Richard Franz Joseph Heuberger (18 June 1850 in Graz, Austria – 28 October 1914 in Vienna, Austria) was an Austrian composer of operas and operettas, a music critic, and teacher.
Heuberger was born in Graz, the son of a bandage manufacturer. [1] He initially studied engineering, but gave it up in 1876, and turned to music. He studied at the Graz Conservatory (where he studied with Robert Fuchs), and later transferred to Vienna, where he eventually became the chorus master of the Wiener Akademischer Gesangverein, conductor of the Wiener Singakademie, director of the Wiener Männergesang-Verein (Vienna Men's Choral Association), and a teacher at the Konservatorium der Stadt Wien. [1]
As a music critic he wrote for the Neues Wiener Tagblatt in 1881, the Allgemeine Zeitung in Munich in 1889, and (succeeding Hanslick) for the Neue Freie Presse from 1896 until 1901. He also edited the Musikbuch aus Österreich (1904–6). [2]
Although Heuberger wrote many operas, ballets, choral works, and songs, he is best known today for his operetta Der Opernball , composed in 1898. [1] He taught at the Vienna Conservatory from 1902. Among his pupils was Clemens Krauss.
Operettas
Operas
Ballets
Franz Lehár was an Austro-Hungarian composer. He is mainly known for his operettas, of which the most successful and best known is The Merry Widow.
Franz von Suppé, born Francesco Ezechiele Ermenegildo de Suppé was an Austrian composer of light operas and other theatre music. He came from the Kingdom of Dalmatia, Austro-Hungarian Empire. A composer and conductor of the Romantic period, he is notable for his four dozen operettas, including the first operetta to a German libretto. Some of them remain in the repertory, particularly in German-speaking countries, and he composed a substantial quantity of church music, but he is now chiefly known for his overtures, which remain popular in the concert hall and on record. Among the best-known are Poet and Peasant, Light Cavalry, Morning, Noon, and Night in Vienna and Pique Dame.
Franz Schreker was an Austrian composer, conductor, librettist, teacher and administrator. Primarily a composer of operas, Schreker developed a style characterized by aesthetic plurality, timbral experimentation, strategies of extended tonality and conception of total music theatre into the narrative of 20th-century music.
Oskar Nedbal was a Czech violist, composer, and conductor of classical music.
Opernball may refer to:
Der Opernball is an operetta in three acts with music by Richard Heuberger, and libretto by Viktor Léon and Heinrich von Waldberg, based on the 1876 comedy Les Dominos roses by Alfred Delacour and Alfred Hennequin. The 1877 farce The Pink Dominos and the 1914 musical To-Night's the Night are other adaptations of the original play.
Wilhelm Gericke was an Austrian-born conductor and composer who worked in Vienna and Boston.
Ernst Décsey, was an Austrian author and music critic.
Robert Elisabeth Stolz was an Austrian songwriter and conductor as well as a composer of operettas and film music.
Alfred Maria Willner was an Austrian writer, philosopher, musicologist, composer and librettist.
Josef Bayer was an Austrian composer and the director of the Austrian Court Ballet from 1883 until his death. He was born and died in Vienna.
The Carltheater was a theatre in Vienna. It was in the suburbs in Leopoldstadt at Praterstraße 31.
Victor Léon, also Viktor Léon was a well-known Jewish librettist. He collaborated with Leo Stein to produce the libretto of Franz Lehár's romantic operetta The Merry Widow.
Heinrich Reinhardt (1865–1922) was an Austrian composer. He died on 31 January 1922 in Vienna and is buried at the Döbling Cemetery.
Esther Réthy was a Hungarian operatic soprano who had a major career in Europe from 1934 through 1968. She was notably a principal artist at the Vienna State Opera for over a decade and was a frequent performer at the Salzburg Festival. She performed a broad opera repertoire that encompassed French, German, Italian, Czech, and Hungarian operas. The latter part of her career was dedicated mainly to performing the German operetta literature at the Vienna Volksoper. A very beautiful woman, she was a greatly admired Angele in Richard Heuberger’s Der Opernball.
Heinrich Berté, born Heinrich Bettelheim was an Austria-Hungarian composer of operas and operettas.
Peter Minich was an Austrian stage actor who became a tenor performing in operas, operettas and musical films. He was for decades the lead tenor of the Volksoper in Vienna, focused on Viennese operetta.
Marie Charlotte Cäcilie Geistinger (1836–1903) was an Austrian actress and operatic soprano, known as the "Queen of Operetta". She frequently appeared in works by Jacques Offenbach, Johann Strauss II and Franz von Suppé. She achieved particular acclaim for performing Rosalinda in the première of Die Fledermaus at the Theater an der Wien in 1874. In 1881, her debut at the Thalia Theatre in New York was well received.
Ignaz Schnitzer was a journalist, translator, librettist and newspaper founder.
Guido Mancusi is an Austrian-Italian conductor and composer.