Amerasia | ||||
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Studio album by | ||||
Released | 1987 | |||
Studio | Caldwell Studios, 722 Studios | |||
Genre | Country | |||
Label | Fate, Sugar Hill | |||
Producer | Terry Allen, Lloyd Maines | |||
Terry Allen chronology | ||||
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Amerasia is an album by artist Terry Allen, recorded with Caravan, released in 1987 by Fate Records and reissued by Sugar Hill Records. [1] It is the soundtrack to the 1985 film Amerasia by Wolf-Eckart Buhler. The album's liner notes were written by David Byrne.
All tracks composed by Terry Allen
Stephen Simpson Hillage is an English musician, best known as a guitarist. He is associated with the Canterbury scene and has worked in experimental domains since the late 1960s. Besides his solo recordings he has been a member of Uriel, Khan, Gong and System 7.
Hot Buttered Soul is the second studio album by American soul musician Isaac Hayes. Released in June 1969, it is recognized as a landmark recording in soul music. Recorded with The Bar-Kays, the album features four lengthy tracks, including a 12-minute version of the Burt Bacharach/Hal David cover "Walk On By" and an almost 19-minute long version of Jimmy Webb's "By the Time I Get to Phoenix;" both songs were edited significantly and released as a double A-side single in July 1969.
Caravan are an English rock band from the Canterbury area, founded by former Wilde Flowers members David Sinclair, Richard Sinclair, Pye Hastings, and Richard Coughlan in 1968. The band have never achieved the great commercial success that was widely predicted for them at the beginning of their career, but are nevertheless considered a key part of the Canterbury scene of progressive rock acts, blending psychedelic rock, jazz, and classical influences to create a distinctive sound.
Terry Allen is an American singer-songwriter and visual artist from Lubbock, Texas. Allen's musical career spans several albums in the Texas country and outlaw country genres, and his visual art includes painting, conceptual art, performance, and sculpture, with a number of notable bronze sculptures installed publicly in various cities throughout the United States. He currently lives in Santa Fe, New Mexico.
Rustee Allen is an American musician best known as the bass guitar player for the influential funk band Sly and the Family Stone from 1972 to 1975. Allen replaced founding Family Stone member Larry Graham, who was forced out of the band and went on to start his own, Graham Central Station.
The End of an Ear is the debut solo album by Soft Machine's Robert Wyatt.
Miss the Mississippi is a studio album by American country music singer Crystal Gayle. Released in September 1979, it peaked at #3 on the Billboard Country Albums chart.
Caravan, is a Thai folk-rock band that formed out of the 1973 democracy movement. It launched the phleng phuea chiwit genre that has since been popularized by Carabao.
If I Could Do It All Over Again, I'd Do It All Over You is the second album by Canterbury scene band Caravan, released in September 1970. The album is representative of the Canterbury scene genre, featuring representative organ solos and melodic vocals typical of the band's style. The album was released on Decca Records, as was the title track as a single release.
Caravan and the New Symphonia is a record by Caravan recorded on 28 October 1973 at the Theatre Royal in Drury Lane and originally released in 1974 on UK Decca's subsidiary Deram. Bringing the band and The New Symphonia Orchestra together for this recording was the work of Martyn Ford, conductor of the New Symphonia, and John G. Perry, who played bass with Caravan at the time. An expanded and re-ordered version was published in 2001. This version claims to have the tracks in the order as played.
Singing a Song is a 1979 album by British pop group Brotherhood of Man. It was released in December and was their final album for Pye Records after several years with the label.
Oscar Peterson and the Trumpet Kings – Jousts is a 1974 album by Oscar Peterson, consisting of duets with the trumpeters Harry "Sweets" Edison, Jon Faddis, Clark Terry, Roy Eldridge and Dizzy Gillespie. Peterson had recently recorded individual albums with each of the trumpeters, released as Oscar Peterson and Dizzy Gillespie (1974), Oscar Peterson and Roy Eldridge (1974), Oscar Peterson and Harry Edison (1974), Oscar Peterson and Clark Terry (1975), and Oscar Peterson and Jon Faddis (1975).
Don't Cry Out Loud is the title of the seventh album by Melissa Manchester. It was released by Arista Records in October 1978.
Caravan to Midnight is the sixth studio album by the English musician Robin Trower, released in 1978. The album cover art is by Hipgnosis. It was reissued in 1997 as a 2-on-1 CD along with his next 1980 album Victims of the Fury.
The Album is the ninth album released by English progressive rock band Caravan. It was recorded at Farmyard Studios, Little Chalfont, Buckinghamshire in July 1980.
Songs for Oblivion Fishermen is a live album of the progressive rock group Caravan. The material was recorded for the BBC, spanning the years 1970 to 1974.
Dance to the Duke! is an album by American pianist, composer and bandleader Duke Ellington recorded for the Capitol label in 1953. The album has not been released on CD but the tracks have appeared on The Complete Capitol Recordings of Duke Ellington released by Mosaic Records in 1995.
Buddy's Song is a 1991 British comedy-drama film starring Chesney Hawkes, Roger Daltrey, Sharon Duce and Michael Elphick, based on the 1987 novel of the same name by Nigel Hinton. The film follows a teenage boy, Buddy Clark (Hawkes), who is determined to make it as a pop star, aided by his father Terry (Daltrey). He struggles with young love, estranged parents and the problems associated with making it in the music business.
Out on a Limb with Clark Terry is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 and released on the Argo label. The album was released on CD combined with Paul Gonsalves' Cookin' as Daylight Express in 1998.
Gloomy Sunday and Other Bright Moments is an album by jazz trombonist and arranger Bob Brookmeyer recorded in 1961 for the Verve label. Brookmeyer said: "I consider it my pride and joy. I took many creative risks here, most based on the heels of working with Bill [Finegan]. I used woodwinds, double reeds and other instrument configurations I hadn't used before. My attitude toward the orchestration was really a big step forward in my development".