The American Concerto is a trumpet concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the California Center for the Arts, Escondido, the San Diego Symphony, the Virginia Symphony Orchestra, the Buffalo Philharmonic Orchestra, and the trumpeter Doc Severinsen, to whom it is dedicated. The piece was completed in New York on June 12, 1994, and was given its world premiere by Doc Severinsen and the San Diego Symphony under the direction of JoAnn Falletta in Escondido, California, on September 24, 1994. [1]
The American Concerto cast in a single movement and has a performance duration of approximately 15 minutes. Zwilich titled the concerto thus, in part, "to pay tribute to the distinctive and virile style of American brass playing exemplified by Doc Severinsen." In the score program note, the composer elaborated, "Unlike his or her European counterparts, the American brass player typically has had a broad background encompassing orchestral, band and jazz idioms. This lends a special vitality and versatility to the playing and offers remarkable inspiration to a composer. My American Concerto celebrates this marriage of the visceral and exciting to the majestic and uplifting." [1]
The music is scored for a solo trumpet and a large orchestra consisting of piccolo, flute, oboe, English horn, two clarinets, bass clarinet, bassoon, contrabassoon, four horns, two trumpets, two trombones, bass trombone, tuba, timpani, two percussionists, and strings. [1]
The American Concerto has been generally praised by music critics. Reviewing the first performance by the Buffalo Philharmonic Orchestra, Herman Trotter of The Buffalo News wrote, "The music seldom stands still. Predominantly nervous and energetic, it dances around, always moving from one type of expression to another with very natural transitions. But despite this mercurial character of the lyric line, there is a strong feeling of organic unity holding all the elements together." [2] Reviewing the first performance by the Virginia Symphony Orchestra, David Nicholson of the Daily Press similarly observed, "Instead of long melodic lines and sweeping orchestration, the concerto featured brilliant blasts from the trumpet over powerful, agitated undercurrents created by the orchestra." He continued, "The work possessed a tremendous amount of drama, with high-pitched sounds from the trumpet and pounding rhythms from the percussion section. Zwilich's use of different tempos created a relentless feeling that drove the work forward." [3]
Anne Midgette of The New York Times was slightly more critical, however, remarking, "The trumpet concerto was an able piece that moved through its entire course sounding at every moment as if something were just about to happen, with a sense of building climaxes or impending adagios. But it never quite delivered on its promise, seeming finally to be a collection of gestures rather than a fully satisfying continuum." [4]
Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s she had shifted to a post-modernist, neo-romantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich currently serves as the Francis Eppes Distinguished Professor at Florida State University.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. In this regard, she was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.
Philip Smith is an American classical trumpet player. He is former Principal Trumpet with the New York Philharmonic and played with the orchestra from 1978 to 2014. Smith, born in the United Kingdom, is from a Salvation Army background. He assumed the co-principal position in the New York Philharmonic in June 1978 and the principal position in 1988. He also is a supporter of brass bands, performing with various groups of distinction.
Edward Gregson, is an English composer of instrumental and choral music, particularly for brass and wind bands and ensembles, as well as music for the theatre, film, and television. He was also principal of the Royal Northern College of Music.
Eric Ewazen is an American composer and teacher.
Allen Vizzutti is an American trumpeter, composer and music educator.
Jeff Tyzik is an American conductor, arranger, and trumpeter. He has recorded jazz albums as a soloist and arranged pop and jazz music for orchestras.
The Symphony No. 2 is a composition for orchestra by the American composer Ellen Taaffe Zwilich. The work was composed in 1985 on a commission from the San Francisco Symphony. It was first performed on November 13, 1985, by the San Francisco Symphony under the direction of Edo de Waart, to whom the piece is dedicated.
The Symphony No. 3 is a symphony for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the New York Philharmonic to commemorate their sesquicentennial anniversary. It was first performed by the New York Philharmonic conducted by Jahja Ling on February 25, 1993. The symphony is dedicated "with love and admiration" to Kurt Masur and the New York Philharmonic.
Symphony No. 4 is a symphony for chorus, children's choir, and orchestra by the American composer Ellen Taaffe Zwilich. The work was composed in 1999 on a commission from the Michigan State University in honor of John D. Withrow and Dortha J. Withrow, to whom the work is dedicated. It was first performed by the Michigan State University Orchestra, Choral Ensembles, and Children's Chorus conducted by Leon Gregorian on February 5, 2000.
The Concerto for Violin and Orchestra is violin concerto by the American composer Ellen Taaffe Zwilich. The work was commissioned by Carnegie Hall for the violinist Pamela Frank. It was completed on May 25, 1997, and was first performed by Pamela Frank and the Orchestra of St. Luke's conducted by Hugh Wolff in Carnegie Hall on March 26, 1998.
The Symphony No. 5 "Concerto for Orchestra" is a composition for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Juilliard School in honor of Bruce Kovner and Suzie Kovner with support of the Trust of Francis Goelet. It was first performed by the Juilliard Orchestra conducted by James Conlon at Carnegie Hall on October 27, 2008.
The Concerto for Cello and Orchestra is a composition for solo cello and orchestra by the American composer Ellen Taaffe Zwilich. The work was written on a commission from the South Florida Symphony Orchestra. Zwilich composed the piece over a six-month period, completing the work in early 2020. It was given its world premiere by the cellist Zuill Bailey the South Florida Symphony Orchestra conducted by Sebrina María Alfonso on March 5, 2020, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. The concerto is dedicated to Zuill Bailey and Sebrina María Alfonso and written in memory of the cellists Leonard Rose and Mstislav Rostropovich.
The Concerto for Piano and Orchestra is a composition for solo piano and orchestra by the American composer Ellen Taaffe Zwilich. The work was written on a commission from Carnegie Hall, the Detroit Symphony Orchestra, and the League of American Orchestras. It was the first composition ever commissioned by either Carnegie Hall or the League of American Orchestras. The world premiere was performed by the pianist Marc-André Hamelin and the Detroit Symphony Orchestra under the direction of Günther Herbig at the Meadow Brook Music Festival in Rochester Hills, Michigan, on June 26, 1986. The piece is dedicated to Günther Herbig.
The Concerto for Violin, Violoncello and Orchestra is a double concerto for violin, cello, and orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Louisville Orchestra for the violinist Jaime Laredo and the cellist Sharon Robinson and in memory of the sculpture Albert Wein. It was first performed by Laredo, Robinson, and the Louisville Orchestra under the direction of Lawrence Leighton Smith on December 5, 1991. The piece is dedicated to Lawrence Leighton Smith and the Louisville Orchestra.
The Concerto for Oboe and Orchestra is a composition for oboe solo and orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Cleveland Orchestra in honor of their principal oboist John Mack's 25th year with the orchestra. It was first performed by Mack and the Cleveland Orchestra under the direction of Christoph von Dohnányi on January 17, 1991. The piece is dedicated "with affection" to John Mack.
The Clarinet Concerto is a composition for solo clarinet and orchestra by the American composer Ellen Taaffe Zwilich. It was commissioned by the Arlene and Dr. Milton D. Berkman Philanthropic Fund for the clarinetist David Shifrin, to whom the piece is dedicated. The concerto was first performed by Shifrin and twelve members of the Chamber Music Society of Lincoln Center in Alice Tully Hall on September 12, 2003.
The Concerto for Bassoon and Orchestra is a bassoon concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal bassoonist Nancy Goeres. It was given its world premiere by Goeres and the Pittsburgh Symphony Orchestra under the direction of Lorin Maazel in Heinz Hall for the Performing Arts, Pittsburgh, on May 13, 1993. The piece is dedicated to Maazel, Goeres, and the Pittsburgh Symphony Orchestra.
Symbolon is a composition for orchestra written by the American composer Ellen Taaffe Zwilich. The music was commissioned by the New York Philharmonic for their 1988 tour of the Soviet Union. It was completed on January 8, 1988, and was first performed by the New York Philharmonic under the direction of Zubin Mehta in Leningrad on June 1, 1988, making it likely the first piece of American orchestral music to be performed in the Soviet Union. Symbolon is dedicated to Zubin Mehta.