Allison Parrish

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Allison Parrish
Born
NationalityAmerican
Known forPoetry, software engineering, creative coding, game design, electronic literature
Notable workEveryword, Rewordable, Articulations

Allison Parrish is an American poet, [1] software engineer, creative coder, and game designer, notable as one of the most prominent early makers of creative, literary Twitter bots. [2] She was named "Best Maker of Poetry Bots" by The Village Voice in 2016. [3] Parrish has produced a textbook introduction to creative coding in Python, more specifically Processing.py. [4] Parrish holds a BA in Linguistics from UC Berkeley, and a Master of Professional Studies from the Interactive Telecommunications Program (ITP), NYU. She has been a Writer-in-Residence in the English Department of Fordham University, 2014–16, and an Assistant Arts Professor at the ITP since 2016. [5]

Contents

Selected works

Awards

Allison Parrish won The Maverick Award from the Electronic Literature Organization in 2024. [11] [12]

Related Research Articles

<span class="mw-page-title-main">Processing</span> Free graphics library

Processing is a free graphics library and integrated development environment (IDE) built for the electronic arts, new media art, and visual design communities with the purpose of teaching non-programmers the fundamentals of computer programming in a visual context.

Hypertext fiction is a genre of electronic literature, characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories. Its spirit can also be seen in interactive fiction.

Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.

Electronic literature or digital literature is a genre of literature where digital capabilities such as interactivity, multimodality or algorithmic text generation are used aesthetically. Works of electronic literature are usually intended to be read on digital devices, such as computers, tablets, and mobile phones. They cannot be easily printed, or cannot be printed at all, because elements crucial to the work cannot be carried over onto a printed version.

<span class="mw-page-title-main">Electronic Literature Organization</span>

The Electronic Literature Organization (ELO) is a nonprofit organization "established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature". It hosts annual conferences, awards annual prizes for works of and criticism of electronic literature, hosts online events and has published a series of collections of electronic literature.

<span class="mw-page-title-main">Joy Harjo</span> American Poet Laureate

Joy Harjo is an American poet, musician, playwright, and author. She served as the 23rd United States Poet Laureate, the first Native American to hold that honor. She was also only the second Poet Laureate Consultant in Poetry to have served three terms. Harjo is a citizen of the Muscogee Nation and belongs to Oce Vpofv. She is an important figure in the second wave of the literary Native American Renaissance of the late 20th century. She studied at the Institute of American Indian Arts, completed her undergraduate degree at University of New Mexico in 1976, and earned an MFA degree at the University of Iowa in its creative writing program.

Mez Breeze is an Australian-based artist and practitioner of net.art, working primarily with code poetry, electronic literature, mezangelle, and digital games. Born Mary-Anne Breeze, she uses a number of avatar nicknames, including Mez and Netwurker. She received degrees in both Applied Social Science [Psychology] at Charles Sturt University in Bathurst, Australia in 1991 and Creative Arts at the University of Wollongong in Australia in 2001. In 1994, Breeze received a diploma in Fine Arts at the Illawarra Institute of Technology, Arts and Media Campus in Australia. As of May 2014, Mez is the only Interactive Writer and Artist who is a non-USA citizen to have her comprehensive career archive housed at Duke University, through their David M. Rubenstein Rare Book & Manuscript Library.

Burak Arıkan is a Turkish contemporary artist. His work is based on complex networks and thereby generates data and inputs in the custom abstract machine. Arikan is the founder of Graph Commons, a platform for mapping, analyzing and publishing data-networks. Graph Commons workshop for artists, activists, critical researchers, and civil society organizations are being conducted internationally.

<span class="mw-page-title-main">Stephanie Strickland</span> American poet

Stephanie Strickland is a poet living in New York City. She has published ten volumes of print poetry and co-authored twelve digital poems. Her files and papers are being collected by the David M. Rubenstein Rare Book And Manuscript Library at Duke University.

<span class="mw-page-title-main">María Mencía</span>

María Mencía is a Spanish-born media artist and researcher working as a Senior Lecturer at Kingston University in London, United Kingdom. Her artistic work is widely recognized in the field of electronic literature, and her scholarship on digital textuality has been widely published. She holds a Ph.D. in Digital Poetics and Digital Art at the Chelsea College of Arts of the University of the Arts London and studied English Philology at the Complutense University of Madrid.

Marjorie Coverley Luesebrink was an American writer, scholar, and teacher. Writing hypermedia fiction under the pen name M.D. Coverley, she is best known for her epic hypertext novels Califia (2000) and Egypt: The Book of Going Forth by Day (2006). A pioneer born-digital writer, she is part of the first generation of electronic literature authors that arose in the 1987–1997 period. She was a founding board member and past president of the Electronic Literature Organization and the first winner of the Electronic Literature Organization Career Achievement Award, which was named in her honor. Lusebrink was professor emeritus, School of Humanities and Languages at Irvine Valley College (IVC).

<span class="mw-page-title-main">Dene Grigar</span> American digital artist and scholar

Dene (Rudyne)Grigar is a digital artist and scholar based in Vancouver, Washington. She was the president of the Electronic Literature Organization from 2013 to 2019. In 2016, Grigar received the International Digital Media and Arts Association's Lifetime Achievement Award.

John Howland Cayley is a Canadian pioneer of writing in digital media as well as a theorist of the practice, a poet, and a Professor of Literary Arts at Brown University.

David Jhave Johnston is a Canadian poet, videographer, and motion graphics artist working chiefly in digital and computational media,. and a researcher at the Center for Digital Narrative at the University of Bergen. This artist's work is often attributed, simply, to the name Jhave.

ReRites is a literary work of "Human + A.I. poetry" by David Jhave Johnston that used neural network models trained to generate poetry which the author then edited. ReRites won the Robert Coover Award for a Work of Electronic Literature in 2022.

Lexia to Perplexia is a poetic work of electronic literature published on the web by Talan Memmott in 2000. The work won the trAce/Alt-X New Media Writing Award that year.

This is a Picture of Wind is an electronic literature project created by UK-based artist, writer, performer, and researcher J.R. Carpenter. This is a multimodal project, consisting of a web app, a zine, and a print poetry collection. The project, written in the form of HTML5, CSS, PHP and JavaScript, is a collection of short-written poems that explores the innovative use of multimedia elements and the intersection between literature and technology. J.R. Carpenter first published this work on her digital platform in 2018 with a print book published in 2020. The work has since gained recognition in the field of electronic literature.

@NYT_first_said is a bot account on Twitter and Mastodon that tracks every time The New York Times, an American newspaper, uses a word it has not previously published. It was inspired by a previous Twitter bot by Allison Parrish that also tweeted single English words at a time. @NYT_first_said scans hourly for new words published by the Times, operating on a modified version of NewsDiffs. Its more popular posts tend to be current events-related or slang, and many new posts come from the Times' Food and Style sections. Commentators on @NYT_first_said contended that it reflected the effect the Times and the English language as a whole have on each other.

<span class="mw-page-title-main">Caitlin Fisher</span> Canadian media artist, poet, writer, and professor

Caitlin Fisher is a Canadian media artist, poet, writer, futurist and Professor of Cinema and Media Arts at York University in Toronto where she also directs the Immersive Storytelling Lab and the Augmented Reality Lab. Fisher is also a Co-founder of York’s Future Cinema Lab, former Fulbright and Canada Research Chair and an international award-winning digital storyteller. Creator of some of the world’s first AR poetry and long-from VR narratives. Pioneer of research-creation who defended Canada's first born-digital dissertation. Member of the early AR artist collective Manifest AR. Fisher is also known for the 2001 hypermedia novel These Waves of Girls, and for her work creating content and software for augmented reality. "Her work is poetic and exploratory, currently combining the development of authoring software with evocative literary constructs."

References

  1. Temkin, Daniel (May 31, 2020). "The Hacker Aesthetic of Minimalist Code". Hyperallergic . Archived from the original on September 27, 2020. Retrieved August 27, 2020.
  2. Fernandez, Mariana (October 12, 2017). "What it Means to Be an 'Experimental Computer Poet'". Vice . Archived from the original on October 12, 2019. Retrieved September 19, 2019.
  3. Chiel, Ethan (2016). "Best Maker of Poetry Bots: Allison Parrish". Village Voice. Archived from the original on May 3, 2017. Retrieved September 19, 2019.
  4. Parrish, Allison (2016). Make: getting started with Processing.py. San Francisco: Maker Media. ISBN   978-1457186837.
  5. "Allison Parrish: Assistant Professor". NYU/TISCH. Archived from the original on September 22, 2019. Retrieved September 22, 2019.
  6. 1 2 3 "Digging and Sinking and Drifting: Allison Parrish's Machine Poetics - Journal #117". www.e-flux.com. Retrieved July 6, 2024.
  7. "Music 256A Reading Response 9". ccrma.stanford.edu. Retrieved July 6, 2024.
  8. "Interview with Allison Parrish". esoteric.codes. April 17, 2018. Retrieved July 6, 2024.
  9. D'Anastasio, Cecilia (2017). "Five family-friendly board games that aren't monopoly". Kotaku. Archived from the original on August 14, 2020. Retrieved September 19, 2019.
  10. "Lucy Family Institute Fireside Chat Series, Data Poetics: Allison Parrish". Lucy Family Institute for Data and Society . November 11, 2022. Archived from the original on February 2, 2023. Retrieved May 11, 2023.
  11. Marino, Mark (July 22, 2024). "Announcing the 2024 ELO Awards – Electronic Literature Organization" . Retrieved August 15, 2024.
  12. "ELO Annual Awards – Electronic Literature Organization" . Retrieved August 15, 2024.