84) and Jean-Benoît Leclair, were also musicians.
L'estro armonico, Op. 3, is a set of 12 concertos for string instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. Vivaldi's Twelve Trio Sonatas, Op. 1, and Twelve Violin Sonatas, Op. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. The continuo part was printed as a figured bass for violone and harpsichord.
Giovanni Battista Cirri was an Italian cellist and composer in the 18th century.
The Concert Spirituel was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts with the same name occurred in multiple places including Paris, Vienna, London and more. The series was founded to provide entertainment during the Easter fortnight and on religious holidays when the other spectacles were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated Salle des Cent Suisses in the Tuileries Palace. They started at six o’clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the Salle des Machines, and in 1790, when the royal family was confined in the Tuileries, they took place in a Paris theater.
Jacques Aubert, also known as Jacques Aubert le Vieux, was a French composer and violinist of the Baroque period. From 1727 to 1746, he was a member of the Vingt-quatre Violons du Roy; from 1728 to 1752, he was the first violinist with the Paris Opera orchestra; and from 1729 to 1740, he frequently and successfully appeared as a soloist with the Concert Spirituel, performing, among other works, concertos for violin and orchestra of his own composition.
Federigo Fiorillo was a mandolinist and composer, who wrote thirty-six caprices for violin, also called études.
Isidore Bertheaume was a French classical composer and violinist.
Jean-Baptiste Davaux was a French classical violinist and composer.
Nicolas Capron was a French classical violinist and composer.
Gabriele Leone was an Italian musician and composer who lived in Paris during the middle and later part of the 18th century. A virtuoso on the violin and mandolin, he wrote an early mandolin method, Analytical method for mastering the violin or the mandolin in 1768 and composed for both instruments. He was an early teacher of the duo method, an advanced technique which would reappear in the 20th century, taught by Giuseppe Pettine in the United States.
