Related Research Articles
Robert Studley Forrest Hughes AO was one of the most notable Australian-born art critics, writer, and producer of television documentaries. He was described in 1997 by Robert Boynton of The New York Times as "the most famous art critic in the world."
Charles Edward Conder was an English-born painter, lithographer and designer. He emigrated to Australia and was a key figure in the Heidelberg School, arguably the beginning of a distinctively Australian tradition in Western art.
Sir William Dobell was an Australian portrait and landscape artist of the 20th century. Dobell won the Archibald Prize, Australia's premier award for portrait artists on three occasions. The Dobell Prize is named in his honour.
William Edwin Pidgeon, aka Bill Pidgeon and Wep, (1909–1981) was an Australian painter who won the Archibald Prize three times. After his death, cartoonist and journalist Les Tanner described him: "He was everything from serious draftsman, brilliant cartoonist, social observer, splittingly funny illustrator to multiple Archibald prizewinner.
James Ashton was an artist and arts educator in South Australia.
Girolamo Pieri Pecci Ballati Nerli, was an Italian-born painter who worked in Australia and New Zealand in the late 19th century, influencing the art scenes of both countries. In Australia, he is noted for influencing Charles Conder of the Heidelberg School movement, and in New Zealand, as an early teacher of Frances Hodgkins. His portrait of Robert Louis Stevenson in the Scottish National Portrait Gallery is usually considered the most searching portrayal of the writer.
Norman Lloyd was an Australian landscape painter.
Sir John William Ashton, OBE, ROI was a prolific Australian Impressionist artist and director of the National Art Gallery of New South Wales from 1937 to 1943.
Artists' camps flourished around Sydney Harbour in the 1880s and 1890s, mainly in the Mosman area making it "Australia's most painted suburb", but died out after the first decade of the twentieth century. They developed as a result of the enthusiasm for painting en plein air fostered by the Barbizon and Impressionist movements in France in the second half of the 19th century, and were modelled on the artists' colonies which grew up in France and parts of the British Isles. In them, free-spirited young men gathered to live cheaply together in the open air, trying to capture the beauty of their surroundings in paintings and drawings. Financial stringency during the depression of the 1890s made life in the camps even more attractive for Australian artists trying to establish themselves in a difficult market.
The Australian Watercolour Institute (AWI) is a non-profit membership organization devoted to the advancement of watercolour painting in Australia. It was founded in 1923 by six painters in Sydney, and was modeled after the Royal Watercolour Society and the American Watercolor Society.
Maud Winifred Kimbell Sherwood (1880–1956) was a notable New Zealand artist, exhibiting at the New Zealand Academy of Fine Arts, the Royal Academy of Arts, London and the Paris Salon.
Edmund Arthur Harvey, also known as E.A. Harvey or Harvey was an Australian artist. Known for his portraits and landscape art, he also taught painting, most notably at the National Art School in Sydney. In a career spanning 67 years, Harvey's works were shown in numerous exhibitions, and made among others, the collections of the Art Gallery of New South Wales and the Tasmanian Museum and Art Gallery.
James Ranalph Jackson (1882-1975) was an Australian painter, perhaps best known for painting views of Sydney harbour. Today, his work hangs in public galleries in both Australia and New Zealand. The Art Gallery of New South Wales has 16 of his paintings, however none are currently on display.
George Alfred John Webb was an English painter who had a considerable career in Australia painting portraits of South Australian and Victorian public figures. In correspondence, he signed his name "George A. J. Webb"; many of his paintings, but not all, were signed simply "WEBB".
Florence Ada Fuller was a South African-born Australian artist. Originally from Port Elizabeth, Fuller migrated as a child to Melbourne with her family. There she trained with her uncle Robert Hawker Dowling and teacher Jane Sutherland and took classes at the National Gallery of Victoria Art School, becoming a professional artist in the late 1880s. In 1892 she left Australia, travelling first to South Africa, where she met and painted for Cecil Rhodes, and then on to Europe. She lived and studied there for the subsequent decade, except for a return to South Africa in 1899 to paint a portrait of Rhodes. Between 1895 and 1904 her works were exhibited at the Paris Salon and London's Royal Academy.
Biren De (1926–2011) was an Indian painter of modern art, known for his paintings with tantric influences. His paintings were characterized by symmetrical patterns of geometry and the presence of tantric symbols such as mandala, phallus and vagina, reportedly representing masculine and feminine energies of the universe. The Government of India awarded him the fourth highest civilian honour of the Padma Shri in 1992.
The Exhibition of Australian Art in London was a show organised by the trustees of the Art Gallery of New South Wales (AGNSW), notably Julian Ashton, and financially supported by the philanthropist Eadith Walker. Held at London's Grafton Galleries between April and September 1898, it featured 371 artworks made in Australia by 114 artists, and was the first major exhibition of Australian art to occur internationally.
John Samuel Watkins, generally referred to as J. S. Watkins or "Watty" to his students, was an artist who for forty years ran his own art school in Sydney, Australia.
Harold Brocklebank Herbert (1891–1945) was an early 20th century Australian painter and printmaker, an illustrator and cartoonist. A traditionalist, as an art teacher he promoted representational painting, and amongst Australian newspaper art critics was an influential detractor of modernism. He was the first war artist to be appointed for Australia in the Second World War, serving for 6 months with the Australian Infantry Forces in Egypt in 1941 and in the Middle East in 1942.
References
- 'Daplyn, Alfred James (1843 - 1926)', Australian Dictionary of Biography , Vol. 4, MUP, 1972, pp 16–17.
| International | |
|---|---|
| Artists | |
| People | |
| Other | |
