| All Black And Hairy | |
|---|---|
| | |
| Studio album by | |
| Released | 1984 |
| Genre | Indie, Lo-fi, Garage |
| Label | Voxx Records [1] |
| Producer | Greg Shaw [2] |
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
All Black and Hairy is the first and only album by American garage rock revival band Gravedigger V, released in 1984 before the band disbanded. [1]
AllMusic called the album "both perfectly named and perfectly performed -- if it's nothing but a revivalist approach at heart, it's such a damn entertaining one that there's no cause for complaint." [3] Trouser Press called it "groovy, authentic-sounding (credit the production by label owner Greg Shaw) garage punk with convincing ’60s clumsiness and sincerity." [2] Maximumrocknroll wrote that "the high points here are an amazingly snot-nosed vocalist with sneering ’60s inflections, some strong original songwriting, an appropriately tinny 'mono' production, and an above-average choice of tunes to cover." [4]
Side A
Side B

Everything Went Black is a compilation album by the American hardcore punk band Black Flag. It was released in 1982 through SST Records. The compilation comprises early songs recorded before Henry Rollins became the band's vocalist in 1981, and was initially released without the group's name on its cover, due to their lawsuit with MCA/Unicorn. Instead, the names of the group members were listed on the first release.

Live '84 is an album released by Black Flag in 1984 on SST Records. It is a live recording of a show played in 1984 and features mostly tracks from My War and Slip It In. A video was shot simultaneously and was briefly available through SST; the now-out-of-print video has been widely bootlegged.

TV Party is the fourth EP by American band Black Flag, released in 1982. It was self-produced with Ed Barton and originally released by SST Records on the 7" vinyl format. The title track is a satire of boredom, drinking and America's obsession with television; the original version was also released on the band's 1981 album Damaged.

Every Good Boy Deserves Fudge is the second studio album by American rock band Mudhoney. It was recorded in 1991, at a time when the band was thinking of signing to a major record label, but decided to release the album on Sub Pop. The album shipped 50,000 copies on its original release. It is credited with helping to keep Sub Pop in business.

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Fire Dances is the fourth studio album by English post-punk band Killing Joke, released in July 1983 by E.G. via Polydor Records. It was the band's first album to feature new bass player Paul Raven, recorded at Basing Street Studios in London between February and March 1983. According to Paul Ferguson the band's drug use contributed to the original mix of the album being "tinny".
SWA was an American band originally started as a concept defined by Chuck Dukowski, former bassist of Black Flag, while he was still a member of that band. The name was created by assigning an alphabetical value to numbers on a gaming die, then rolling the die three times. Dukowski would later claim that the name was offered up by Joe Carducci and was accepted by the rest of the band, despite Dukowski's own discomfort with it. SWA has had the dubious distinction of being considered the "worst" band to ever record for SST Records by many label aficionados and, in one fanzine article, Steve Albini claimed that among the worst things a person could do was "listen to SWA" and "be SWA". However, others have come to the band's defense. The band existed from the mid 1980s until 1992 and released five albums on SST Records, all of which are currently out of print.

Fire of Love is the debut album of the American rock band the Gun Club, released in 1981 on Ruby Records.
The Morlocks are an American garage rock band from San Diego, California, which formed in 1984. In its first incarnation, the band consisted of guitarist Tommy Clarke, bassist Jeff Lucas, drummer Mark Mullen, as well as vocalist Leighton Koizumi and guitarist Ted Friedman, former members of the Gravedigger Five. After splitting up in 1987, the group reformed under Koizumi with a different lineup.
The Gravedigger Five – often shown as Gravedigger V – was an American garage rock revival band, formed in 1984 in San Diego, California, United States. The band was part of the Paisley Underground, a musical movement centered on Los Angeles, California, which referenced 1960s West Coast pop and garage rock. The band's lineup consisted of Leighton Koizumi on vocals and sound effects, Ted Friedman on lead guitar, John Hanrattie on rhythm guitar and backup vocals, Dave "The Animal" Anderson on drums and percussion, and originally Chris Gast, who was replaced on bass and backing vocals by Tom Ward. When the Gravedigger Five broke up, members of the band went on to form The Morlocks and Manual Scan.

The Singles 1981–1983 is a greatest hits mini-album by English post-punk band Bauhaus. It was released in 1983 by record label Beggars Banquet.

Raging Slab is the major label debut of American hard rock band Raging Slab, released in 1989. The album contains the singles "Don't Dog Me" and "Bent For Silver". "Don't Dog Me" was a minor hit on radio and MTV.

Live at Kelvin Hall is a live album by the English rock group the Kinks. It was recorded at Kelvin Hall in Glasgow, Scotland, in early 1967 and released in August 1967 in the US, and January 1968 in the UK. Live at Kelvin Hall received mixed reviews upon release, and sold poorly.
Stop Draggin Me Down is the debut album by the Bellingham, Washington-based garage rock group The Mono Men, released in 1990.
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The David was an American garage rock/psychedelic rock band from Los Angeles, in southern California who were active in the 1960s and early 1970s. They are known for songs such as "40 Miles," which became a minor hit in Bakersfield. They began with a basic garage approach but later expanded their creative palette to incorporate esoteric and baroque elements on the 1967 album, Another Day, Another Lifetime. They continued for a few more years but disbanded in the early 1970s.

Disconnected is the debut solo album by Stiv Bators, released in December 1980 on Bomp!. The album is a radical departure from the punk rock sound of his previous band the Dead Boys, and sees Bators venturing into 1960s-inspired power pop.

It's About Time is the debut studio album by American garage punk band the Pandoras and was released in 1984 by the Voxx record label.
"Dad/Revenge" is a single by Canadian punk rock band Nomeansno. Recorded in 1985, it features two tracks from Nomeansno's 1986 album Sex Mad. "Dad" was a minor college radio hit.
Stop Pretending is a studio album by the American garage punk band the Pandoras, released in 1986 by Rhino Records.