Sian Edwards

Last updated

Sian Edwards (born 27 August 1959) is an English conductor, best known as music director of English National Opera in the 1990s.

Contents

Early life

Sian Edwards was born in West Chiltington, West Sussex. She studied at the Royal Northern College of Music and later with the conductors Sir Charles Groves, Ilya Musin and Neeme Järvi. She won first prize in the 1984 Leeds International Conducting Competition, on the strength of which she was engaged for concerts with a number of British orchestras. [1]

Career

In 1986, Sian conducted opera for the first time, with Kurt Weill's Mahagonny for Scottish Opera. The following year, she conducted La traviata at Glyndebourne. In 1988 she conducted the world premiere of Mark-Anthony Turnage's opera Greek at the Munich Festival, and followed it with further performances at the 1988 Edinburgh Festival. In the same year she was the first female conductor engaged by the Royal Opera House, Covent Garden, with Tippett's The Knot Garden . She was invited back to conduct Rigoletto , the opening opera of the 1989–90 season [1]

Edwards first appeared at the English National Opera conducting Prokofiev's The Gambler in 1990. In 1993 she succeeded Mark Elder as ENO's music director. She resigned from the post in December 1995, and has since freelanced. Sian Edwards returned to English National Opera for a new production of Orpheus in the Underworld in October 2019. The Grove Dictionary of Music and Musicians lists the orchestras she has conducted: the Los Angeles Philharmonic, the Cleveland Orchestra, the Orchestre de Paris, the St Petersburg Philharmonic and the City of Birmingham Symphony Orchestra. [1] She appeared in the BBC 4 production of 'In the Bleak Midwinter' about the composer Gustav Holst, conducting the Royal College of Music Orchestra. Sian Edwards is performing as guest conductor with the Palestine Youth Orchestra (PYO).

As part of its centenary season, she conducted the world premiere at the Opéra-Comique at the Salle Favart in Paris of Hans Gefors's opera Clara . [2]

Sian Edwards is frequently involved with new music projects; as well as regular performances with the Ensemble Modern, she also appears with the London Sinfonietta, Ensemble Resonanz and Klangforum Wien among others. Sian was appointed Head of Conducting at the Royal Academy of Music (RAM) in London in 2013, where she directs the Masters course and the Sorrell Women's Conducting Programme. In July 2018 the RAM awarded her an Honorary Fellowship. Previously she taught conducting at the Guildhall School, and also gives masterclasses for the Dirigentenforum, Germany, and St Andrews University, Scotland. [3]

Sources

Notes

  1. 1 2 3 Duchen, Jessica and Richard Wigmore. "Edwards, Sian", Grove Music Online, Oxford Music Online, accessed 2 June 2011 (subscription required)
  2. Notice de spectacle - Clara - at the BnF database accessed 25 May 2016.
  3. Sian Edwards, Sian Edwards - Guildhall School of Music & Drama, accessed 29 October 2013.
Cultural offices
Preceded by Music Director, English National Opera
1993-1995
Succeeded by

Related Research Articles

<span class="mw-page-title-main">Georg Solti</span> Hungarian-British conductor (1912–1997)

Sir Georg Solti was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt, and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner, and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics, and being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House, he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist.

Sir Richard Armstrong is an English conductor. He was educated at Wyggeston Grammar School for Boys and Corpus Christi College, Cambridge, where he was an organ scholar.

<span class="mw-page-title-main">Albert Coates (musician)</span> English conductor and composer (1882–1953)

Albert Coates was an English conductor and composer. Born in Saint Petersburg, where his English father was a successful businessman, he studied in Russia, England and Germany, before beginning his career as a conductor in a series of German opera houses. He was a success in England conducting Wagner at the Royal Opera House, Covent Garden in 1914, and in 1919 was appointed chief conductor of the London Symphony Orchestra.

<span class="mw-page-title-main">Thomas Adès</span> British composer, pianist and conductor

Thomas Joseph Edmund Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).

Sir John Michael Pritchard, was an English conductor. He was known for his interpretations of Mozart operas and for his support of contemporary music.

<span class="mw-page-title-main">Charles Groves</span> British conductor

Sir Charles Barnard Groves CBE was an English conductor. He was known for the breadth of his repertoire and for encouraging contemporary composers and young conductors.

<i>Lheure espagnole</i> Opera by Maurice Ravel

L'heure espagnole is a French one-act opera from 1911, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading to them hiding in, and eventually getting stuck in, her husband's clocks. The title can be translated literally as "The Spanish Hour", but the word "heure" also means "time" – "Spanish Time", with the connotation "How They Keep Time in Spain".

Jill Carnegy, Countess of Northesk is a Trinidadian and British soprano who enjoyed an active career on the operatic stage and in the concert hall in a wide repertoire, and has made many recordings.

Diego Masson is a French conductor, composer, and percussionist.

Andrea Molino is an Italian composer and conductor.

<i>The Greek Passion</i> (opera) Opera in four acts by Bohuslav Martinů

The Greek Passion is an opera in four acts by Bohuslav Martinů. The English-language libretto, by the composer, is based on Jonathan Griffin's translation of the novel Christ Recrucified by Nikos Kazantzakis.

(Albert) Meredith Davies CBE was a British conductor, renowned for his advocacy of English music by composers such as Benjamin Britten, Frederick Delius and Ralph Vaughan Williams.

David Sawer, is a British composer of opera and choral, orchestral and chamber music.

The Leeds Conductors Competition, is a music competition for young British conductors in the city of Leeds.

Cyndia Sieden is an American coloratura soprano on the opera and concert stages.

<span class="mw-page-title-main">Alexander Walker (conductor)</span> British conductor (born 1973)

Alexander Walker is a British conductor.

Emelie Victoria Georgina Hooke was an Australian soprano who was notable in opera, oratorio and concert, and sang in Australia, England, Europe and South Africa.

<span class="mw-page-title-main">Black conductors</span>

Black conductors are musicians of African, Caribbean, African-American ancestry and other members of the African diaspora who are musical ensemble leaders who direct classical music performances, such as an orchestral or choral concerts, or jazz ensemble big band concerts by way of visible gestures with the hands, arms, face and head. Conductors of African descent are rare, as the vast majority are male and Caucasian.

Emmanuel Plasson is a French conductor.

Kathleen Riddick was a British musician, one of the first women in Britain to establish herself in the male-dominated profession of conducting. To do so at a time when it was "considered impossible" for a woman to become a conductor Riddick was initially obliged to found her own ensembles to lead. They included the Surrey Philharmonic Orchestra in 1932, the London Women's String Orchestra in 1938, and The London Opera Group Orchestra which was led by Miriam Morley. But she also appeared as guest conductor of BBC orchestras and the London Symphony Orchestra.