Related Research Articles
Hugo Laurenz August Hofmann von Hofmannsthal was an Austrian novelist, librettist, poet, dramatist, narrator, and essayist.
Comparative literature studies is an academic field dealing with the study of literature and cultural expression across linguistic, national, geographic, and disciplinary boundaries. Comparative literature "performs a role similar to that of the study of international relations but works with languages and artistic traditions, so as to understand cultures 'from the inside'". While most frequently practised with works of different languages, comparative literature may also be performed on works of the same language if the works originate from different nations or cultures in which that language is spoken.
Opera seria is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once opera seria was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to opera seria was opera buffa, the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
Hermann Anastas Bahr was an Austrian writer, playwright, director, and critic.
Raymond Federman was a French–American novelist and academic, known also for poetry, essays, translations, and criticism. He held positions at the University at Buffalo from 1973 to 1999, when he was appointed Distinguished Emeritus Professor. Federman was a writer in the experimental style, one that sought to deconstruct traditional prose. This type of writing is quite prevalent in his book Double or Nothing, in which the linear narrative of the story has been broken down and restructured so as to be nearly incoherent. Words are also often arranged on pages to resemble images or to suggest repetitious themes.
Apostolo Zeno was a Venetian poet, librettist, journalist, and man of letters.
Klaus Ebner is an Austrian writer, essayist, poet, and translator. Born and raised in Vienna, he began writing at an early age. He started submitting stories to magazines in the 1980s, and also published articles and books on software topics after 1989. Ebner's poetry is written in German and Catalan; he also translates French and Catalan literature into German. He is a member of several Austrian writers associations, including the Grazer Autorenversammlung.
Franz-Josef Deiters is a German-Australian literary scholar. From 2006 to 2020, he was associate professor in German Studies at Monash University. In December 2021, he was appointed as Honorary Associate with the Department of Germanic Studies at The University of Sydney. Before moving to Australia he taught at University of Tübingen (Germany), and has held visiting appointments at the University of Sarajevo, Johann Wolfgang Goethe University of Frankfurt/M. (Germany) and at the University of Bergamo (Italy). Deiters is a Fellow of the Australian Academy of the Humanities.
Karl-Markus Gauß is an Austrian contemporary writer, essayist and editor. He lives in Salzburg.
Paolo Canettieri is a romance philologist, working in Italy. He is a full professor at the University of Rome and researcher in the Department of European, American and Intercultural Studies. He is one of the founders of Cognitive philology and Editor in chief of the Journal with the same name. Canettieri's research interests include cognitive poetics and textual criticism (ecdotics). He discovered that the 6-1-5-2-4-3 permutation formula of the sestina coincides with that of the distribution of the points on the dice. He worked in analysis, synthesis and reviews of romance medieval literature, with particular emphasis on poetry and its formal structures. He also wrote essays on William IX of Aquitaine, Jaufre Rudel, Arnaut Daniel, Thibaut de Champagne, Alfonso X, Iacopone da Todi, Dante Alighieri, Francesco Petrarca, Luigi Pirandello. He is interested in relationship among latin and romance versification and the reception of troubadour lyrics in the Middle Ages, in the Renaissance and in the contemporary. He published editions and comments and drew up databases, metric and rhymic pattern catalogues in electronic format. Since 1996 he has directed projects for the digitization of medieval romance literatures. In 1998 the digital critical editions of two Galician-Portuguese troubadours, Martin Codax and Pero Meogo, were among the first published on the net. He conceived:
Romagnol is a Romance language spoken in the historical region of Romagna, consisting mainly of the southeastern part of Emilia-Romagna, Italy. The name is derived from the Lombard name for the region, Romagna. Romagnol is also spoken outside the region, particularly in the independent Republic of San Marino. Romagnol is classified as endangered because older generations have "neglected to pass on the dialect as a native tongue to the next generation".
Winfried Fluck studied German, English and American literature at Freie Universität Berlin, Harvard University and the University of California, Berkeley. In 1972, he got his doctoral degree from Freie Universität Berlin with a dissertation on aesthetic premises in the literary criticism of Mark Twain’s Adventures of Huckleberry Finn. For his Habilitation, the European qualification for a professorship, he wrote a study on American realism as a form of “staged reality” (Inszenierte Wirklichkeit). After visiting scholarships at Harvard and Yale University, he got his first appointment as a professor at the University of Constance in Germany before he became Professor and Chair of North American Culture at the John F. Kennedy-Institute for North American Studies at Freie Universität Berlin. Winfried Fluck taught as a guest professor at Princeton University and the Universidad Autonoma Barcelona, and he was a research fellow at the National Humanities Center in North Carolina, the Advanced Studies Center of the Rockefeller Foundation in Bellagio, and the Internationales Kulturwissenschaftliches Zentrum in Vienna. From 2005-2008, he was chair of the Research Reviewing Committee of the German Research Council on the humanities. He is a founding member of the Graduate School of North American Studies at Freie Universität Berlin, funded by the German Universities Excellence Initiative, and is directing it together with Ulla Haselstein. He is also co-director of the Futures of American Studies Institute at Dartmouth College established and directed by Donald E. Pease.
Margarete Kollisch was an Austrian writer and poet who fled from the Nazis and continued her artistic creation in the United States.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
Dante Della Terza was an Italian academic living and working in the United States.
Dagmar Reichardt is a leading German scholar in the area of transcultural studies.
Friederike Hassauer was a German literary scholar and professor for Romance Philology at the University of Vienna. The focus of her work was on French and Spanish literature, along with Media studies. She is considered a pioneer of gender research in the field of Romance studies.
Hanns-Werner Heister is a German musicologist.
Richard Batka was an Austrian musicologist, music critic and librettist. Educated at German Charles-Ferdinand University in his native city of Prague, he began his career as a lecturing academic at that institution in 1900; leaving that post in 1906 to teach on the faculty of the Prague Conservatory. In 1908 he moved to Vienna where he taught courses in the history of opera at the University of Music and Performing Arts Vienna from 1909 to 1914.
Peter Václav Zima is a literary critic and a social scientist born in Prague 1946. He is of Czech-German origin and has dual nationality such as Austrian and Dutch. He is emeritus professor of the Alpen-Adria-Universität in Klagenfurt (Austria) where he held the chair of General and Comparative Literature from 1983 to 2012.
