Allison Parrish

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Allison Parrish
Born
NationalityAmerican
Known forPoetry, software engineering, creative coding, game design, electronic literature
Notable workEveryword, Rewordable, Articulations

Allison Parrish is an American poet, [1] software engineer, creative coder, and game designer, notable as one of the most prominent early makers of creative, literary Twitter bots. [2] She was named "Best Maker of Poetry Bots" by The Village Voice in 2016. [3] Parrish has produced a textbook introduction to creative coding in Python, more specifically Processing.py. [4] Parrish holds a BA in Linguistics from UC Berkeley, and a Master of Professional Studies from the Interactive Telecommunications Program (ITP), NYU. She has been a Writer-in-Residence in the English Department of Fordham University, 2014–16, and an Assistant Arts Professor at the ITP since 2016. [5]

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Selected works

Related Research Articles

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Anthony Etherin is a British experimental formal poet and publisher for the imprint Penteract Press. He is known for his use of strict, often combinatorial, literary restrictions, most notably palindromes, anagrams, and aelindromes, a restriction of his own invention. He also composes constraint-based music, and hosts The Penteract Podcast.

ReRites is a literary work of "Human + A.I. poetry" by David Jhave Johnston that used neural network models trained to generate poetry which the author then edited. ReRites won the Robert Coover Award for a Work of Electronic Literature in 2022.

@NYT_first_said is a bot account on Twitter and Mastodon that tracks every time The New York Times, an American newspaper, uses a word it has not previously published. It was inspired by a previous Twitter bot by Allison Parrish that also tweeted single English words at a time. @NYT_first_said scans hourly for new words published by the Times, operating on a modified version of NewsDiffs. Its more popular posts tend to be current events-related or slang, and many new posts come from the Times' Food and Style sections. Commentators on @NYT_first_said contended that it reflected the effect the Times and the English language as a whole have on each other.

References

  1. Temkin, Daniel (May 31, 2020). "The Hacker Aesthetic of Minimalist Code". Hyperallergic . Archived from the original on September 27, 2020. Retrieved August 27, 2020.
  2. Fernandez, Mariana (October 12, 2017). "What it Means to Be an 'Experimental Computer Poet'". Vice . Archived from the original on October 12, 2019. Retrieved September 19, 2019.
  3. Chiel, Ethan (2016). "Best Maker of Poetry Bots: Allison Parrish". Village Voice. Archived from the original on May 3, 2017. Retrieved September 19, 2019.
  4. Parrish, Allison (2016). Make: getting started with Processing.py. San Francisco: Maker Media. ISBN   978-1457186837.
  5. "Allison Parrish: Assistant Professor". NYU/TISCH. Archived from the original on September 22, 2019. Retrieved September 22, 2019.
  6. 1 2 3 "Digging and Sinking and Drifting: Allison Parrish's Machine Poetics - Journal #117". www.e-flux.com. Retrieved July 6, 2024.
  7. "Music 256A Reading Response 9". ccrma.stanford.edu. Retrieved July 6, 2024.
  8. "Interview with Allison Parrish". esoteric.codes. April 17, 2018. Retrieved July 6, 2024.
  9. D'Anastasio, Cecilia (2017). "Five family-friendly board games that aren't monopoly". Kotaku. Archived from the original on August 14, 2020. Retrieved September 19, 2019.
  10. "Lucy Family Institute Fireside Chat Series, Data Poetics: Allison Parrish". Lucy Family Institute for Data and Society . November 11, 2022. Archived from the original on February 2, 2023. Retrieved May 11, 2023.