The Big Gundown is an album by American composer and saxophonist/multi-instrumentalist John Zorn. It comprises radically reworked covers of tracks by the Italian film composer Ennio Morricone.
Byrd in Flight is an album by American trumpeter Donald Byrd recorded in 1960 and released on the Blue Note label as BLP 4048 and BST 84048 featuring Byrd with Jackie McLean or Hank Mobley, Duke Pearson, Doug Watkins or Reggie Workman and Lex Humphries.
Filmworks XVII: Notes on Marie Menken/Ray Bandar: A Life with Skulls features scores by John Zorn for two documentary films. The album was released on Zorn's own label, Tzadik Records, in 2006 and contains music that Zorn wrote and recorded for, Notes on Marie Menken (2006), directed by Martina Kudláček and a percussion score for Ray Bandar: A Life with Skulls directed by Beth Cataldo.
The Dreamers is an album by John Zorn released in 2008 featuring performances by a band which would later become known as The Dreamers. It is viewed as continuation of the Music Romance tradition expressed on his 2001 album The Gift.
Azazel: Book of Angels Volume 2 is an album by the Masada String Trio performing compositions from John Zorn's second Masada book, "The Book of Angels".
Moloch: Book of Angels Volume 6 is an album by Uri Caine performing compositions from John Zorn's second Masada book, "The Book of Angels".
Rubberband is a Miles Davis album, recorded in 1985 and released on Rhino Records and Warner Records on September 6, 2019. The album has received mixed to positive reviews.
Horace-Scope is an album by jazz pianist Horace Silver released on the Blue Note label in 1960 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks.
The Afro-Eurasian Eclipse is a studio album by American pianist, composer and bandleader Duke Ellington recorded in 1971 and released on the Fantasy label in 1975.
Dance to the Duke! is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953. The album has not been released on CD but the tracks have appeared on The Complete Capitol Recordings of Duke Ellington released by Mosaic Records in 1995.
The Jaywalker is a studio album by American pianist, composer and bandleader Duke Ellington featuring tracks recorded in 1966 and 1967 and released on the Storyville label in 2004.
Here Comes Louis Smith is the debut album by American trumpeter Louis Smith recorded in 1958 and released on the Blue Note label. Originally recorded for the Transition label, the company went out of business shortly afterwards and before the recording could be released. The album masters were acquired by Blue Note's Alfred Lion.
Smooth as the Wind is an album by American trumpeter Blue Mitchell with strings and brass recorded in late 1960 and early 1961 and released on the Riverside label.
The Bosses is a 1973 album by American blues shouter "Big Joe" Turner accompanied by a small group led by Count Basie, recorded in 1973 and released on the Pablo label.
Steal Away is an album by pianist Hank Jones and bassist Charlie Haden that was recorded in 1995 and released on the Verve label. Jones and Haden followed Steal Away with a second album of spirituals, Come Sunday, recorded in 2010 and released in 2012.
Much in Common is an album by bassist Ray Brown and vibraphonist Milt Jackson recorded in 1964 and released on the Verve label.
Born Free is an album by vibraphonist Milt Jackson recorded in 1966 and released on the Limelight label.
California 37 is the sixth studio album from California rock band Train. The album was released on April 13, 2012 through Columbia Records. It is the last Train album to feature drummer Scott Underwood before his departure in 2014 and the last recorded as a three-piece. It was preceded by the lead single "Drive By" on January 10, 2012.
Stitt in Orbit is an album by saxophonist Sonny Stitt recorded in 1960 and 1962 and originally released on the Roost label.
The Matadors Meet the Bull is an album by saxophonist Sonny Stitt recorded in 1965 and released on the Roulette label. The album was Stitt's first for the label; he had recorded many albums for Roost which Roulette had taken over.
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