George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
William H. Daniels ASC was a film cinematographer who was Greta Garbo's personal lensman, serving as the cinematographer for such Garbo-starring films as Torrent (1926), The Mysterious Lady (1928), The Kiss (1929), Anna Christie, Romance, Grand Hotel (1932), Anna Karenina (1935), and Camille (1936). Early in his career he worked regularly with director Erich von Stroheim, providing cinematography for such films as The Devil's Pass Key (1920) and Greed (1924). Daniels went on to win an Academy Award for Best Cinematography for his work on The Naked City (1948).
Charles G. Rosher, A.S.C. was an English-born cinematographer who worked from the early days of silent films through the 1950s.
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Arthur Edeson, A.S.C. was an American cinematographer. Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
Robert Zigler Leonard was an American film director, actor, producer, and screenwriter.
Arthur Charles Miller, A.S.C. was an American cinematographer. He was nominated for the Oscar for Best Cinematography six times, winning three times: for How Green Was My Valley in 1941, The Song of Bernadette in 1944, and Anna and the King of Siam in 1947.
Tony Gaudio, A.S.C. was an Italian-American cinematographer and sometimes is cited as the first to have created a montage sequence for a film.
Raymond William Hatton was an American film actor who appeared in almost 500 motion pictures.
William Beatman Davidson was an American film actor. He appeared in more than 300 films between 1915 and 1947.
Philip E. Rosen was an American film director and cinematographer. He directed more than 140 films between 1915 and 1949.
Crauford Kent was an English character actor based in the United States. He has also been credited as Craufurd Kent and Crawford Kent.
Clyde De Vinna was an American film and television cinematographer and director of photography. He won the Academy Award for Best Cinematography for White Shadows in the South Seas presented by the Academy of Motion Picture Arts and Sciences in 1930 at its 2nd Academy Awards show.
Charles G. Clarke ASC was an American cinematographer who worked in Hollywood for over 40 years and was treasurer and president of the American Society of Cinematographers.
Ray June, A.S.C. was an American cinematographer during the early and classical Hollywood cinema. His best-known films are Babes in Arms and Funny Face. June attended Columbia University but did not graduate. His experience as a cameraman in the U.S. Army Signal Corps during World War I was instrumental to his success in Hollywood.
John W. Boyle, was an American cinematographer whose career spanned from the silent era through the 1950s. Over his career he would photograph more than 150 films, including features, shorts and documentaries. He would also work on several British films over the course of his career.
Arthur Martinelli was an American cinematographer whose career spanned from the silent era through the golden age of American movies. During that time he shot over 100 films. A pioneer in the industry, he was the cinematographer to film the first movie to star Ethel and John Barrymore.
Oliver T. Marsh was a prolific Hollywood cinematographer. He worked on over eighty films just for Metro-Goldwyn-Mayer alone.
L. William O'Connell was an American cinematographer who worked in Hollywood between 1918 and 1950. He frequently worked with directors Howard Hawks and William K. Howard.
