Alonzo Davis | |
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| Born | February 2, 1942 [1] |
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| Website | alonzodavis |
Alonzo Davis is an African-American artist and academic known for co-founding the Brockman Gallery in Los Angeles with his brother Dale Brockman Davis. In reaction to a perceived lack of coverage of black art, Davis became an advocate for black art and artists. His best-known work is the Eye on '84 mural he painted to commemorate the 1984 Summer Olympics.
Davis grew up near Tuskegee University where his father was a professor of psychology. [3] Davis's family moved from Tuskegee, Alabama to Los Angeles, California in 1955 where he was exposed to Asian art. Davis became a practitioner of Zen meditation although he did not convert to Buddhism. [4] Davis, then an art student at Pepperdine, disagreed with the overwhelmingly white focus of his coursework and sought to understand the black art scene in America. He and his brother Dale, also an artist, traveled across the country to meet other black artists including the "Spiral Group" in Harlem led by Romare Bearden and Hale Woodruff. [3]
The Davis brothers got the idea for opening the Brockman Gallery during the drive back to Southern California from the 1966 Meredith March in Jackson, Mississippi. [5] They opened the Brockman Gallery in 1967 on Degnan Avenue in Leimert Park. [6] [7] The name "Brockman" refers to Alonzo and Dale's maternal grandmother's maiden name. [8] Brockman Gallery has featured the works of Romare Bearden, John Biggers, Elizabeth Catlett, Dan Concholar, Melvin Edwards, [9] David Hammons, John Outterbridge, and Charles White. [10] In 1973 the brothers also founded a non-profit organization called Brockman Productions to support art in the African-American community. [3]
Alonzo taught at Crenshaw High School until 1970 when he left to teach at series of schools including Manual Arts High School, Mount Saint Antonio College, Pasadena City College, and UCLA. Davis participated in Ruth G. Waddy's "Art West Associated" movement to agitate for the inclusion of black art in the mainstream museums of Los Angeles. [11] In 1976 Davis started working at Brockman Gallery full-time. [5] [12]
From 1991 to 1992, Davis taught at the San Antonio Art Institute. He then served as dean of the Memphis College of Art from 1993 to 2002. [3]
Davis, an alum of the Virginia Center for the Creative Arts, [13] has a fellowship offered there in his name for writers, composers, and artists of African or Latino ethnicity. [2]
Davis painted a mural, Eye on '84, one of the ten murals commissioned under Los Angeles' 1984 Olympic Murals project. Davis's mural was located on the southbound I-110 at the Third Street on-ramp across from Judy Baca's Hitting the Wall. His mural, acrylic on concrete, depicted a series of internationally recognizable symbols including the Olympic Rings. [3] [14] The mural suffered weathering and was considered unrecoverable. [15] [16] [17] The mural was painted over in 2001 by CalTrans. [18]
Davis moved to Sacramento in 1987 and to a residency in Hawaii in 1988. [3]
alonzo dAVIS artist.
Charles Henry Alston was an American painter, sculptor, illustrator, muralist and teacher who lived and worked in the New York City neighborhood of Harlem. Alston was active in the Harlem Renaissance; Alston was the first African-American supervisor for the Works Progress Administration's Federal Art Project. Alston designed and painted murals at the Harlem Hospital and the Golden State Mutual Life Insurance Building. In 1990, Alston's bust of Martin Luther King Jr. became the first image of an African American displayed at the White House.
Romare Bearden was an American artist, author, and songwriter. He worked with many types of media including cartoons, oils, and collages. Born in Charlotte, North Carolina, Bearden grew up in New York City and Pittsburgh, Pennsylvania, and graduated from New York University in 1935.
Hale Aspacio Woodruff was an American artist known for his murals, paintings, and prints.
Charles Wilbert White, Jr. was an American artist known for his chronicling of African American related subjects in paintings, drawings, lithographs, and murals. White's lifelong commitment to chronicling the triumphs and struggles of his community in representational from, cemented him as one of the most well-known artists in African American art history. Following his death in 1979, White's work has been included in the permanent collections of the Art Institute of Chicago, Los Angeles County Museum of Art, The Metropolitan Museum of Art, the Whitney Museum of American Art, the National Gallery of Art, The Newark Museum, and the Santa Barbara Museum of Art. White's best known work is The Contribution of the Negro to American Democracy, a mural at Hampton University. In 2018, the centenary year of his birth, the first major retrospective exhibition of his work was organized by the Art Institute of Chicago and the Museum of Modern Art.
Norman Wilfred Lewis was an American painter, scholar, and teacher. Lewis, who was African-American and of Bermudian descent, was associated with abstract expressionism, and used representational strategies to focus on black urban life and his community's struggles.
Thelma Beatrice Johnson Streat (1912–1959) was an African-American artist, dancer, and educator. She gained prominence in the 1940s for her art, performance and work to foster intercultural understanding and appreciation.
Golden State Mutual Life Insurance Company, was once the largest black-owned insurance company in the western United States, founded by William Nickerson Jr. with the assistance of Norman Oliver Houston and George Allen Beavers Jr.
Gale Fulton Ross is an African-American visual artist who lives in Sarasota, Florida. Primarily a painter, she also practices portraiture, printmaking, and sculpture.
Spiral was a collective of African-American artists initially formed by Romare Bearden, Charles Alston, Norman Lewis, and Hale Woodruff on July 5, 1963. It has since become the name of an exhibition, Spiral: Perspectives on an African-American Art Collective.
Michael Cummings is an American artist and quilter who lives in Harlem, New York.
Senga Nengudi is an African-American visual artist and curator. She is best known for her abstract sculptures that combine found objects and choreographed performance. She is part of a group of African-American avant-garde artists working in New York City and Los Angeles, from the 1960s and onward.
Dale Brockman Davis is a Los Angeles–based African-American artist, gallerist and educator best known for his assemblage sculpture and ceramic work that addresses themes of African American history and music, especially jazz. Along with his brother, artist Alonzo Davis, he co-founded Brockman Gallery in Leimert Park. Through the gallery and his broader community work, Davis became an important promoter of African-American artists in Los Angeles.
William Etienne "Bill" Pajaud was an African-American artist, primarily working in watercolor, known for his paintings exploring themes of jazz. He was born in New Orleans, Louisiana, and died in Los Angeles, California, on June 16, 2015, at the age of 89. He was the curator of the Golden State Mutual Life Insurance Fine Art Collection.
Eileen Abdulrashid is an American artist and craftsperson who is known for her work in enamel on copper.
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Allen Dester Carter, known as 'Big Al' Carter, was an Alexandria, Virginia artist and public school art teacher in Washington, D.C.
Gloria Racine Bohanon was an American visual artist and educator based in Los Angeles, California. She was born in Atlanta, Georgia. She received a BA in Art Education and an MA in Art Education from Wayne State. She also studied at Otis College of Art and Design in 1973. She was an active member of the Los Angeles contemporary art scene in the 1970s. As a professor at Los Angeles Community College, she organized "Black Culture Week" in 1974. She taught design, painting, printmaking, and served as chair of the Arts Department while there. She was the director of ADAPT, an organization for disabled students while at LACC.
Frank Stewart is an African-American photographer based in New York. He is best known for photographing prominent Jazz musicians.
Dan Concholar was an American painter and arts organizer. Educated under Charles White at the Otis Art Institute, he was active in the Los Angeles scene in the 1970s and in New York City in the 1980s. His work was included in the "Dig This!: Art and Black Los Angeles 1960–1980" at the Hammer Museum in Los Angeles which travelled to MoMA P.S.1 in New York City in 2012.
Joe Ray is an American artist based in Los Angeles. His work has moved between abstraction and representation and mediums including painting, sculpture, performance art and photography. He began his career in the early 1960s and belonged to several notable art communities in Los Angeles, including the Light and Space movement; early cast-resin sculptors, including Larry Bell; and the influential 1970s African-American collective, Studio Z, of which he was a founding member with artists such as David Hammons, Senga Nengudi and Houston Conwill. Critic Catherine Wagley described Ray as "an artist far more committed to understanding all kinds of light and space than to any specific material or strategy"—a tendency that she and others have suggested led to his being under-recognized.
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