Amanda McDonald Crowley | |
---|---|
Born | |
Nationality | Australian |
Education | Australian National University; Sydney University; College of Fine Art, University of New South Wales |
Known for | Curator and arts administrator |
Amanda McDonald Crowley is a New York-based Australian curator and arts administrator who has created exhibitions and events focused on new media art, contemporary art, and transdisciplinary work. She has served as the executive director of Eyebeam Art + Technology Center in New York City and as the artistic director at the Bemis Center for Contemporary Arts in Omaha, Nebraska.
Crowley has a B.A. from Australian National University, where she did a double major in Fine Arts and German.
Crowley began her career working with a range of arts organizations in Australia including the Australia Council for the Arts, Arts Training Australia, and Electronic Media Arts Australia, which incorporates the Australian Video Festival. [1] [2] From 1995 to 2000 she was director of the Australian Network for Art and Technology (ANAT), where she developed residencies for artists in settings ranging from contemporary art spaces to science organizations. [3] She also organized virtual residencies and master classes for artists and curators. [4]
Since the early 2000s, Crowley has become known for curating and organizing international new media and contemporary art events. Key themes in her curatorial work have been food and sustainability. In 2002, she was associate director of the Adelaide Festival, for which she also co-chaired the working group that curated an affiliated exhibition and symposium entitled "conVerge: where art and science meet." [5] In 2004, she went on to serve as the executive producer for ISEA2004, which was held in Tallinn, Estonia, and Helsinki, Finland, as well as on a ferry in the Baltic Sea. [6] In 2005, she became the executive director of Eyebeam Art +Technology Center in New York City, a position she held until 2011. [7] [8] [9] Crowley is credited with returning Eyebeam to its roots as an experimental workspace for artists and fostering its growing community of artists. [10]
In 2014-2015, she was Artistic Director at the Bemis Center for Contemporary Arts in Omaha, Nebraska. [11] In addition to long-term positions such as the one with Eyebeam, she has done shorter curatorial residencies around the world, including at the Banff Center for the Arts (Canada), Bogliasco Foundation (Italy), Helsinki International Artists Program (Finland), Santa Fe Art Institute (U.S.), and Sarai New Media Institute (India). [2]
Crowley occasionally writes for journals such as Artlink , RealTime, the Sarai Reader , and Art Asia Pacific . [12]
Crowley is a board member of NAMAC (National Alliance for Media Art + Culture). [13] She has also been a board advisor of the Seattle art space AKTIONSART since its inception in 2014. [14] [15]
Stephen Raoul Jones is an Australian video artist, writer and curator. Born in Sydney, Australia, Jones, together with Tom Ellard, was a principal member of Severed Heads from 1982 to 1992. He developed analog video synthesizers for the production of video art and for use in Severed Heads' live performances and music videos.
Grace Adela Williams Crowley was an Australian artist and modernist painter.
Honor Harger is a curator and artist from New Zealand. Harger has a particular interest in artistic uses of new technologies. She is currently the executive director of the ArtScience Museum in Singapore.
Eyebeam is a not-for-profit art and technology center in New York City, founded by John Seward Johnson III with co-founders David S. Johnson and Roderic R. Richardson.
James Dodd is a South Australian artist, arts educator and street artist who used the pseudonym Dlux for his street art when he operated out of Melbourne.
Mary Mattingly is an American visual artist living and working in New York City. She was born in Rockville, Connecticut in 1978. She has studied at Parsons School of Design in New York, and received her Bachelor of Fine Arts (BFA) from Pacific Northwest College of Art in Portland, Oregon in 2002. She is the recipient of a Yale University School of Art Fellowship, and was a resident at Eyebeam Art and Technology Center from 2011 to 2012.
Melinda Rackham is an Australian artist, writer and curator.
Valerie Lynch Napaltjarri is an Indigenous Australian artist from Papunya in Australia's Northern Territory. She is a painter and printmaker whose work has been collected by the National Gallery of Australia.
Sarah Cook is a Scotland-based Canadian scholar. She is well known as a historian and curator in the field of New Media art. Cook was a Research Fellow at the University of Sunderland, where she worked with the research institute CRUMB – Curatorial Resource for Upstart Media Bliss, that she co-founded with Beryl Graham in 2000, and taught on the MA Curating course. In 2013 she was appointed as a Reader and Dundee Research Fellow at Duncan of Jordanstone College of Art, University of Dundee. As part of her role as Dundee Fellow she founded and curated LifeSpace Science Art Research Gallery in the School of Life Sciences, University of Dundee (2014-2018). She is a trustee of folly in Lancaster.
Ayah Bdeir is an entrepreneur, inventor, and interactive artist. She is the founder and CEO of littleBits. She is also the co-founder of Daleel Thawra, a directory of protests, initiatives, donations in Lebanon.
Roderick Schrock is an arts executive and curator. He has been the Executive Director at Eyebeam since July, 2015.
Grégory Lasserre & Anaïs met den Ancxt are also known under their artist name Scenocosme.
Andrea Polli is an environmental artist and writer. Polli blends art and science to create widely varied media and technology artworks related to environmental issues. Her works are presented in various forms, she uses interactive websites, digital broadcasting, mobile applications, and performances, which allows her to reach a wider audience.
Sabine Seymour is a designer, author, entrepreneur, and researcher, known for her work in fashionable technology and design. She is the director of the Fashionable Technology Lab and Assistant Professor of Fashionable Technology at Parsons the New School for Design. Seymour is the founder of Moondial Inc., a consulting company specializing in the integration of technology and fabrics.
Lindsay Howard is an American curator, writer, and new media scholar based in New York City whose work explores how the internet is shaping art and culture.
Ellen R. Sandor is an American new media artist. She is also founder of the Chicago-based (art)n, a collective of artists, scientists, mathematicians, and computer experts. Ellen Sandor and (art)n create sculptures that contain computer-generated photographic images that appear to be three dimensional. She is best known for combining computer graphics, sculpture, and photography to visualize subject matter that includes architecture, historical events, and scientific phenomena such as the AIDS virus, Neutrinos, Microglia, and CRISPR.
Nora Nahid Khan is a Warwick, Rhode Island-born American writer of fiction, non-fiction, and literary criticism. She is currently on the Faculty at the Rhode Island School of Design in Digital and Media.
Natalie King is an Australian curator and writer working in Melbourne, Australia. She specializes in Australian and international programs for contemporary art and visual culture. This includes exhibitions, publications, workshops, lectures and cultural partnerships across contemporary art and indigenous culture.
Caroline Phillips is an Australian visual artist who has exhibited works in Australia and internationally in the areas of sculpture, and photography. Phillips' works deploy industrial and textile based materials to critique contemporary feminist aesthetics, through modes of abstraction and materiality.
Brenda Cleniuk was a Canadian curator, artist, and art administrator who served as Director of Neutral Ground Contemporary Art Forum in Regina, Saskatchewan.