Allegory of Fertility and Abundance is a allegorical tempera on panel painting by Luca Signorelli, created c. 1500, now in the Uffizi in Florence. Produced around the same time as the artist's frescoes in the San Brizio Chapel in Orvieto, the work is a monochrome allegory inspired by classical bas-reliefs and intended for a humanist scholar's studiolo. Its figures refer to the artist's nudes in his frescoes at Orvieto and Madonna and Child with Ignudi . [1]
Fresco is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting.
Federico Zuccaro, also known as Federico Zuccari, was an Italian Mannerist painter and architect, active both in Italy and abroad.
Luca Signorelli was an Italian Renaissance painter who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Orvieto is a city and comune in the Province of Terni, southwestern Umbria, Italy situated on the flat summit of a large butte of volcanic tuff. The city rises dramatically above the almost-vertical faces of tuff cliffs that are completed by defensive walls built of the same stone, called tufa.
Ambrogio Lorenzetti or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted The Allegory of Good and Bad Government in the Sala dei Nove in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti.
Pintoricchio or Pinturicchio whose birth name was Bernardino di Betto, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. Born in Perugia in 1454 and dying in Siena in 1513, Pintoricchio acquired his nickname, meaning, because of his small stature. He also used it to sign some of his 15th and 16th century artworks.
The Palazzo Pubblico is a palace in Siena, Tuscany, central Italy. Construction began in 1297 to serve as the seat of the Republic of Siena's government, which consisted of the Podestà and Council of Nine, the elected officials who performed executive functions.
Francesco del Cossa was an Italian Renaissance painter of the School of Ferrara.
The four Raphael Rooms form a suite of reception rooms in the Apostolic Palace, now part of the Vatican Museums, in Vatican City. They are famous for their frescoes, painted by Raphael and his workshop. Together with Michelangelo's Sistine Chapel ceiling frescoes, they are the grand fresco sequences that mark the High Renaissance in Rome.
The Clementine Hall, called the Sala Clementina is a hall of the Apostolic Palace near St. Peter's Basilica in Vatican City. It was established in the 16th century by Pope Clement VIII in honor of Pope Clement I, the third successor of St. Peter. The Clementine Hall is covered in Renaissance frescoes and valuable works of art. It is used by the pope as a reception room and in some cases, site of various ceremonies and rituals. The Clementine Hall is the chamber in which the body of the pope lies for private visitation by officials of the Vatican upon death, like that most recently of the funeral of Pope John Paul II. The pope's body is then traditionally moved from the Clementine Hall and ceremonially carried across St. Peter's Square to St. Peter's Basilica or the Basilica of San Giovanni in Laterano.
Orvieto Cathedral is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Since 1986, the cathedral in Orvieto has been the episcopal seat of the former Diocese of Todi as well.
The Mass at Bolsena is a painting by the Italian renaissance artist Raphael. It was painted between 1512 and 1514 as part of Raphael's commission to decorate with frescoes the rooms that are now known as the Raphael Rooms, in the Apostolic Palace in the Vatican. It is located in the Stanza di Eliodoro, which is named after The Expulsion of Heliodorus from the Temple.
Niccolò Circignani was an Italian painter of the late-Renaissance or Mannerist period.
Cesare Nebbia (c.1536–c.1622) was an Italian painter from Orvieto who painted in a Mannerist style.
Lippo Memmi was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law.
The decade of the 1330s in art involved some significant events.
With a long history as a vantage point for anti-popes forces threatening Rome, Viterbo became a papal city in 1243. During the later thirteenth century, the ancient Italian city of Viterbo was the site of five papal elections and the residence of seven popes and their Curias, and it remains the location of four papal tombs. These popes resided in the Palazzo dei Papi di Viterbo alongside the Viterbo Cathedral intermittently for two decades, from 1257 to 1281; as a result, the papal palace in Viterbo, with that in Orvieto, are the most extensive thirteenth-century papal palaces to have survived.
Orvieto, Umbria, Italy, was the refuge of five popes during the 13th century: Urban IV (1261–1264), Gregory X (1271–1276), Martin IV (1281–1285), Nicholas IV (1288–1292) and Boniface VIII (1294–1303). During this time, the popes took up residence in the Papal Palace of Orvieto, which was adjacent to the Orvieto Cathedral and expanded onto the bishop's residence. None of these popes died in Orvieto, and thus no papal elections took place in there, nor are there any papal tombs.
Lamentation over the Dead Christ is a 1502 tempera on panel painting by Luca Signorelli, painted for the church of Santa Margherita and now in the Diocesan Museum in Cortona. In the left background is the Crucifixion and in the right background the Resurrection.
The Preaching of the Antichrist is a fresco by the Italian Renaissance painter Luca Signorelli. It is one of the scenes of what is considered his masterpiece, the cycle of frescoes with apocalyptic themes that decorate the Chapel of San Brizio in Orvieto Cathedral (1499–1504). Michelangelo was inspired for his The Last Judgment by observing Signorelli's frescoes in Orvieto.
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