All-Star Trio | |
---|---|
![]() All-Star Trio in 1918 at their car | |
Background information | |
Also known as | All Star Trio |
Genres | Pop music |
Years active | 1918–1923 |
Labels |
|
The All-Star Trio or All Star Trio was a musical ensemble consisting of George Hamilton Green on the xylophone along with Frank Banta or Victor Arden [1] on the piano and F. Wheeler Wadsworth on the saxophone. [2] It was among the most popular musical outfits of the very early Jazz Age. [1] Their music was promoted as "dance music". [3]
The group began recording in 1918. [4] In 1920 they toured in support of the Aeolian Vocalion company. [5] Their popularity was such that their recordings were released overseas by The Gramophone Company in their French catalog. [6] The trio made additional recordings for Brunswick Records, [7] Edison Records, [8] Lyric Records [9] Okeh Records, [10] and Pathé Records. [11] However, they are most associated with the Victor Records label, and are prominently featured in Victor advertising of the era. Joel Whitburn, in his chart recreations, estimates that the Trio had the equivalent of 6 top-20 hits between 1919 and 1921, including "I'll Say She Does", "I Want a Daddy Who Will Rock Me to Sleep", "Poor Little Butterfly Is a Fly Gal Now", "You'd Be Surprised", "Swanee", and "Moonbeams", all for Victor. [12]
Recorded performances are usually performed in March-style, played "straight" through the first strain, and then the second strain would include improvisation, increased rhythmic values, and often a melodic tempo speeding of up to four-times the original timing. [2]
The Edison Diamond Disc Record is a type of phonograph record marketed by Thomas A. Edison, Inc. on their Edison Record label from 1912 to 1929. They were named Diamond Discs because the matching Edison Disc Phonograph was fitted with a permanent conical diamond stylus for playing them. Diamond Discs were incompatible with lateral-groove disc record players, e.g. the Victor Victrola, the disposable steel needles of which would damage them while extracting hardly any sound. Uniquely, they are just under 1⁄4 in thick.
Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry for a specific recording will often list such details as the names of the artists involved, the time and place of the recording, the title of the piece performed, release dates, chart positions, and sales figures.
The Peerless Quartet was an American vocal group that recorded in the early years of the twentieth century. They formed to record for Columbia Records, where they were credited as the Columbia Quartet or Columbia Male Quartet. From about 1907, when they began to record for record labels other than Columbia, they were more widely known as the Peerless Quartet.
"Are You Lonesome Tonight?" is a song written by Roy Turk and Lou Handman in 1926. It was recorded several times in 1927, first by Charles Hart, but also with successful versions by Vaughn De Leath, Henry Burr, and the duet of Jerry Macy and John Ryan. In 1950, the Blue Barron Orchestra version reached the top twenty on Billboard's Pop Singles chart.
Henry Burr was a Canadian singer, radio performer and producer. He was born Harry Haley McClaskey and used Henry Burr as one of his many pseudonyms, in addition to Irving Gillette, Henry Gillette, Alfred Alexander, Robert Rice, Carl Ely, Harry Barr, Frank Knapp, Al King, and Shamus McClaskey. He produced more than 12,000 recordings, by his own estimate, and some of his most popular recordings included "Just a Baby's Prayer at Twilight", "Till We Meet Again" with Albert Campbell, "Beautiful Ohio", "I Wonder Who's Kissing Her Now" "When I Lost You" and "In The Shade Of The Old Apple Tree". A tenor, he performed as a soloist and in duets, trios and quartets.
William Reese Jones was a tenor who recorded during the 1920s and 1930s, finding fame as a radio star on The Happiness Boys radio program.
Thomas Ernest Hare was an American singer who recorded prolifically during the 1920s and 1930s, finding fame as a radio star on the Happiness Boys radio program.
Frank Ferera was a Hawaii musician who recorded successfully between 1915 and 1930. He was the first star of Hawaiian music and influenced many later artists.
The American Quartet was a four-member vocal group that recorded for various companies in the United States between 1899 and 1925. The membership varied over the years, but the most famous line-up — comprising John Bieling, Billy Murray, Steve Porter (baritone), and William F. Hooley (bass) — recorded for the Victor Talking Machine Company from 1909 to 1913. The same group of singers also recorded for Edison Records as the Premier Quartet, and for that and other labels as the Premier American Quartet. From 1912 to 1914 the quartet also recorded with countertenor Will Oakland as the Heidelberg Quintet.
Frank C. Stanley was a popular American singer, banjoist and recording artist active in the 1890s and the 1900s.
Franklyn Baur was a popular tenor vocal recording artist.
Robert S. Roberts, sometimes referred to as "Ragtime" Bob Roberts, was an American novelty singer and ragtime song composer in the early years of the 20th century.
Albert Charles Campbell was an American popular music singer who recorded between the late 1890s and the 1920s. He was best known for his many duo recordings with Henry Burr, and as a member of the Peerless Quartet and other vocal groups, but also recorded successfully as a solo singer both under his own name and under various pseudonyms including Frank Howard.
Ray Miller (1896–1974) was an American bandleader who was popular during the 1920s. In 1924 his orchestra performed at the White House with Al Jolson, the first jazz band to do so.
George Alexander was a baritone and pioneer recording artist who made several best-selling records for Columbia Records in the first decade of the 20th century.
Harry Anthony was an American tenor and pioneer recording artist. With James F. Harrison he made several recordings of religious music that were popular at the time. He was known as a solo artist, and also became a member of the American Quartet. He made records for most of the major recording companies of the day.
Edison Bell was an English company that was the first distributor and an early manufacturer of gramophones and gramophone records. The company survived through several incarnations, becoming a top producer of budget records in England through the early 1930s until, after it was absorbed by Decca in 1932, production of various Edison Bell labels ceased.
The Discography of American Historical Recordings (DAHR) is a database catalog of master recordings made by American record companies during the 78rpm era. The 78rpm era was the time period in which any flat disc records were being played at a speed of 78 revolutions per minute. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with access to the production catalogs of those same companies. DAHR is part of the American Discography Project (ADP), and is funded and operated in partnership by the University of California, Santa Barbara, the National Endowment for the Humanities, and the Packard Humanities Institute.
Grace Miriam Kerns was an American soprano, called the "Nightingale of the Trenches" for her popularity during World War I. She made over a hundred recordings during the 1910s.
Helen Clark was an American contralto and soprano singer, known for her recordings of popular songs such as "I'm Forever Blowing Bubbles."