Location | Vienna, Austria |
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Coordinates | 48°11′58.5″N16°21′50″E / 48.199583°N 16.36389°E |
Owner | Vereinigte Bühnen Wien |
Type | Opera house |
Opened | 13 June 1801 |
Website | |
www |
The Theater an der Wien is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served primarily as an opera house, hosting its own company.
Although "Wien" is German for "Vienna", the "Wien" in the name of the theatre is actually the name of the Wien River, which once flowed by the theatre site; "an der Wien" means "on the banks of the Wien". In modern times, the river has been covered over in this location and the covered riverbed now houses the Naschmarkt, an open-air market.
The theatre is operated in cooperation with Vereinigte Bühnen Wien (VBW) which also operates the Raimund Theater and the Ronacher.
The theatre was the brainchild of the Viennese theatrical impresario Emanuel Schikaneder, who is best known as Mozart's librettist and collaborator on the opera The Magic Flute (1791). Schikaneder's troupe had already been successfully performing for several years in Vienna in the smaller Theater auf der Wieden and this is where The Magic Flute had premiered. As the troupe's performances often emphasized spectacle and scenery, the librettist felt ready to move to a larger and better equipped venue. [1]
He had already been granted an imperial licence to build a new theatre in 1786, but it was only in 1798 that he felt ready to act on this authorization. The building was designed by the architect Franz Jäger in Empire style (it has since been remodeled). Construction was completed in 1801. The theatre has been described as "the most lavishly equipped and one of the largest theatres of its age". [2]
The theatre opened on 13 June 1801 with a prologue written by Schikaneder followed by a performance of the opera Alexander by Franz Teyber. The new theatre proved to be a sensation. Adolf Bäurle, a local critic, wrote "if Schikaneder and [his partner] Zitterbarth had had the idea ... to charge admission simply for looking at the glories of their Theater an der Wien, Schikaneder would certainly have been able to take in vast sums of money without giving one single performance." The Allgemeine musikalische Zeitung called it the "most comfortable and satisfactory in the whole of Germany" (which meant at the time, "all German-speaking lands"). [3]
In 1807 the theatre was acquired by a group of court nobles that included Count Ferdinand Palffy von Erdöd, who bought it outright in 1813. During the period of his proprietorship, which lasted until 1826, he offered opera and ballet and, to appeal to a wider Viennese audience, popular pantomime and variety acts, losing money in elaborate spectacles until finally he was forced to sell the theatre at auction in 1826.
Only a part of the original building is preserved: the Papagenotor (Papageno Gate) is a memorial to Schikaneder, who is depicted playing the role of Papageno in The Magic Flute, a role he wrote for himself to perform. He is accompanied by the Three Boys, characters in the same opera.
From 1889 to 1905, Alexandrine von Schönerer was managing director after the lease ended in 1884 between her and the librettist Camillo Walzel. [4]
In the late 19th to early 20th centuries, the theatre experienced a golden age during the flourishing of Viennese operetta, as referenced in the list below.
From 1945 to 1955, it was one of the temporary homes of the Vienna State Opera, whose own building had been destroyed by Allied bombing during World War II. However, in 1955, the theatre was closed for safety reasons. It languished unused for several years, and by the early 1960s, the threat had emerged that it would be converted to a parking garage. (This was the same era of "urban renewal" that in America nearly destroyed Carnegie Hall).
By 1962 the theatre had a new and successful role as a venue for contemporary musical theatre. Many English-language musicals had their German premieres there. In 1992, the musical Elisabeth (about Franz Joseph I of Austria's wife, Elisabeth of Bavaria, also known as Sisi), premiered there and ran for six consecutive years until 1998; Elisabeth went on to become the most successful German-language musical to date, returning to the Theater an der Wien for a revival production from 2003 to 2005. The musical Cats directed and choreographed by Gillian Lynne played successfully for seven years.
Despite its focus on operettas and musicals, the theatre still served as a venue for occasional opera productions, especially during the Vienna Festival seasons, and sometimes co-produced with the Vienna State Opera. Notable productions of the non-standard repertory include:
Between 1996 and 2002, Riccardo Muti conducted new productions of the three Da Ponte operas of Mozart, based on an original production by Giorgio Strehler.
In 2006, the 250th anniversary year of Mozart's birth, the Theater an der Wien presented a series of major Mozart operas, thus initiating its conversion to a full-time venue for opera and other forms of classical music under the direction of Roland Geyer . Major musical productions since are now presented at either the Raimund Theater or the Ronacher. The first opera to be given was Mozart's Idomeneo with Neil Shicoff in the title role and Peter Schneider conducting the new production by Willy Decker. Other members of the cast were Angelika Kirchschlager, Genia Kühmeier, and Barbara Frittoli.
Geyer is quoted as saying that he wishes to "present cutting edge directors and interesting productions", [5] and his three main areas of focus are on Baroque opera, contemporary opera, and Mozart.
In recent years, the theatre's seasons have included the following works outside the standard repertoire:
The Theater an der Wien has seen the premieres of many works by celebrated composers and playwrights. It was a particularly favorite venue for Ludwig van Beethoven, who actually lived in rooms inside the theatre, at Schikaneder's invitation, during part of the period he was composing his opera Fidelio .
The Magic Flute, K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled The Magic Flute Part Two.
Johann Nikolaus Harnoncourt was an Austrian conductor, known for his historically informed performances. He specialized in music of the Baroque period, but later extended his repertoire to include Classical and early Romantic works. Among his best known recordings are those of Bach, whose 193 cantatas he recorded with Gustav Leonhardt.
The Vienna State Opera is a historic opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera. The new site was chosen and the construction paid by Emperor Franz Joseph in 1861.
Emanuel Schikaneder was a German impresario, dramatist, actor, singer, and composer. He wrote the libretto of Wolfgang Amadeus Mozart's opera The Magic Flute and was the builder of the Theater an der Wien. Peter Branscombe called him "one of the most talented theatre men of his era". Aside from Mozart, he worked with Salieri, Haydn and Beethoven.
Ignaz Xaver Ritter von Seyfried was an Austrian musician, conductor and composer. He was born and died in Vienna. According to a statement in his handwritten memoirs he was a pupil of both Wolfgang Amadeus Mozart and Johann Georg Albrechtsberger. He edited Albrechtsberger's complete written works after his death, published by Tobias Haslinger. His own pupils included Franz von Suppé, Heinrich Wilhelm Ernst, Antonio Casimir Cartellieri, Joseph Fischhof and Eduard Marxsen who would later teach Brahms.
Otto Schenk is an Austrian actor, and theater and opera director.
The Arnold Schoenberg Choir is a Viennese/Austrian choir which was founded 1972 by Erwin Ortner, who is still its artistic director. The choir has a high reputation both among conductors and among critics and the musical scene in general. All members of the choir have broad experience and expertise in vocal music; most of them have graduated from or are currently studying at the Vienna University of Music and Performing Arts. The choir is named after Viennese composer Arnold Schoenberg.
Theater am Kärntnertor or Kärntnertortheater was a prestigious theatre in Vienna during the eighteenth and nineteenth centuries. Its official title was Kaiserliches und Königliches Hoftheater zu Wien.
The Theater auf der Wieden, also called the Freihaus-Theater auf der Wieden or the Wiednertheater, was a theater located in the then-suburban Wieden district of Vienna in the late 18th century. It existed for only 14 years (1787–1801), but during this time it was the venue for the premiere of no fewer than 350 theatrical works, of which the most celebrated was Mozart's opera The Magic Flute. During most of this period the director of the theater was Emanuel Schikaneder, remembered today as librettist and impresario of The Magic Flute.
Carl Ludwig Giesecke FRSE was a German actor, librettist, polar explorer and mineralogist. In his youth he was called Johann Georg Metzler; in his later career in Ireland he was Sir Charles Lewis Giesecke. He is falsely accused of being the librettist of his friend Mozart’s The Magic Flute
Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil is a "grand heroic-comic opera" in two acts composed in 1798 by Peter von Winter to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue. The opera is a sequel of Mozart's The Magic Flute.
Vestas Feuer is a fragment of an opera composed in 1803 by Ludwig van Beethoven and Magic Flute librettist Emanuel Schikaneder. The plot involves a romantic intrigue in which the heroine temporarily becomes a Vestal Virgin. Beethoven set to music only the first scene of Schikaneder's libretto, then abandoned the project. The fragment is rarely performed.
The Magic Flute is a celebrated opera composed in 1791 by Wolfgang Amadeus Mozart. Mozart employed a libretto written by his close colleague Emanuel Schikaneder, the director of the Theater auf der Wieden at which the opera premiered in the same year.. Grout and Williams describe the libretto thus:
Schikaneder, a kind of literary magpie, filched characters, scenes, incidents, and situations from others' plays and novels and with Mozart's assistance organized them into a libretto that ranges all the way from buffoonery to high solemnity, from childish faerie to sublime human aspiration – in short from the circus to the temple, but never neglecting an opportunity for effective theater along the way.
The Magic Flute, an opera by Wolfgang Amadeus Mozart with libretto by Emanuel Schikaneder, was composed in 1791 and premiered to great success. It has been an important part of the operatic repertory ever since, and has inspired a great number of sequels, adaptations, novels, films, artwork, and musical compositions.
Ignaz (Franz) von Mosel was an Austrian court official, composer and music writer.
Johann Baptist Henneberg was an Austrian composer, pianist, organist and Kapellmeister.
Michael Kraus is an Austrian operatic baritone.
Ruben Drole is a Swiss operatic bass-baritone.
Florian Boesch is an Austrian bass-baritone, voice teacher and opera singer, who is especially known as a Lieder interpreter.
Claus Guth is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's Cronaca del luogo at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for Daphne by Richard Strauss in 2010, and for Debussy's Pelléas et Mélisande, both at the Oper Frankfurt.