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This is a prospect of Insubric language orthographies others than the classical Milanese one.
Alternative orthography of the city of Como and suburbs, used by the academy Famiglia Comasca.
Overriding differences in pronunciation and grammar, the orthography differences with the classical Milanese orthography are:
The most used alternative orthography in Lecco and suburbs is:
(overriding differences in pronunciation and grammar)
A diacritic is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek διακριτικός, from διακρίνω. The word diacritic is a noun, though it is sometimes used in an attributive sense, whereas diacritical is only an adjective. Some diacritics, such as the acute ( ◌́ ) and grave ( ◌̀ ), are often called accents. Diacritics may appear above or below a letter or in some other position such as within the letter or between two letters.
Latin phonology continually evolved over the centuries, making it difficult for speakers in one era to know how Latin was spoken before then. A given phoneme may be represented by different letters in different periods. This article deals primarily with modern scholarship's best reconstruction of Classical Latin's phonemes (phonology) and the pronunciation and spelling used by educated people in the late Roman Republic. This article then touches upon later changes and other variants. Knowledge of how Latin was pronounced comes from Roman grammar books, common misspellings by Romans, transcriptions into other ancient languages, and from how pronunciation has evolved in derived Romance languages.
The acute accent, ◌́, is a diacritic used in many modern written languages with alphabets based on the Latin, Cyrillic, and Greek scripts. For the most commonly encountered uses of the accent in the Latin and Greek alphabets, precomposed characters are available.
The circumflex is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from Latin: circumflexus "bent around"—a translation of the Greek: περισπωμένη.
Œ is a Latin alphabet grapheme, a ligature of o and e. In medieval and early modern Latin, it was used to represent the Greek diphthong οι and in a few non-Greek words, usages that continue in English and French. In French, it is also used in some non-learned words, representing then mid-front rounded vowel-sounds, rather than sounding the same as é or è, those being its traditional French values in the words borrowed from or via Latin.
Welsh orthography uses 29 letters of the Latin script to write native Welsh words as well as established loanwords.
Italian orthography uses 21 letters of the 26-letter Latin alphabet to write the Italian language. This article focuses on the writing of Standard Italian, based historically on the Florentine dialect, and not the other Italian dialects.
Historically Nahuatl has been written with greatly differing orthographies because no institution has governed its spelling. This is still true for the Classical Nahuatl dialect which is a dead language documented in many historical sources and literature, but spelling of the modern dialects of Nahuatl is governed by the Mexican Secretaría de Educación Publica, although they do have some difficulties in implementing their orthographic standards in the Nahuatl communities.
The Royal Thai General System of Transcription (RTGS) is the official system for rendering Thai words in the Latin alphabet. It was published by the Royal Institute of Thailand.
In linguistics, vowel length is the perceived length of a vowel sound: the corresponding physical measurement is duration. In some languages vowel length is an important phonemic factor, meaning vowel length can change the meaning of the word, for example in: Arabic, Estonian, Finnish, Fijian, Japanese, Kannada, Kyrgyz, Latin, Malayalam, Old English, Scottish Gaelic, and Vietnamese. While vowel length alone does not change word meaning in most dialects of English, it is said to do so in a few dialects, such as Australian English, Lunenburg English, New Zealand English, and South African English. It also plays a lesser phonetic role in Cantonese, unlike in other varieties of Chinese.
French orthography encompasses the spelling and punctuation of the French language. It is based on a combination of phonemic and historical principles. The spelling of words is largely based on the pronunciation of Old French c. 1100–1200 AD, and has stayed more or less the same since then, despite enormous changes to the pronunciation of the language in the intervening years. Even in the late 17th century, with the publication of the first French dictionary by the Académie française, there were attempts to reform French orthography.
Ancient Greek phonology is the reconstructed phonology or pronunciation of Ancient Greek. This article mostly deals with the pronunciation of the standard Attic dialect of the fifth century BC, used by Plato and other Classical Greek writers, and touches on other dialects spoken at the same time or earlier. The pronunciation of Ancient Greek is not known from direct observation, but determined from other types of evidence. Some details regarding the pronunciation of Attic Greek and other Ancient Greek dialects are unknown, but it is generally agreed that Attic Greek had certain features not present in English or Modern Greek, such as a three-way distinction between voiced, voiceless, and aspirated stops ; a distinction between single and double consonants and short and long vowels in most positions in a word; and a word accent that involved pitch.
Ancient Greek has been pronounced in various ways by those studying Ancient Greek literature in various times and places. This article covers those pronunciations; the modern scholarly reconstruction of its ancient pronunciation is covered in Ancient Greek phonology.
The circumflex (ˆ) is one of the five diacritics used in French orthography. It may appear on the vowels a, e, i, o, and u, for example â in pâté.
The grave accent is a diacritical mark used to varying degrees in French, Dutch, Portuguese, Italian and many other western European languages, as well as for a few unusual uses in English. It is also used in other languages using the Latin alphabet, such as Mohawk and Yoruba, and with non-Latin writing systems such as the Greek and Cyrillic alphabets and the Bopomofo or Zhuyin Fuhao semi-syllabary. It has no single meaning, but can indicate pitch, stress, or other features.
Portuguese orthography is based on the Latin alphabet and makes use of the acute accent, the circumflex accent, the grave accent, the tilde, and the cedilla to denote stress, vowel height, nasalization, and other sound changes. The diaeresis was abolished by the last Orthography Agreement. Accented letters and digraphs are not counted as separate characters for collation purposes.
Canzés is a variety of Brianzöö spoken in the commune of Canzo, Italy.
The classical Milanese orthography is the orthography used for the Western Lombard language, in particular for the Milanese dialect, by the major poets and writers of this literature, such as Carlo Porta, Carlo Maria Maggi, Delio Tessa, etc. It was first used in the sixteenth century by Carlo Maria Maggi; Maggi first introduced the trigram oeu, while previous authors, like Bonvesin de la Riva, used Latinizing orthographies. In 1606 G. A. Biffi with his Prissian de Milan de la parnonzia milanesa began the first codification, incorporating vowel length and the use of ou to represent the sound. The classical orthography came as a compromise between the old Tuscan system and the French one; the characteristic that considerably differentiates this orthography from the effective pronunciation is the method for the distinction of long and short vowels. As of today, because it has become more archaic, it is often replaced by simpler methods that use signs ö, ü for front rounded vowels and the redoubling of vowels for long vowels. The classical orthography was regularized in the 1990s by the Circolo Filologico Milanese for modern use.
Greek orthography has used a variety of diacritics starting in the Hellenistic period. The more complex polytonic orthography, which includes five diacritics, notates Ancient Greek phonology. The simpler monotonic orthography, introduced in 1982, corresponds to Modern Greek phonology, and requires only two diacritics.