Luca Signorelli was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
The Holy Family consists of the Child Jesus, the Virgin Mary and Saint Joseph. The subject became popular in art from the 1490s on, but veneration of the Holy Family was formally begun in the 17th century by Saint François de Laval, the first bishop of New France, who founded a confraternity.
Orvieto Cathedral is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. Since 1986, the cathedral in Orvieto has been the episcopal seat of the former Diocese of Todi as well.
The circumcision of Jesus is an event from the life of Jesus, according to the Gospel of Luke chapter 2, which states:
And when eight days were fulfilled to circumcise the child, his name was called Jesus, the name called by the angel before he was conceived in the womb.
The Sant'Onofrio Altarpiece is a painting by the Italian Renaissance painter Luca Signorelli, housed in the Museo dell'Opera del Duomo in the Cathedral of Perugia, Italy. It was painted for the church in 1484, commissioned by bishop Jacopo Vagnucci, a native of Cortona, Signorelli's birthplace.
The Testament and Death of Moses is a fresco attributed to the Italian Renaissance painters Luca Signorelli and Bartolomeo della Gatta, executed in around 1482 and located in the Sistine Chapel, Rome.
The Virgin Enthroned with Saints is a painting by the Italian Renaissance artist Luca Signorelli, dated to 1491 and housed in the Pinacoteca Comunale of Volterra, central Italy.
The Madonna with Child and Saints is a painting by the Italian late Renaissance painter Luca Signorelli, executed around 1519-1523. It is housed in the Museo nazionale d'arte medievale e moderna, in Arezzo. The picture is a traditional Holy Conversation composition.
The Communion of the Apostles is a painting by Italian Renaissance artist Luca Signorelli, dating from around 1512. It is now in the Diocesan Museum of Cortona, Tuscany, Italy.
The Pinacoteca Comunale ofCittà di Castello is the main museum of paintings and arts of Umbria Italian Region, alongside the Perugia's National gallery, and it's housed in a renaissance palace, generally preserved in its original form.
Crucifixion is a painting of the Crucifixion of Christ, usually attributed to Perugino, with or without assistance from Luca Signorelli. The work's dating and attribution are both uncertain - Venturi and Schmarsow attribute it to a pupil of Perugino, whilst other art historians attribute it to Perugino alone or with assistance from Signorelli. The deep chiaroscuro is comparable to Signorelli's style elsewhere or to the early style of Perugino whilst he was still heavily influenced by Verrochio. The landscape background is typical of Perugino, with mountains and hills in deep perspective.
Our Lady of Mercy with Saints and Angels is a tempera on wood painting by Luca Signorelli, created c. 1490, showing Our Lady of Mercy flanked by Saint Sebastian and Bernardino of Siena. It is now in the Diocesan Museum in Pienza.
The Education of Pan is a lost c.1490 tempera on canvas painting by Luca Signorelli. It was in the Kaiser-Friedrich-Museum in Berlin but was moved to the Flakturm Friedrichshain during the Second World War. There it was destroyed in a fire in May 1945 just after the end of the war.
The Arcevia Altarpiece is a 1508 oil on panel painting by Luca Signorelli, shown in the collegiate church of San Medardo in Arcevia, for which it was originally painted. It is signed below the Madonna's feet.LUCAS. SIGNORELLUS / PINGEBAT M. D. VIII
Adoration of the Magi is a painting in tempera on wood panel by Luca Signorelli (1450–1523) and his assistants, executed c. 1493–1494, and now in the Louvre in Paris. It was probably the first painting he produced in Città di Castello, and originally hung over the main altar of the monastery church of Sant'Agostino. The surface displayed within the frame is 331 cm by 245.5 cm. In late 2022 it was not on display.
Birth of John the Baptist is a c. 1485–1490 tempera on panel painting by Luca Signorelli. Originally part of the predella of an unknown altarpiece, it was acquired on the art market in 1824 by the Louvre, where it still hangs in the Salle des Sept-Mètres.
Crucifixion with St Mary Magdalene is a c. 1502–1505 tempera on canvas painting by Luca Signorelli, now in the Uffizi in Florence. It is usually held to be a late autograph work.
The Crucifixion Standard is a double-sided c.1502-1505 tempera on panel painting by Luca Signorelli, produced late in his career and now on the high altar of Sant'Antonio Abate church in Sansepolcro. The reverse shows Anthony the Great and John the Evangelist with brothers kneeling before them in hierarchical proportion, whilst the front shows the Crucifixion with Anthony, John, Mary Magdalene and the Virgin Mary.
The Dead Christ Mourned is an oil painting on canvas of c. 1604 by Annibale Carracci. It was in the Orleans Collection before arriving in Great Britain in 1798. In 1913 it was donated to the National Gallery, London, which describes it as "perhaps the most poignant image in [its] collection of the pietà – the lamentation over the dead Christ following his crucifixion – and one of the greatest expressions of grief in Baroque art".
