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The English mezzo-soprano Carolyn Watkinson is a well-known singer of baroque music. Her voice is alternately characterized as mezzo-soprano and contralto.
Dame Janet Abbott Baker is an English mezzo-soprano best known as an opera, concert, and lieder singer.
Sea Pictures, Op. 37 is a song cycle by Sir Edward Elgar consisting of five songs written by various poets. It was set for contralto and orchestra, though a distinct version for piano was often performed by Elgar. Many mezzo-sopranos have sung the piece.
Lorraine Hunt Lieberson was an American mezzo-soprano. She was noted for her performances of both Baroque era and contemporary works. Her career path to becoming a singer was unconventional – formerly a professional violist, Lieberson did not shift her full-time focus to singing until she was in her thirties.
Yvonne Fay Minton CBE is an Australian-born but mostly British-resident opera singer. She is variously billed as a soprano, mezzo-soprano or contralto.
Bernard Rands is a British-American contemporary classical music composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus. For his notable students, See: List of music students by teacher: R to S#Bernard Rands.
El amor brujo is a ballet composed in 1914–15 by Manuel de Falla to a libretto by Gregorio Martínez Sierra. In 1916, Falla arranged a rendition of the work for sextet and small orchestra and the following year he made a concert version, also for small orchestra. Later, he fashioned a piano suite from it and finally, a second ballet version (1925) that features expanded orchestration, elimination of the narration, small cuts and plot changes, and a different order to the numbers.
Kerstin Margareta Meyer, CBE was a Swedish mezzo-soprano who enjoyed an international career in opera and concert. A long-time member of the Royal Swedish Opera and Hamburg State Opera, she appeared regularly at the Royal Opera House in London and international opera houses and festivals, including in world premieres such as Alexander Goehr's Arden Must Die and György Ligeti's Le Grand Macabre.
Bernadette Greevy was an Irish mezzo-soprano. She was founder and artistic director of the Anna Livia Dublin International Opera Festival. She was the first artist-in-residence at the Dublin Institute of Technology's Faculty of Applied Arts.
Karina Gauvin is a Canadian soprano who has made several recordings and is especially recognised for her interpretation of Baroque music. Opera News stated that, "Gauvin knows how to rivet an audience in opera and concert. She has been a queen of Baroque opera for years. Her personality is big enough to dominate her elaborate wigs and costumes, and her soprano voice is like a clear, refreshing and inexhaustible spring that darts and sparkles around any ornamental obstacle in its way."
Mary Jarred was an English opera singer of the mid-twentieth century. She is sometimes classed as a mezzo-soprano and sometimes as a contralto.
Florence Quivar is an American operatic mezzo-soprano who is considered to be "one of the most prominent singers of her generation." She has variously been described as having a "rich, earthy sound and communicative presence" as "always reliable" and as "a distinguished singer, with a warm, rich voice and a dignified performing presence." From 1977-1997 she was a regular performer at the Metropolitan Opera where she gave more than 100 performances.
Nancy Maultsby is an American operatic mezzo-soprano.
Milagro Vargas is an American mezzo-soprano known for her distinctive voice and stage presence. She has appeared as an international soloist in operatic, orchestral, chamber music and recital settings.
Lauris Margaret Elms is an Australian contralto, renowned in opera and lieder.
Karin Branzell was a Swedish operatic contralto, who had a prominent career at the Metropolitan Opera, New York, and in Europe. Her very wide range enabled her to sing both contralto roles and the occasional soprano role. She was particularly noted for her singing of the music of Richard Wagner, in roles such as Ortrud (Lohengrin), Venus (Tannhäuser), Erda, Brangäne, and Brunnhilde. She was considered on a par with Margarete Klose and Kerstin Thorborg as a Wagnerian contralto. Amneris (Aida), Dalila, Herodias (Salome), and Clytemnestra (Elektra) were among her other renowned roles.
Michelle DeYoung is an American classical vocalist who has an active international career performing in operas and concerts.
Anna Reynolds was an English classical mezzo-soprano and contralto singer in opera and concert.
Delores Ziegler is an American mezzo-soprano who has had an active international performance career since the late 1970s. A former resident artist at the Cologne Opera, she has performed leading roles with many of the world's best opera houses, including La Scala, the Lyric Opera of Chicago, the Metropolitan Opera, the San Francisco Opera, and the Vienna State Opera. She is currently a professor of voice at the University of Maryland. While she has performed a broad repertoire, she is widely admired for her performances in operas by Wolfgang Amadeus Mozart and Richard Strauss; particularly Cherubino in The Marriage of Figaro, Dorabella in Così fan tutte, Idamante in Idomeneo, and Octavian in Der Rosenkavalier.
Jennifer Hines is a professional mezzo-soprano opera singer. She has a Bachelor of Music and Master of Music degree from the Juilliard School. She was a member of the Seattle Opera’s young Artist Program and a Tanglewood Music Center participant. She has sung with the Palm Beach Opera, the Philadelphia Orchestra and the Sarasota Orchestra, among others. She has performed with the New York City Opera in such roles as Princess Nicolette in “The Love for Three Oranges” and Mercedes in “Carmen.” She is the daughter of Helene Hines a well-known handcyclist.
References
- 1 2 Mezzo-contralto (opera). Oxford Music Online. Oxford University Press. 2002. doi:10.1093/gmo/9781561592630.article.o008941.
- 1 2 "Artistic Board – Russian Chamber Music Foundation of Seattle" . Retrieved 2019-10-29.
- ↑ "Alyce Rogers". bach-cantatas. Retrieved 9 June 2013.
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