All of Me | |
---|---|
Directed by | James Flood |
Written by | Thomas Mitchell Sidney Buchman |
Based on | play "Chrysalis" by Rose Porter |
Produced by | Louis D. Lighton |
Starring | Fredric March Miriam Hopkins George Raft |
Cinematography | Victor Milner |
Edited by | Otho Lovering |
Music by | Karl Hajos |
Production company | |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 70 minutes |
Country | United States |
Language | English |
All of Me is a 1934 American pre-Code drama film directed by James Flood and starring Fredric March, Miriam Hopkins, and George Raft. The film was written by actor Thomas Mitchell and Sidney Buchman from Rose Porter's play Chrysalis.
A professor tires of the direction his life is going and wants to move west, but his girlfriend doesn't understand why he is so dissatisfied. [1]
The film was based on a play by Rose Porter called Chrysalis. It debuted in summer theatre in 1932. [2]
In April 1933 Paramount announced the cast would include Raft, March and Hopkins. [3] The following month Sylvia Sidney joined the cast and the movie was going to be called Desire. [4]
Raft was fighting with Paramount and for a while it seemed he may leave the studio but in June they confirmed he would make the film after The Bowery. [5]
Carole Lombard replaced Sidney. [6] Then she dropped out and was replaced by Helen Mack.
Filming took place in October and November 1933 under the title Chrysalis. [7]
Reviews were poor and the film was a box office flop. [8]
The Los Angeles Times said it had "an almost hopeless plot." [9] Filmink magazine said "a contemporary critic wondered if the reels had been accidentally swapped around and it feels like that when you watch the movie today." [10]
Dr. Jekyll and Mr. Hyde is a 1931 American pre-Code horror film, directed by Rouben Mamoulian and starring Fredric March, who plays a possessed doctor who tests his new formula that can unleash people's inner demons. The film is an adaptation of The Strange Case of Dr. Jekyll and Mr. Hyde, the 1886 Robert Louis Stevenson tale of a man who takes a potion which turns him from a mild-mannered man of science into a homicidal maniac.
George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, and Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon; and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.
The Bowery is a 1933 American pre-Code historical comedy-drama film set in the Lower East Side of Manhattan around the start of the 20th century directed by Raoul Walsh and starring Wallace Beery and George Raft. The supporting cast features Jackie Cooper, Fay Wray, and Pert Kelton.
Broadway is a 1942 crime drama musical film directed by William A. Seiter and starring George Raft as himself and Pat O'Brien as a detective. The supporting cast features Janet Blair and Broderick Crawford.
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The Glass Key is a 1935 American crime drama film directed by Frank Tuttle starring George Raft, Edward Arnold, Claire Dodd, Guinn "Big Boy" Williams and Ray Milland. Ann Sheridan has a brief speaking role as Raft's character's nurse in their first film together. Produced and distributed by Paramount Pictures, it was based upon the 1931 suspense novel The Glass Key by Dashiell Hammett,
She Couldn't Take It is a 1935 American screwball comedy film made at Columbia Pictures, directed by Tay Garnett, written by C. Graham Baker, Gene Towne and Oliver H.P. Garrett, and starring George Raft and Joan Bennett. It was one of the few comedies Raft made in his career.
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Under Cover Man is a 1932 American pre-Code crime film directed by James Flood and starring George Raft, Nancy Carroll and Lew Cody. It was produced and distributed by Paramount Pictures.
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The Story of Temple Drake is a 1933 American pre-Code drama film directed by Stephen Roberts and starring Miriam Hopkins and Jack La Rue. It tells the story of Temple Drake, a reckless woman in the American South who falls into the hands of a brutal gangster and rapist. It was adapted from the highly controversial 1931 novel Sanctuary by William Faulkner. Though some of the more salacious elements of the source novel were not included, the film was still considered so indecent that it helped give rise to the strict enforcement of the Hays Code.
Design for Living is a 1933 American pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March, Gary Cooper, and Miriam Hopkins, the film is about a woman who cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.
She Loves Me Not is a 1934 American comedy film directed by Elliott Nugent and starring Bing Crosby and Miriam Hopkins. Based on the novel She Loves Me Not by Edward Hope and the subsequent play by Howard Lindsay, the film is about a cabaret dancer who witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student. Distributed by Paramount Pictures, the film has been remade twice as True to the Army (1942) and as How to Be Very, Very Popular in (1955), the latter starring Betty Grable.
Outpost in Morocco is a 1949 American action adventure film directed by Robert Florey, starring George Raft and Marie Windsor. Paul Gerard (Raft), a Moroccan Spahi officer and his French Foreign Legion garrison, holds off attacks from the native tribes of the Emir of Bel-Rashad, the father of Cara (Windsor), the woman he loves. As a rarity amongst American films of the Foreign Legion genre, the Legion cooperated with the producers. A second unit led by Robert Rossen filmed scenes in Morocco. Some of the large-scale action scenes of the film were reused in Fort Algiers and Legion of the Doomed.
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Adrian Michael Morris was an American actor of stage and film, and a younger brother of Chester Morris.