Carlos Alberto GarcíaMoreno, better known by his stage name Charly García, is an Argentine singer-songwriter, multi-instrumentalist, composer and record producer, considered one of the most important and avant-garde figures of Argentine and Latin American music. Named "the father of rock nacional", García is widely acclaimed for his recording work, both in his multiple groups and as a soloist, for the complexity of his music compositions, covering genres like folk rock, progressive rock, symphonic rock, jazz, new wave, pop rock, funk rock, and synth-pop. His lyrics are known for being transgressive and critical towards modern Argentine society, especially during the era of the military dictatorship, and for his rebellious and extravagant personality, which has drawn significant media attention over the years.
Luis Alberto Spinetta, nicknamed "El Flaco", was an Argentine singer, guitarist, composer, writer and poet. One of the most influential rock musicians of Argentina, he is widely regarded as one of the founders of Argentine rock, which is considered as the first incarnation of Spanish-language rock. Born in Buenos Aires in the residential neighbourhood of Belgrano, he was the founder of iconic rock bands including Almendra, Pescado Rabioso, Invisible, Spinetta Jade, and Spinetta y Los Socios del Desierto. In Argentina January 23rd is celebrated as "Día Nacional del Músico" in honor of Spinetta's birth.
Argentine rock is rock music composed or performed by Argentine bands or artists mostly in Spanish.
Patricio Rey y sus Redonditos de Ricota, also known simply as Patricio Rey, Los Redondos or Los Redonditos de Ricota, was a rock band formed in La Plata, Argentina. The group was active from the mid 70s up to the early 2000s. They are known for shaping Argentine rock and their enormous fan base.
Rodolfo Páez, popularly known as Fito Páez, is an Argentine popular rock and roll musician and filmmaker.
Attaque 77, sometimes stylized as A77aque, is an Argentine punk rock group. The band was formed in 1987 as a group of friends who got together to play their favorite songs, most of them by The Ramones, their favorite band and the one that influenced them the most. They started writing songs in the same punk rock style, with lyrics with proletarian content, and wore denim jackets, which became one of their hallmarks in their beginnings. Currently, only three members continue performing and recording.
Nada Personal is the second album recorded by Argentine rock band Soda Stereo, released in 1985. It was recorded at Estudios Moebio in Buenos Aires, Argentina and remastered in 2007 at Sterling Sound Studios in New York.
La Renga is an Argentine hard rock band, formed in 1988.
Oscar Moro was an Argentine rock drummer.
Manal was an Argentine rock group. Together with Almendra and Los Gatos, they are considered founders of Argentine rock. The band members were Claudio Gabis on guitar, Javier Martínez on drums and vocals, and Alejandro Medina on bass and vocals. Martínez was the band's lead vocalist and leading songwriter.
Estadio Obras Sanitarias is an indoor arena that is located in Buenos Aires, Argentina. The arena, home venue of club Obras Sanitarias, is mainly used to host basketball games and concerts. It has a capacity of 3,100 people for basketball games, and 4,700 people for concerts.
José Alberto Iglesias, better known as Tango or its diminutive Tanguito or Ramses VII, was an Argentine rock singer-songwriter. Born into a working-class family from western Greater Buenos Aires, he began his career in the early 1960s as the lead singer of the nueva ola group Los Dukes, which recorded two singles released on label Music Hall. In the mid-to-late 1960s, he became a leading figure in the countercultural underground of Buenos Aires, a scene that gave birth to Argentine rock, the earliest incarnation of Spanish-language rock. Tanguito is celebrated for co-writing Los Gatos' hit "La balsa", that catapulted the burgeoning rock nacional into massive popularity in the summer of 1967–68. This success led to a contract with RCA Victor which soon ended after the little impact of the 1968 single "El hombre restante". Tanguito later worked for Mandioca, Argentine rock's first independent record label founded by producers Jorge Álvarez and Pedro Pujó in 1968.
Juan Carlos Baglietto is an Argentine musician, singer and composer. He is one of the iconic figures of the musical movement called Trova Rosarina, a famous generation of singers and composers based in the city of Rosario, who came to prominence during the 80's, and were famous for their groundbreaking work in pop music, with a sound rooted in rock, tango and "folklore argentino".
Artaud is the third and final studio album credited to Argentine rock band Pescado Rabioso, released in October 1973 on Talent-Microfón. It is essentially the second solo album by singer-songwriter Luis Alberto Spinetta, who used the group's name despite their disbandment earlier that year.
"Crimen" is a song written and recorded by Argentine rock musician Gustavo Cerati. It is one of the most popular songs from his solo career and it's recognized as one of his signature songs. It was released as the twelfth track of the album Ahí vamos, in 2006. The song won the Latin Grammy in 2007 and the MTV Awards in 2006 for Best Rock Song among other awards.
Almendra is the self-titled debut studio album by Argentine rock band Almendra which was released in 1969 on Vik, a subsidiary of RCA Victor. To distinguish it from the band's next release, Almendra II, it is also known as Almendra I. The album represented the first full-length musical endeavour of nineteen-year-old Luis Alberto Spinetta, having formed the band in the mid 1960s along with Emilio del Guercio, Edelmiro Molinari and Rodolfo García. The famous artwork, showing a crying man with a toy arrow stuck on his head, was designed by Spinetta to embody the different lyrical themes of the album.
"La balsa" is the debut single by the Argentine band Los Gatos, released on July 3, 1967 on Vik, a subsidiary of RCA Victor. Formed in 1967 after the disbandment of Los Gatos Salvajes, Los Gatos were the house band of the bar La Cueva, which became a popular meeting place for rock enthusiasts and the birthplace of Argentine rock—known locally as rock nacional. During the mid-to-late 1960s, Buenos Aires was experiencing a cultural blossoming characterized by innovations in modern art, literature and cinema, largely driven by a burgeoning youth subculture that adhered to the countercultural phenomenon of the decade. The underground had its center in La Cueva, Plaza Francia and the Torcuato di Tella Institute, and identified with British Invasion music. "La balsa" was written by Litto Nebbia—lead vocalist of the band—and Tanguito on May 2, 1967, in the men's toilet of La Perla de Once, another bar frequented by the group. At the time, Argentina was under a military dictatorship led by Juan Carlos Onganía, which regularly imprisoned and persecuted these young bohemians.
Manal is the first album of Argentine blues rock band of the same name, released by Mandioca in 1970.
Pescado 2, also known as Pescado Rabioso 2, is the second studio album by Argentine rock band Pescado Rabioso, released in 1973 on Talent-Microfón. It was recorded between November 1972 and February 1973 at Estudios Phonalex in Buenos Aires, shortly before the group's disbandment. Pescado 2 was released as a double album, consisting of two LP records titled Pescado and 2 (dos); and was intended to be listened as a whole, hence the tracks being listed from one to eighteenth. The first edition included a booklet with lyrics, photographs and drawings by Spinetta and his brother Gustavo.
Bárbara y Dick aka Barbara & Dick were a male and female vocal duo who had a number of hits in Argentina during the 1960s and 1970s.
